A ghost.

[Kora] [Kora]
That particular choice of words is enough to make Kora laugh - briefly, brightly - out loud. Her mouth curls around the hint of laughter, and the movement of it lingers in the tension of her shoulders, gleams across the surface of her eyes, after.

"No," she says at last, agreeing. Left to her own devices, Imogen - perhaps even Roman - would likely have remained ignorant until they could see the change in her body with their own eyes. "I suppose there aren't rules for that. I meant more - " a gesture of her free hand, and a brief, unconscious, even envious glance at Imogen's beer. " - the rest of it, yeah?" The vomiting packmate, the - drama of it - though Kora leaves that unspoken.

"Would've been better if he found out from me," she continues, sobering. Her fingers circle the rim of her glass. Not beer, but iced tea. A concession, perhaps, to her delicate condition. Kora shoots a look, direct, at Imogen, then looks off, more unfocused, toward the flames dancing in the fireplace.

[Imogen]
Imogen is quiet again, picking up her file folder to lean over, sliding it between the teeth of her brief case's open mouth.

"I'm not owed an apology," this, simple, firm. "Personally, I can't imagine he is, either, but that's fer you and him to decide."

[Kora] "He'd disagree with you," Kora returns, her dark gaze swinging back to Imogen. There is a certain ironic light in her eyes, a certain curl to her mouth, a certain iron underneath the otherwise mild tone, which she dismisses with a subtle twist of her narrow shoulders. "Roman. Though I think we've got that sorted out, now."

Then, her mouth flattens, nostrils flaring as she breathes out this sharp, substrate sort of breath. It isn't humor, precisely, but some awareness of it, some concession to absurdity.

The pads of her fingers trace out patterns in the condensation on her drink. Her attention shifts to the middle distance again, the other patrons in the bar, huddled around their game of darts. "I was concerned it would change, yeah? How he sees me. How we fight." Quiet, this. "Still could, I suppose."

[ghost] She walks beside him, having never been in this part of the city before. There was really no need. And she hated baseball, such a useless sport. The people, the part around Matthias as if he were brandishing a weapon, and maybe in retrospect he was. But she seems comfortable enough at his side. The plus...nobody messes with her while standing his his shadow.


"Anything I should about this area in particular, Matthias?"

She glances up at him for just a moment. There was no need to layers of clothing this evening. A perfectly lovely indian summer. Just her jeans, a t-shirt under a lighter plaid button up. The long blonde hair worn long and in waves. Hiking boots on her feet. A strand of small seashells tied on a leather cord around her throat.

[Imogen] Imogen is quiet, unspeaking briefly, and she looks away, her eyes on the patrons. She picks up beer, drinking deeply of it, draining it to the bottom and setting it aside for it to be picked up the next time the waitress passes. She will not pass often - not with Kora across the table from her. But she will pass eventually.

"Perhaps it should," she says, turning her gaze, directly back.

[Matthias] The figure beside her is a large, Norse figure, by all appearances but freshly removed from the days when viking sailing ships raided the north of France and England. A mane of shoulder length blond hair flowed to wide shoulders, framing a stern, uncompromising visage with eyes the color of tool steel. A small bit of beard flowed from his chin, pointing like an arrow toward twinned pair of red eyes, red eyes of tattooed ravens whose heads peaked above the neckline of the black MMA tee shirt Matthias wore. About his biceps, tattooed knotwork coils, likewise but barely peaking beneath the black cotton of his shirt. His denims were dark, his boots brown leather and thickly soled....

And though he was perhaps under dressed for the locale, no one had seen fit to inform the 6 foot 4 inch, 240 plus pound frame of this Modi.

The ghost who kept his company asked about the area... Matthias' reply is simple.

"Money lives here."

[Matthias] ((Her = the ghost. *nod*))

[Kora] That draws Kora's attention right back to Imogen. She is sitting with her shoulderblades firm against the dark brown siding of the pub, her hair pulled back as it always is, into a haphazard sort of knot that rides low on the nape of her neck, heavy enough that it catches in the grooves of the planed siding lining the walls. The pale strands catch the uncertain light as she cants her head, the gesture animal in its precision, in its directness.

Some shadow of surprise ghosts her pale brows upwards, but underneath her features are still, mouth settled into the neutral curve, her dark eyes sharp and watchful, tension evident at the point of attachment of her jaw. Her eyes flick over the kinswoman, from the empty beer at the edge of the table to her still, small hands, then back to her face.

"You think so?" That hint of something withheld underneath the watchfulness, too. Before she breathes out again, her mouth twisting into a memory of a half-smile. "That surprises me."

[ghost] It had been a very long walk...

"I'd like it if sweet tea lived here too..."

The young woman stops and looks around.

"Come on, it'll be my treat..."

[Matthias] Matthias' mouth widens in an amused grin...

"I would not know. Beer can be found.

That I do know."

As he speaks, he follows the blond woman speaking with him; steel eyes consider the rest of the bar briefly.

((Perception... Does Matthias notice Kora and Imogen are here?))
Dice Rolled:[ 3 d10 ] 2, 5, 6 (Success x 1 at target 6)

[Imogen] Imogen's jaw tightens - a tendon in her jaw showing in sharp relief. She is a contrast to Kora - redhaired to her blonde, her hair swept up and carefully clipped out of the way, even as strands of it fall down from her temples, brushing her cheeks, or the sides of her neck where strands fall loose from her hairline.

She is well-dressed - her jeans expensive, her blouse a fine silk, the v-necked sweater over it, a well-woven wool. Kora cannot see her shoes, but if she spared a thought to them, she might guess their style. Expensive, but understated. Much like everything else about the kinwoman.

"The fact is," she says, finally, coldly, bluntly, "that you have 8 or so months to get through. Doing that, I imagine, will require a change of tactic."

Her expression is controlled, her gaze steady. There is little at all offered of her emotion, except for the tension in her spine, the one single tightening of a tendon in her jaw, there, now gone.

[ghost] She chuckles a little a bit at his statement. Never knew a Modi that didn't know how to find beer. Her selection is random. With him, there didn't seem to be a need to card her at the door as they enter. Her hands slip into the front pockets of her jeans, silvery eyes glancing around quickly. She notices the dart players, and the occupied tables.

"I think a booth would be best..."

At this comment, she places herself back into his shadow. Content with how his size helps obscure her image from others. She didn't care to be noticed, prefering a low key evening. She trusted that Matthias would eventually find the Jarl. But now it was time to take a breather.

[Matthias] Matthias nods...

"As you will..."

Then, the bass rumble becomes more quiet, a hand extended as though to indicate the ghost should lead the way. Quiet enough that only said ghost could hear his words.

Then, grinning, he continues again more loudly.

"And try to pick one with a pretty waitress..."

His tone seems almost amused, as though he were making a joke.

[ghost] As he lets her pick the booth, she nods to one over in the corner. A quick roll of her eyes and an amused smirk at his statement. As they proceed to the booth, she seems a little more alert now. Her head picks up and looks around again before taking a seat. Her words to him are equally quiet. She then seems to fall quiet, her hair shrouding her face for a moment or two.

Her order is for sweet tea, or iced tea with sugar packets.


"

[Kora] Kora's dark gaze lingers; she knows the shape of Imogen's face, the minute, precise nature of the kinswoman's expression, and searches her features for the smallest tells - the tendon in her jaw, the tension in her spine, the steadiness of her unyielding gaze. Her own features are rather more open, a new tension in them, just marked by the shape of her mouth, the settled directness in her eyes.

"So I do." Kora says at last, lifting up her glass in a faintly ironic toast.

Then her attention cuts away from the kinswoman, out into the bar proper. The place is rather empty tonight, the stage empty. A dart league in the corner, and a couple of harried waitresses carefully avoiding the booth near the open window. Matthias and his blond companion have her sitting up rather more straightly, swinging her legs from te bench seat to the floorboards, shifting to sit properly in the booth.

"Have you met?" Kora asks Imogen, changing the subject with a certain - briskness - now. She tips her head in Matthias' direction as she gets his attention, a wordless gesture, half-toast, half-invitation to him to join them. "Modi." She explains, quietly, low-voiced.

[Matthias] Matthias' order is a tall draft Killian's; when the waitress leaves he shrugs in answer.

"It may not be your choice; there are many eyes in this place. But one to notice you could decide the matter."

The red eyed crows tattooed upon his skin seem to stare at her more intently as he mentions deciding the matter; he speaks with a measure of fatalism as though Fate would decide for itself.

Then, he catches Kora's gesture...

"... As it now has."

Matthias moves out of the booth and straightens...

"Come; the time for introductions has arrived."

[Imogen] The kinwoman makes a faint lift of a single shoulder, a negligent shrug. "We may ha'," she says. "He looks familiar, but I don't recall his name."

A cut of her glance back, "I imagine you ha, though." Her gaze flickers to the girl in his shadow, absently appraising, as both begin to approach.

[Roman Turner] He was one to slip in to places. One that had that quietness that came naturally, not assumed nor practiced. When he came out of the men's room he was still wiping his hands on the seat of his jeans. When he got back to the booth he slid in up next to Kora.

"What did I miss?"

[Kora] "Matthias," Kora supplies the modi's name to Imogen with an absent gesture, pulling her glass back toward her body, leaving room on the table for the new comers. Remembering names, after all, is her most sacred charge. Roman returns, then - wanders out of the bathroom, drying his hands, this sixteen-year-old kid tucking around the modi and his companion, the blonde woman in his shadow. He slides in next to her, and she makes room.

" - and a friend, it appears."

Then, a quick glance back at Roman. What did he miss? "Girl talk," Kora returns, this level, ironic twist to her mouth drifting over some other tension written into her frame, her spine, the set of her shoulders, so subtle, so supple as to be virtually unidentifiable.

[ghost] She watches Matthias get up, drawing in a deep breath that catches in her throat. Not daring to look at the Jarl or the others that are with her. Her face still hidden slightly by the wavy length of her golden blonde hair. The young woman then stands up and steps behind him. It wasn't in her personality to be timid or shy. This was more about first impressions.

His frame once again blocks her image for at least a few moments more. Allowing her to exhale slowly, to square her shoulders, and place the length of her hair behind her ears.


[Roman Turner] Girl talk

His mouth formed a big ole "O". In his experience girl talk covered every thing from monthly cramps and which tampon was superior to which was best, Canola or Olive Oil.

Then his attention was on the approaching pair, though he couldn't seem to place either in his mind.

[Imogen] Imogen's eyebrow lifts slightly at Kora's statement, and says, simply. "We also found time t'cure the common cold and find a solution fer world peace."

She smooths her hands against heavy wood of the table.

And now she waits for the pair to approach, the kinwoman's gaze slightly disinterested on them both.

[Matthias] Matthias leads the way to the Jarl, the ghost in tow behind him. Wordlessly, the whole of the way...

When they arrive at the edge of the table where Kora, Imogen, and Roman now sit, he stands easily and nods in greetings...

"Good evening... Jarl. Imogen... I have not yet met your companion."

Steel eyes flit to Roman for a moment; he nods in greetings if the latter meets his gaze.

[Roman Turner] He had no trouble meeting gazes; within his own was an open frankness. What Matthias got back was a polite canting of his head. The girl got the same treatment. He'd let Kora do the talking. For now he curbed his own tongue.

[ghost] As Matthias greats the Jarl and inquires about the others, she takes a small step to his right side.

A young woman who stands 5'8" tall with long blonde hair, and silvery green eyes. She often suffered the mistaken identity of her sister Cigney.


"Good Evening...."

Not sure what to do with her hands. Not the front or back pockets of her jeans...she's content to just flex them by her side. Clearly nervous.

[Kora] There is a certain formality to the way Matthias addresses Kora that eases the line of tension in her body, that curves her expressive mouth into the first half of what is otherwise an easy and generous smile. Still: they're in a pub, deserted as it is, and she is tucked back against the wall, a drink in hand, something dark-colored, with ice, condensation on the glass.

"Matthias," she tips her head toward Roman, who is a good half-dozen years or more her junior, just a kid by the standards of any modern society - though not by their own. "My packmate, Roman." Quiet, this. Kora's voice is not musical, though it is rich, amber in the undertones.

Then the girl beside him turns her head, her eyes catching the light, flashing silver-green. The tension returns. Beside her, Roman can feel her frame shift, her feet still under the table. Dark eyes - the color lost in the shadows of the bar - search out the points of both similarity and divergence before returning to Matthias. " - and your companion?"

[Imogen] (feel free to post around me! Imogen's going to be quiet 'till, uh, she's not.)

[Doom] (My a refreshing change that!! Hahaha! Night folks. Thanks for letting me lurk)

[Matthias] Matthias turns and takes a half-step backward, allowing more room for the blond woman beside him to endure the Jarl's scrutiny. Then, the viking's shoulders shrug...

"Her name is Tyirr. She is one of ours...."

He spares a moment for a glance about the room, for the waitress, before he continues in a much more quiet voice, only just loud enough for those at the table to hear.

"Not true, but of our tribe."

[Imogen] (I need Harv to come back so I can kick him with pointy shoes where pointy shoes should never go... *glowers*)

[Tyirr Ahlgren] ((I can't let you do that to a fellow Canadian, Mei...))

[Matthias] ((You could try aim... He'll get it when he logs back on next time.))

[Roman Turner] He had inclined his head again when Kora introduced him and then turned his attention to studying the woman. There were a lot of blonds with light eyes in Chicago, some even natural blond. And in his brain, just having blond hair made most of those women similar. So between looking at the pair and listening, he was stealing glances at the red haired Goddess in the booth with them.

[Imogen] Imogen's gaze flicks toward the blonde, fixing her with a steady gaze. Her mouth tightens, a seam of silence, then breaks as she leans back, speaking.

"Look a bit familiar," she says, to Cigney's absolute doppelganger. "Expectin' any family in the city, are you?"

[Tyirr Ahlgren] She swallows.

"I'm...my father sent me to speak with you".

The young woman frowns a little. A serious frown, not anything angry. But at Imogen's words, Tyirr looks at her and replied.

"Yeah, I get that sometimes...I guess not so much anymore".

[Roman Turner] His brows furrowed, forming a crease between them with the woman's near dodging of Imogen's comment/question. In fact it had him sniffing his glass to make sure it really was a soft drink.

[Matthias] Matthias watches silently, only excusing himself momentarily to retrieve their drinks from the booth. When he returns, it is with a tall pilsner glass of dark beer...

A significant swig disappears as Matthias raises the glass to his lips; the red eyed crows stare onward.

[Kora] Kora shoots a winging glance toward Imogen as te kinswoman breaks the silence, asking the most obvious of obvious questions. Lifting her chin, she fixes Matthias with a look, then returns her attention to Tyirr. There's a certain stillness about her, though some of the tension eases when the obvious explanation for Tyirr's familiarity is suggested by Imogen, affirmed the the kinswoman. Both the modi and the kinswoman are still standing, ranged around the booth.

Kora gestures the pair of them to pull up a chair, to find a seat. "Tyirr," calm, more than a bit serious, and perfectly direct, dark eyes on the new-come kinswoman, whose features are serious, composed. "I'm Kora, Eyjólfsdóttir." Pronouncing the patronymic with the precision of a fluent speaker of some northern language, though the consonants do not have a continental cast to them. "Jarl here." Anything more formal will wait for a more private occasion. "Your father sent you to learn the story of your sister's death, did he?"

[Sune] She could almost pass unnoticed through the door that she slips through, if it weren't for the sharp contrasts of the bright luster of red hair, the color of autumn, and blue eyes - fire and water combined - set into pale Asian features that draw some attention to Sune. Her stature short with curves bound in the low-rise of dark jeans and a low-collared blouse worn under a leather racing jacket that hung open. She looks about, eyes skimming across the booths and tables, over the bar and around as she stretched up on the toes of her boots to see over a passing patron.

The vinyl strap of a motorcycle helmet dangled between the index and middle fingers of her left hand, thumping quietly against her knee. She crinkles up her nose, reaching into her pocket to pull out her iphone to check the time, and glances around once again.

[Tyirr Ahlgren] When offered a seat, Tyirr looks up at Matthias. She isn't sure about staying, and doesn't really feel like talking to anyone besides the Jarl. But she can't very well just up and leave, doing as she chooses. This is what she had asked of Matthias, an introduction. It would be rude to ask to leave.

She nods to Kora's question meeting her eyes only very briefly before finding something on the table. Yes, she was sent here by her father to inquire as to the true meaning behind her half sisters death. The frown remains on her face. It kept any other emotion from showing. Any other emotion would be unacceptable for such a meeting.


I've been here for about a week, tending to these matters. I should have met you sooner I think. Maybe later...I didn't mean to interrupt your evening.

Tyirr then takes a small step back, and looks towards the door. She'd imagined this going a bit differently.

[Roman Turner] The flicker of red hair at the door drew his attention for a moment. He remembered the odd combination of Bai's face with Imogen's hair. One arm shot up in a wave towards Sune, the girl who had spent time at the church one day he was working on repairs.

[Imogen] Imogen's eyebrow arches sharply as Roman waves at someone else in the pub, and turns her head to glance that way. She regards Sune for several seconds, steadily and then merely, looks away, getting to her feet, snatching up her purse and her empty glass and walking away toward the bar.

[Matthias] Tyirr looks at Matthias, Matthias' eyes flit to Kora as though to indicate it wasn't his call. Roman waves to Sune, steel eyes swivel to the red headed woman's form. The shaggy mane of blond hair dances as he nods in greeting...

Then, after snagging a chair from the next table over, he takes a seat and puts his beer on the table...

After draining some more of its contents to slake his thirst.

[Sune] Sune blinks in surprise, tilting her head to the side as she sees the hand in the air waving at her. It takes a few seconds for her to recognize Roman at the table, her eyes passing over to the others, but only Matthias garners an arched eyebrow as she knew him. She looks over to Imogen briefly, and then away to stare back at Roman with a questioning gaze.

Hesitant to approach at first, she finally paces over, turning her head to look at the others more closely.

[Kora] "You should have," Kora agrees, quietly. There's no bend in this. No give. Her dark eyes are direct on Tyirr as the later is still, serious. Her attention is still there when the young woman glances toward the door. One pale brow rises briefly, glancing between Matthias and Tyirr, taking in their wordless interactions with a sort of watchful stillness.

This time, she is not distracted by Roman's wave, by the hint of red hair near the door of the bar. Kora's eyes remain absolutely steady on Tyirr, moving only to flick toward Matthias, then back again.

"I trust it isn't a mistake you will repeat in the future." Kora continues, still low-voiced and steady, her eyes a dark color - blue, Tyirr will note, only if she looks for it beyond the shadows of the pub's low lighting. "If you'd like to talk about this in a more private setting, give me a call."

With that, she uses the ball point pen left on the table by the last waitress to visit, scrawls a number across a napkin, and gives it to Tyirr. Who seems to be released from further obligations for the evening, if she is inclined to the door.

[Roman Turner] "Well howdy Miss Sune. Ain't seen ya for a bit. Do ya know everyone here? Kora, Imogen, Matthias, Tyirr."

He indicated each with a faint nod of his head, then introduced Sune in his own special way.

"This here is Miss Sune."

[Tyirr Ahlgren] Tyirr moves out of Imogen's way as she gets up suddenly without word, warning, or otherwise. The silvery green eyes move, watching the older woman leave for the bar. Her beliefs as to what these people...these garou were really like are quickly fading. Maybe they just hated outsiders...

As Matthias pulls up a seat, Tyirr's shoulders fall just a little. She copies his action and pulls up a chair as well, taking the seat and folding her arms across her chest. Briefly her fingers trace along the length of her seashell necklace, thinking absently, content to just listen.

Her gaze occassionaly lifts to Kora, and sometimes to Roman. She doesn't know Sune, but offers a small nod. Her heart is beating quicdkly, feeling like there's something wrong. Most likely just her imagination.

At the Jarl's words, Tyirr looks at her and responds quietly.


"No...again, I apologize..."

Her hand slides onto the table to accept the number Kora gives her. The color of her eyes isn't lost on the young woman. The silvery green eyes have a distinct shine to them. It was time to go, with Matthias or not it didn't matter now. She simply can't stay. But it doesn't stop her from asking one last question.

"Where is she?"

[Matthias] ((Folks, I'm starting to fall asleep on us here. Let's just assume Matthias finishes his beer before taking off for the night...

Thanks for the rp))

[Roman Turner] ((Night!))

[Sune] A crooked smile paints across her lips briefly at Roman, inclining her head to him as she pauses on the outer edge of the booth. She looks to the others, confusion crossing her features as she catches the tail end of a conversation she knows nothing about. "Only met Matthias one time, not sure..."

She looks at Tyirr, and then to Roman, and then back to the blond woman once more. She blinks, "I've been keeping busy, Roman, ever get that bathroom finished?"

[Roman Turner] "Near about, it's coming along. Course, I ain't the best at plumbing and the glue can make ya light headed when messing with them PVC pipes, but it's a coming along."

He slid out of the booth taking Sune by the elbow as he lead her a few feet away so Kora and the new woman could talk without interruption.

"Ya still living down there with Mr. Bai?"

[Sune] The confusion on her face only grows more as Roman stands up, coming over to Sune and takes her by the elbow to lead her away. She looks back at the table once last time, and then tilts her head to the side, staring at Roman like he'd grown a second head. She shakes her head, the helmet shifted in her grip, moving it to her other hand so it didn't bump into the Coggie.

"Mr. Bai?" She blinks, "Who is Mr. Bai and why would I be living with him?"

[Roman Turner] "Ya living in China Town?"

He put it simply.

[Sune] "Oh, yes!" her eyebrows shoot up, nodding her head, "I am still in Chinatown with my grandmother, but I'm not living with anyone named Mr. Bai."

She answers.

[Roman Turner] "If ya live in China town, ya live with Mr. Bai, just like if ya live in the Green, ya live with Miss Kora."

It was simple to him.

"See?"

[Sune] It was simple to him, but not to her.

"No... I don't see."

She turns to face him, resting a hand on her hip, "How do you presume I'd be living with someone that I don't know if I'm in a certain part of town?"

[Tyirr Ahlgren] ((Think I'll just call it here for the night. Thank for the RP!))

[Roman Turner] "Ya live in his part of town. Consider it an umbrella and it's storming and there ya are beneath it's protection. In this case, Mr. Bai is holding the umbrella ya got yourself parked under."

[Sune] "Who is this Mr. Bai?" She crooks an eyebrow at him, "I don't understand what you are getting at."

[Roman Turner] "Nevermind, I got a headache now. Good to see ya Miss Sune."

He shook his head and headed back towards the table when it looked like business was over the the other two had gone. Rubbing his brow as he went.

[Imogen] Imogen's returned to her seat across from Kora, a new pint of beer in hand. Tyirr has just left, following Matthias, her introductions and preliminary purpose made.

"Uncanny," the kinwoman remarks in the wake of Cigney's sister, lifting her glass for a deep drink.

[Sune] Sune trots after Roman, not letting him get very far as her hand stretched out to grab his wrist, halting part of his progression back to the table to allow her to catch up to him. "What is wrong with you? You don't start a conversation like that and then just walk away and leave me confused, sheesh."

She glances at Imogen as the other woman returned to the table to resume her seat, she quirks an eyebrow at her comment, but doesn't say anything to it just yet.

[Roman Turner] "Yessum, I do. I done my duty."

He smiled and turned back towards the table, calling over his shoulder.

"Though if ya want to join us, I'm sure the lovely ladies at the table ain't gonna mind."

[Kora] Kora's attention lingers in the wake of the pair - Matthias and Tyiir - rather longer than was strictly necessary. There's no grief in her eyes, just a certain rather far-way look, as if she had been caught day-dreaming, alone at the booth. Imogen says, [i]Uncanny[i] - then, and Kora shakes her head, this sort of awareness in her now, expanding to include the rest of the room.

- and of course, the pure breeding that rolls off Sune light waves of heat in the desert.

"Bit of an understatement there, doc," Kora replies, "don't you think?"

Roman is heading back to the table, and Sune grabs his wrist, then follows in his wake. They are lucky that the place is not crowded tonight, no one on the stage, just some regulars and a dart league in the corner. Most folks are at sports bars on Saturdays in October, rooting on their alma maters. This place eschews televisions, though, in favor of authenticity. "Who's your friend, Roman?"

[Sune] "Doing your duty..."

She grouses at Roman, fixing a look on him for a second and then shakes her head, "Harrumph." She lets go of his wrist, stopping at the edge of the table to look over at Kora as she asks who she was. Color flushes the kin's cheeks for a moment, and she tilts her head down to look at the table, and then up again. Her arms tucking behind her to rest against her lower back.

[Imogen] Imogen's mouth twists slightly. "Well," she says, "I am English." Explaining her gift for the understatement.

Kora asks who Roman's friend is - the 'friend' blushes. Imogen waits for introductions of some sort of another.

[Roman Turner] "That's Miss Sune. She's, well she's kind of a half and half."

He reclaimed his seat.

"Right Miss Sune?"

He had to include her with her standing there.

"She looks like Mr. Bai's heritage, but she is only half or something. The other half is the family she claims as her own. The one Miss Imogen was in her early days."

This was him trying to be discrete.

[Sune] Sune closes her eyes as Roman tries to be discrete, it was laughable, his explanation of her 'heritage'. She shakes her head at him, opening up her eyes to just stare at him. "It's half Chinese and half Irish, not half of this person and fifty percent of the other. You make me sound like a coffee creme, Roman, half and half... but you are correct."

"Sune Firehair." Pronouncing her first name as 'SOO-nee'.

[Kora] Imogen's mouth twists slightly. Kora laughs, though - quiet but outloud, a sharp breath she breathes out through her nostrils, followed by curve of her generous mouth and a sort of quiet chuckle that disappears into her throat, into her body, even while the laughter lingers in her eyes, in the near curl of her expression features, the light in hereyes, the brief, passing openness about her, dark eyed, pale skinned, crowned with pale blond hair.

Then her attention sharpens on Sune. "I've heard of you." Kora says, tipping her head toward one of the scattered chairs by way of invitation. "Sune Firehair." Her pronunciation is clear and correct, mimicking Sune's own. "Have you made contact with your tribe?"

[Roman Turner] Making her sound like a coffee cream was nicer than saying he was making her sound like Heinz 57, so he just leaned back against Kora, needing that touch of Pack and serenely smiled replying to Sune's comment.

"Yessum."

Just like a good boy.

[Imogen] Imogen fires Roman an unreadable glance at his explanation including remarking that the tribe was 'the one that Miss Imogen was in her early days.' Then, her gaze moves to Sune (SOO-nee) as she speaks.

She allows the conversation to wash around her, lifting her beer to take a deep swallow, her gaze moving away to the crowd.

[Roman Turner] He mistook the look from Imogen, reading it the way his besotted imagination wanted, this earned Imogen a big ole puppy dog eyed look and a content sigh as a side order.

[Sune] She accepts the invite to take a seat, setting the bike helmet down on the floor next to her boot. She leans forward, propping her arms on the edge of the table as her eyes meet Kora's gaze first, then skim over to Roman. She snorts softly and shakes her head at him, eyebrows quirked up as Kora mentions that she's heard of her.

"Heard of me in a good way or a bad way? Seems like every stranger I run into has heard about me in some fashion." She rubs her thumb across her lower lip, "Need to stuff a sock in that rooster," she shakes her head, "And no, I haven't made contact with anyone in my tribe, heard there weren't any here."

[Kora] "You brandished a weapon at one of my tribesmates," Kora returns, not quantifying whether she deems this a "good" or a "bad" thing. She says it plainly, a hint of a smile to her wide mouth - one that often seems to linger there, her base expression, even when she's still, nearly expressionless. The right corner of her mouth rises, then, this little quirk. " - he took it away from you, and tried to offer it to one of his kin as a gift for her assistance."

Light sheens across her dark blue eyes, a moment's - not grief, there, just a moment's give in her expression. Cgney was dead now, and her doppleganger had just walked in and out of their lives. And the tribesmate whose Alpha was to find and notify Sune's tribe of the offense either by her or against her no longer has a pack or an Alpha.

"There is one of your own here, named Tongue-Twister. I sent my tribesmates to her, to return your weapon. You should look for her, leave word at the Brotherhood if you have no other means of contact."

[Roman Turner] (don't wait for me, I am zoning)

[Sune] "Your tribe mate nearly broke my wrist when he accosted me in public and in view of another kin that tried to diffuse the situation in front of a group of mortals. Acting like a mad man, when I didn't even know what he was. He presumed I was making fun of him when he called me unknowingly by my last name."

She shrugs her shoulders, straightening in the chair as she bends to pick up the helmet and pull it into her lap, "I'll keep that in mind about this Tongue-Twister you mention."

[Roman Turner] "Wait."

He finally spoke up.

"If you were concerned about the group of mortals, why draw a gun?"

[Imogen] Imogen drains her beer, and begins to get to her feet. "Think I'll stay out o' this one," she says. A Fianna kinfolk pulling a weapon on a Fenrir.

"Ha' a good night." This to all and none.

[Kora] A brief glance at her Ragabash packmate has Kora's mouth twisting minutely, lingeringly. Then, she shakes her pale head, pulling her glass closer to her, pale arms gleaming in the polished surface of the wood with the gesture. She's doffed her cotton hoodie by now, leaving her barearmed in the cool air drifting in through the open window.

"I'm not here to argue the point, Sune," Kora says, quietly. Softly even, but not quite gently. There's something firm underneath " - I told you what I'd heard about you because you asked me whether it was good or bad. I'll let you decide which. If you genuinely believe yourself wronged by his actions, find Tongue-Twister, make your grievance known. He will answer for himself. Maybe she'll return your weapon."

Other people's problems.

[Twilight] Illinois is the flattest state in the country, and the suburban ring around Chicago proper proves it, again and again. There's work here, on the tree lined streets of the inner suburbs, the flat ranch houses from the 50s interspersed with split levels and flat attempts are cookie-cutter modernism from the 70s. Strangely enough, the lots are larger closer in than they are father out, the homes smaller but usually more solid. The further away from the city's core one travels, the larger the homes become, the smaller the home lots.

Napierville - that's the interstate exit for this suburb - has a mix of working and lower-middle class homes hugged on two sides by limited access highways, interspersed with sprawling strips of shopping centers, new and old, fast food and franchise restaurants, car dealerships. The sidewalks seem more like suggestions that promises. No one here walks to the store, even if they walk for pleasure, around the cul-de-sac, the circular subdivision platted 50 years ago by some enterprising developer. In Napierville, the housing developments are named after trees. Maplewood. Oakwood. Birchwood, and Beechwood. Further out, the McMansion developments are named rather more grandly - Fox Chase Heights, or The Estates at Devonshire.

He has clients out here. He replaced a faucet for Mrs. Anna Schuler, an energetic retiree who will only admit to be over-50, and that is cheating her age by at least 15 years. Then, he fixed a closet door, got a window unstuck, crawled under the house to remove a dead rodent. Now she calls him for any small problem she might have, and recommended him to her daughter and the bridge ladies.

--

Dusk in the sprawl is deceptive. The land is so flat that he cannot see the central business distract scraping the sky from anywhere in Napierville, and all the development foreshortens one's sense of space. Napierville feels like everywhere and nowhere, all at once.

There's a locally owned hardware store tucked away in an older shopping center that has otherwise gone seedy. He gets in an out quick, quicker than he ever would at Home Depot, and at Love's Hardware they'll exchange the part if its wrong, even a two dollar part in an opened package, no questions asked. The owner, an older man with a shock of white hair and rough, warm hands always remembers his name.

The rest of the stores are distinctly low-end. There's an Odd Lots, a cheap Mexican restaurant fitted into the remains of an Arby's. Illegal immigrants hang out in the parking lot mornings, waiting for contractors to come by and pick up day laborers. The Smoker Friendly store promises LIQUOR TOO! in big neon lights, and a check cashing/Western Union WE SPEAK SPANISH store rounds out the offerings.

He was by here earlier to pick up a couple of washers, a Y-joint and some drywall tape. The couple was here then, too, in a dusky blue Chevy Cavalier circa 1993, the hood up. They're young, right - eighteen or nineteen - a ropey young man with a shaved head and tattoos, and a slight, angular young woman with dyed black hair, a toddler in a sagging diaper in her arms.

The young man was leaning over the engine block, a gallon jug in one hand, grease on his hands. The girl braced her hips against the passenger's door, holding the toddler with the careless ease that comes from both long practice and underscored frustration.

Two hours later, dusk on the horizon, the stores closed, the parking lot mostly empty, the couple and their Chevy Cavalier are still there. There's a new tension to the girl's body language. She has the toddler lifted up to one hip, and is standing just away from the car, turning her shoulders inward, supporting the baby's bottom with one hand, bracing his flank with the other.

The young man is leaning over the engine block again, but he's looking right at her. Muscles bunching visibly in his arms. Trent's stopped at the traffic light just over from the shopping center, and even from a distance, windows rolled up, sound off, there's a sort of undeniable tension to that snapshot.

The way she holds the baby. The way he is looking at her.

Everyone else just drives by.

Someone else's problem, that.

It's Wednesday, too. Church night for the Baptists, and the baseball playoffs are starting again. Yankees against the Rays. Red against the Phillies. No reason to interfere.

[Trent Brumby] Work is just that, but he makes it pleasant. He does his job well so that he feels alright with taking money off nice old ladies in order to pay his bills and a grocery bill that continues to grow each week. He has plenty to save up for, not quite sure what he's going to do when the baby comes and he will have to spend more time at home so that Kora can continue being the Garou that she is. He thinks about these things, this goal he's working towards.

Its still on his mind when he looks over to the couple that are still there. He decides to pull in instead of continue on. It's not just the fact that they have a toddler, but the looks being given and the body language. He hopes there's no guns involved or blades, fists he could deal with if it comes to that. Trent is not yet paranoid to be carrying his gun around with him. Silly perhaps, but true enough.

His typical, well running sedan pulls into the parking area and he shuts off the engine. Phone in his pocket, he pushes open his door and climbs out. Still in his work gear, dark pants, boots and a polo with the buttons undone, he's managed to clean off most of the stuff on his hands but understands the grease the other guy wears well.

"You folks need a hand?"

[Twilight] There was rain earlier, some storm front passing through. Now the sun is out again, and the clouds are intermittent, edged with orange and pink, this heartbreaking autumn sky. The sort of sky you just - sit, and peer out at while you inch through traffic, another car in a hundred thousand crawling around the spiral of highways and arteries of the city - reminded of the fastness of all things, the falling leaves, the slant of light across the windshield, the bite of chill in the shadows, the warmth of the sun at midday.

Those painted clouds - the quilted gray edged with pink and orange highlights - reflect in the liquid surface of his windshield as he pulls into the shopping center. The parking lot is mostly empty, except for a few cars scattered around the Mexican restuarant.

His headlights cut across the pair before he kills them, and neither of them seem to be aware that he has pulled up rather close - Good Samaritan - until he shuts his car door behind him.

The girl turns and looks, she has this mottled combination of dyed black and brown hair, and hazel eyes, and she looks at him wide-eyed, drawing in a breath, shifting the child in her arms.

"Yeah," the young man says, his hands planted on the car frame, the hood still open, fixed there by the rigid metal arm. There's something silky, insinuating about the way he says it. His intense gaze doesn't leave the young woman, he doesn't turn to look at Trent, doesn't acknowledge the other man's presence. Just leans forward, snake-like, over the engine block, staring at the girl. " - do we need a fucking hand, Amber?"

There's an ugly spill of radiator fluid under on the asphalt, that burned smell that comes from overheating still lingers in the air.

[Trent Brumby] "Since she's not the one under the hood," Trent says with this unfazed strength under his voice as he approaches, "I doubt she can tell me if you need a hand with getting on the road." There's still a distance between himself and the guy threatening the girl, not within swinging distance - yet. But his attempt is to draw the mans attention from the woman and the child, bringing that smooth wrath on himself. He wants to keep the woman out of it, force the man into picking on someone closer to his own size. At the same time he's not being overly hostile about it, trying to remain the great Samaritan that he tries to be.

The look he had given to Amber had been brief and short, the nod he gave her a short acknowledgment of her presence, letting her know that he see's her but isn't going to bring attention to her in that sort of way. There are ways to go about these things, he's learned. It never, ever turns out well.

[Twilight] Amber meets Trent's eyes briefly. The look is stark in the dying light, the sweep of the western sky so-briefly reflected there. She's young, twenty maybe, dressed in jeans and a gray hoodie, a handful of silicon bracelets on her bony wrist, visible where the sleeve peels back. There's something firm about her jaw. Not frightened, really - more ashamed. At the circumstances, the cheap car in the cheap parking lot in the middle-ring of suburbs too far out to be fashionable, to close in to be brand spanking nouveau-riche new.

Cradling the back of the baby's head, shifting its weight in her arms, she straightens from her casual lean against the frame of the car. Steps back, a step or two.

"Who the fuck," Trent addresses the young man directly, and he whips around a look at the interloper at last. He was blonde, but his head is close shaven, as if he just got out of the military, or prison. Ear stretchers in either ear complete the look. There's a certain - menace to his glower. Something sinuous to it, enough that it feels unnatural. " - are you, man?"

"Johnny." Amber inserts.

"No - "

"Johnny. He's just - "

"NO." says Johnny, staring at Trent the entire time now. "That fucking bitch drove the fucking thing until the fucking radiator cracked and didn't fucking bother to fucking tell me until we're stuck next to El Mato Gringo Fuck-me Taco - "

[Trent Brumby] Standing his ground, he managed to keep his face about as expressively calm as he's able in the situation, which is to say his jaw is beginning to show his tension and his eyes are slowly appearing harder. He breathes in slow, subtle, to keep from his heart rate from starting into some rapid beat and get that adrenalin pumping. Even he knows once it crosses a certain line it becomes this primal, testosterone laden battle.

"What's done is done. Yelling about it isn't going to get it fixed." Trent says it level, not quite calm, but certainly the more controlled of the two of them. "Tone it down, take a breath and step back."

Gesturing vaguely behind him. "Why don't you go grab a cool drink, and I'll call in a tow to get you on the road?" Even if it's some futile attempt to dispel the tension and make this go a different route to the usual one, he still tries it. He's worked in security, sure, but he still has a tendency to meet aggression with aggression, a trap he's trying to prevent.

[Twilight] Amber gives a quick jerk of her head. She's a half car-length away from Johnny now, holding the deadweight of the sleeping toddler carefully in her arms. The child has a shock of dirty blonde hair that is starting to curl at the the tips, but otherwise has that chubby androgeny of young children. "Can't afford a tow," Amber murmurs quietly, not contradicting, just supplying the information. God knows, that car probably wouldn't be worth whatever it took to towit back to the city.

"Listen, though, baby - " this to Johnny, quiet, reasonable, pleading underneath, the sort of inexorable negotiation she must have been trying all day on the muscle-bound kid. "Baby, please. Listen to him, it's not - we can get a bus, right? We can get a bus back to the city, and maybe you can get someone to come back out with you, I mean - it's not going - "

"SHUT THE FUCK UP." Johnny shouts. There's this brief spasm of almost inhuman emotion, anger so raw it coruscates. Trent is close enough now to see the sweat on Johnny's forehead, beads of it. No matter that the mercury never topped 70, and night is falling now, cool air from the north curling around the bases of things. Abruptly, Johnny - slams down the hood of the car, enough force that he snaps the metal arm in two, bounces the frame of the car violently on its struts.

This wakes the baby.
He starts crying.

"I. said. - " Johnny does that thing now, his hands fists, his arms opening wide, as if he were struggling against the tide for control. His words are a monotone. " - who. the. fuck. are. you. man."

At least he's ignoring Amber now, all that anger focused on Trent.

[Trent Brumby] Perception + Alertness
Dice Rolled:[ 6 d10 ] 3, 4, 4, 5, 5, 6 (Success x 1 at target 6)

[Trent Brumby] "Amber, is it?" This without taking his eyes off Johnny. "Why don't you take the young one over to that store over there? Ask them to give you a drink and something to eat. The bill will be on me." He looks good for it, the money. Some hard working blue collar. Mostly he just wants her out and away from this very angry, possibly steroid taking prick. He's probably in over his head, but it doesn't make him back down.

He's coming to the end of Mr. Nice Guy.

"It doesn't matter who I am, Sir, just that you calm down and take a breather. No need to get yourself worked up for nothing." Watching carefully. "Not when we can work something out."

[Twilight] Amber is it? Trent asks, and Amber nods, yeah, she gives him this fleeting, ghostly smile, like they're allies in this, you know, in this parking lot. The baby is crying, these hitching breathes where the crying seems almost experimental, and Amber bends to touch her forehead to his, shaking him in that familiar soothing motion. She's backtracking - slowly though, step by step.

"Yeah," she says, a hitching breath underneath, not crying, just disbelieving. Continuing this mantra like a cycle, turning it over again and again, as if that might stop things before they get worse. It sounds familiar.

She's said it alot lately. " - yeah okay. Listen, Johnny - baby, he's just trying to help, it's just a car, you aren't like this. You don't have to be like this. Remember, you don't need this. It's me, baby. It's me right here, I know - "

"Are you hitting on my girlfriend?" Johnny returns. There's this moment where it feels like a genuine question, almost bewildered, like he's just not sure what's going on anymore. "Are you hitting on my fucking girlfriend? - "

He turns on Amber, then, who now has the whole length of the car between herself and her crazed boyfriend. "Are you fucking him, Amber? Is that what is fucking going on here? Are you two - "
to Trent Brumby

[Twilight] The man's anger isn't natural. Not entirely. It feels charged, somehow, like there's something twisting itself inside him and pushing out through the inside. No - that's not it. There's something about the way Johnny looks at him, directly, underneath the slick gloss of menace that is disbelieving, like he's watching himself turn into a movie of his life, like he's turning into something he cannot quite remember, something he cannot recover from. Bill Bixby into the Hulk.

the way he opens his fists and closes them again - he just wants to hurt something. Smash his way through. Barely in control now, he's about to unleash, and will attack Trent or Amber. Or the fucking car. Even Johnny doesn't know whom. He just knows that breaking something under his fists is the only way to quiet whatever is in his head.
to Trent Brumby

[Twilight] Amber is it? Trent asks, and Amber nods, yeah, she gives him this fleeting, ghostly smile, like they're allies in this, you know, in this parking lot. The baby is crying, these hitching breathes where the crying seems almost experimental, and Amber bends to touch her forehead to his, shaking him in that familiar soothing motion. She's backtracking - slowly though, step by step.

"Yeah," she says, a hitching breath underneath, not crying, just disbelieving. Continuing this mantra like a cycle, turning it over again and again, as if that might stop things before they get worse. It sounds familiar.

She's said it alot lately. " - yeah okay. Listen, Johnny - baby, he's just trying to help, it's just a car, you aren't like this. You don't have to be like this. Remember, you don't need this. It's me, baby. It's me right here, I know - "

"Are you hitting on my girlfriend?" Johnny returns. There's this moment where it feels like a genuine question, almost bewildered, like he's just not sure what's going on anymore. "Are you hitting on my fucking girlfriend? - "

He turns on Amber, then, who now has the whole length of the car between herself and her crazed boyfriend. "Are you fucking him, Amber? Is that what is fucking going on here? Are you two - "

[Twilight] (pause!)

[Twilight] Amber is it? Trent asks, and Amber nods, yeah, she gives him this fleeting, ghostly smile, like they're allies in this, you know, in this parking lot. The baby is crying, these hitching breathes where the crying seems almost experimental, and Amber bends to touch her forehead to his, shaking him in that familiar soothing motion. She's backtracking - slowly though, step by step.

"Yeah," she says, a hitching breath underneath, not crying, just disbelieving. Continuing this mantra like a cycle, turning it over again and again, as if that might stop things before they get worse. It sounds familiar.

She's said it alot lately. " - yeah okay. Listen, Johnny - baby, he's just trying to help, it's just a car, you aren't like this. You don't have to be like this. Remember, you don't need this. It's me, baby. It's me right here, I know - "

"Are you hitting on my girlfriend?" Johnny returns. There's this moment where it feels like a genuine question, almost bewildered, like he's just not sure what's going on anymore. "Are you hitting on my fucking girlfriend? - "

He turns on Amber, then, who now has the whole length of the car between herself and her crazed boyfriend. "Are you fucking him, Amber? Is that what is fucking going on here? Are you two - "

[Trent Brumby] His tongue runs over his teeth briefly as the man accuses them both of doing something rather impossible given the circumstances. "Be reasonable," Trent tells Johnny, "I've just met you both and I'd have to be the fool to hit on your girlfriend, who has your baby- which is upset, and yelling isn't going to help the poor kid. I'm suggesting they go and sit somewhere cool and grab something to drink."

"I've offered you the same, but you insist on yelling and throwing your weight around, Johnny."

"Now. Are we going to see what we can do about your car and get you back home, or do you want to stand around here and argue all night?" Brows raise as he starts to come towards the end of his own patience. He's noticed quite a few things about the man, and he's one hundred percent certain that this is going to become violence of some kind. It's a matter of who's going to be the target for it.

[Twilight] The sun has sunk below the horizon now. There is pink streaking the sky, a dull bleak glow from the streetlamps in the parking lot, the ghostly illumination of passing headlights shining over them. Cars stop at the stoplight in these great, moving herds, like beasts on the savannah. When the light turns green, they move again, that elegant, organized chaos. Trent is not the only driver to glance out the window, day-dreaming, waiting for the light to change, waiting for the car in front to move. Trent is not the only driver to see the couple - now trio - in this tableau like a diorama, the lines of promised iolence, deep-bone tension underscored in even a passing view of the group.

He's the only one to stop, though.

The shopping center has a desolate feel in the twilight shadows. There's the faint scent of garbage, and grease pumped out of the Mexican restauant. Just three cars are turned in and parked in front of the reclaimed, repurposed Arby's. No one has come in or out since he pulled in. The hardware store is closed, but neon lights from the check-cashing place glow dully in the dark.

Johnny is shorter than Trent by a good five inches. He has the compact, wiry physique of a bantam weight wrestler, and the cropped hair cut of an ex-con. His eyes are a water blue, the pupils dilated with rage. Tendons stand out in his neck. "Be reasonable," Trent tells Johnny, and the kid - twenty years old, maybe - grits his teeth, opens his fists, and smacksthe car frame, open handed.

Amber has the baby clasped firmly in her arms now, a full length of the car between her and her boyfriend. Her shoulder is turned toward her boyfriend, protecting the infant bodily. "Baby," she says, desperation a clear undercurrent. She doesn't want to leave him here, cannot let him go. " - this isn't you. It's just a car, right? It's not - we're a team baby, right? You plus me against the world - I don't know - "

Trent returns each one of the young man's accusations in a firm, quiet tone, with that inexorable logic underneath, and once - just once - he gives Trent this enchained look. Like there's still a person underneath the rage, like he gets it, all of it, he just needs a way through, a spool of thread unwound to guide him through this maze -

- and then it drops, that look, Amber is backing away from him. Like she's afraid of him. Like she's afraid, like she has reason to be afraid, his frayed control snaps. Hands again fists, Johnny punches the hod of the car one more time, then takes off, charging for Amber.

[Inits!]

[Twilight] Johnny +5
Dice Rolled:[ 1 d10 ] 4

[Twilight] Amber! +5
Dice Rolled:[ 1 d10 ] 8

[Trent Brumby] + 5
Dice Rolled:[ 1 d10 ] 5

[Twilight] Amber: 13
Trent: 10
Johnny: 9

Johnny: 1a. Charge Amber! 1b. Grapple Amber!

[Trent Brumby] Body tackle Johnny.

[Twilight] Amber: run away!

[Trent Brumby] The moment that Johnny takes off after the woman and the baby, Trent springs into action. There's no way that he would stand by idly while a prick like this guy chases down an innocent, vulnerable woman and a harmless child. He can hardly believe it when Johnny charges in the first place, but having expected some reaction from the guy, Trent is quick to act. Boots kick off the ground as he sprints after him, all reason gone, as he goes to tackle the guy off course.

[Trent Brumby] Dex+ brawl (bodytackle)
Dice Rolled:[ 5 d10 ] 5, 6, 7, 7, 8 (Success x 6 at target 5) [WP]

[Trent Brumby] Dex+ Ath
Dice Rolled:[ 4 d10 ] 1, 6, 6, 7 (Success x 2 at target 6)

[Twilight] Dex + Ath
Dice Rolled:[ 4 d10 ] 2, 2, 3, 4 (Failure at target 10)

[Trent Brumby] Damage
Dice Rolled:[ 8 d10 ] 2, 3, 3, 4, 5, 6, 7, 8 (Success x 3 at target 6)

[Twilight] Johnny: Soak!
Dice Rolled:[ 3 d10 ] 1, 6, 10 (Success x 1 at target 6)

[Twilight] Amber runs, this half-hitched stride, slower than she would be, burdened as she is by the weight of the crying child. There's this choked off cry out of her mouth that sounds almost like her boyfriend's name, never fully formed. When Johnny takes off after Amber, Trent throughs himself - throws himself at Johnny, tackling him from behind and bringing him down hard. Trent keeps his feet, by Johnny goes down to his knees, then sprawling, cracking his chin against the asphalt. Coughing, spitting blood, Johnny pushes himself up, struggling to get back to his feet.

[Johnny: change actions 1a/b to: 1. GET UP. Dex + Ath -1 wounds, dif 5.]
Dice Rolled:[ 3 d10 ] 1, 7, 7 (Success x 1 at target 5)

[Twilight] Johnny: 1a. Punch Trent! 1b. Punch Trent again!

[Trent Brumby] Grapple Johnny to ground.

[Twilight] Amber: Stop running, back away. Watching! Staring in horror!

[Trent Brumby] Grapple. Str + Bra
Dice Rolled:[ 5 d10 ] 4, 5, 7, 8, 9 (Success x 4 at target 5)

[Twilight] Johnny: change actions. 1. ESCAPE grapple. -1 for wounds.
Dice Rolled:[ 4 d10 ] 1, 3, 3, 7 (Failure at target 6)

[Trent Brumby] Damage for cinch
Dice Rolled:[ 6 d10 ] 1, 2, 3, 4, 8, 8 (Success x 1 at target 6)

[Twilight] Soak!
Dice Rolled:[ 3 d10 ] 8, 10, 10 (Success x 3 at target 6)

[Twilight] Pebbles, crumbled bits of buckled asphalt studding his chin, digging into both palms, Johnny pushes himself up, to his knees, soon gaining is feet, turning around in this sort of choking rage to half-face his attack. His scraped hands are fists again, that rage runneling through him like fire as he turns to face his attacking. A good car length and a half-away, Amber turns, cradling her infant, breathing heavy, staring, wide-eyed, tears on her face, openly.

This time, Trent grabs Johnny, holding him firmly. He's larger, he has a greater reach, but otherwise they are well-matched. Johnny is just dazed from the way his head struck the pavement, and he cannot shrug off the hold. Close up, Trent can feel the way the kid's skin burns, like he is enfevered, the ripple of fury in the kid's corded muscles.

[Twilight] Round 3: rundown.

Amber - okay, staring.
Trent - okay!
Johnny - 2 bashing, grappled.


Johnny: 1. Break free!

[Trent Brumby] On the ground kid!

[Twilight] Amber: open-mouthed!
Johnny, Jr.: bawl!

[Trent Brumby] Str + Bra
Dice Rolled:[ 5 d10 ] 2, 3, 4, 8, 10 (Success x 2 at target 5)

[Trent Brumby] Damage
Dice Rolled:[ 4 d10 ] 2, 5, 6, 9 (Success x 2 at target 6)

[Twilight] Soak!
Dice Rolled:[ 3 d10 ] 1, 6, 10 (Success x 1 at target 6)

[Twilight] Johnny: Changes action. 1. HEAD BUTT. Dex + Brawl -1 (wounds), dif 7
Dice Rolled:[ 4 d10 ] 3, 8, 9, 10 (Success x 4 at target 7) [WP]

[Twilight] Damage!
Dice Rolled:[ 6 d10 ] 1, 3, 4, 5, 9, 9 (Success x 1 at target 6)

[Trent Brumby] Stamina
Dice Rolled:[ 4 d10 ] 2, 4, 8, 8 (Success x 2 at target 6)

[Twilight] The struggle is hard-fought, punctuated by grunts, by this furious, impotent snarl from the young man as Trent begins to wrestle him to the ground. Trent has wrestled the other man down to one knee, nearly but not quite on the ground, dominating the fight, and can sense him bracing himself to try breaking free once more. Instead, quite abruptly, Johnny snaps his head back, making contact with Trent's forehead, a dull crack of bone on bone.

Round 4.

Trent: okay!
Johnny: 3 Bashing, grappled, half-way to the ground.

[Twilight] Johnny: 1a. Head-Butt! 1b. KICK Trent.

[Trent Brumby] Continue to wrestle.

[Trent Brumby] Str + Bra
Dice Rolled:[ 5 d10 ] 3, 10, 10, 10, 10 (Success x 4 at target 5)

[Trent Brumby] Damage
Dice Rolled:[ 6 d10 ] 1, 1, 2, 4, 4, 10 (Failure at target 6)

[Twilight] Johnny: 1a. HEAD BUTT. -1 (wounds) -2 (split)
Dice Rolled:[ 2 d10 ] 7, 7 (Success x 2 at target 7)

[Twilight] Damage!
Dice Rolled:[ 4 d10 ] 1, 5, 8, 8 (Success x 1 at target 6)

[Trent Brumby] Soak
Dice Rolled:[ 4 d10 ] 2, 5, 6, 10 (Success x 2 at target 6)

[Twilight] 1b. KICK. -1 (wounds) -2 (split). dif +2
Dice Rolled:[ 1 d10 ] 6 (Success x 1 at target 9) [WP]

[Twilight] Damage!
Dice Rolled:[ 4 d10 ] 3, 3, 9, 10 (Success x 2 at target 6)

[Trent Brumby] Soak
Dice Rolled:[ 4 d10 ] 1, 2, 3, 6 (Failure at target 6)

[Twilight] Trent wrestles Johnny to the ground, effectively pinning him under his weight, an arm around the kid's shoulders, a firm hand between his shoulder blades, holding him against the asphalt. Pinned, Johnny continues to struggle - wildly now, thoughtlessly. He isn't trying to break free, he's just throwing these desperate blows, frantic, lashing back to head butt Trent again, scissoring a kick that somehow catches Trent in the left knee, leaving bruises behind.

"Stop, stop - " it's impossible to tell to whom Amber is speaking. Johnny, Trent, the universe, the shadow of the sun on the horizon. There's a hint of fear, there, a rich note of desperation. " - baby," there are tears steaking her cheeks, though, and maybe she is just talking to the baby, rocking him as he continues to cry. Her body is stark, the raw afterburn of fear in her throat. If Trent were not here, that would be her on the asphalt.

She hugs the baby tighter, holding him with a sort of fierce desperation.

[Twilight] Round 5! DING DING DING.

Amber: crying.
Trent: 1 bashing! on top!
Johnny: 3 bashing! Grrrr. Pinned. +2 dif to his actions, -2 dif to actions against him.

[Twilight] Johnny:

1. Elbow Trent!

[Trent Brumby] "Take your baby inside!" His voice cuts out more angry then before. He doesn't mean to direct it at her like that, but he's struggling with a violent man under him, trying to keep him from getting up where he knows the man can do more damage. "Now!"

He takes the hits to his body, better then him then the frail girl or soft boned baby, and shifts his hold to try and keep the man from moving anywhere. He hasn't quite thought what he's going to do with him from there, since nobody is coming to help.

[Trent Brumby] Choke-hold Johnny.

[Trent Brumby] Str + braw - 1 injured.
Dice Rolled:[ 4 d10 ] 1, 2, 3, 5 (Failure at target 6) [WP]

[Twilight] Johnny: Elbow! Trent!
Dice Rolled:[ 4 d10 ] 5, 6, 7, 9 (Success x 1 at target 8)

[Twilight] Damage!
Dice Rolled:[ 3 d10 ] 4, 4, 6 (Success x 1 at target 6)

[Trent Brumby] Soak
Dice Rolled:[ 4 d10 ] 1, 4, 6, 10 (Success x 1 at target 6)

[Trent Brumby] Trying again!
Dice Rolled:[ 4 d10 ] 4, 5, 7, 8 (Success x 2 at target 6)

[Trent Brumby] Damage choke!
Dice Rolled:[ 6 d10 ] 1, 1, 4, 5, 8, 8 (Failure at target 6)

[Trent Brumby] Damage choke!!
Dice Rolled:[ 6 d10 ] 2, 2, 3, 6, 7, 10 (Success x 3 at target 6)

[Twilight] SOAK!
Dice Rolled:[ 3 d10 ] 2, 8, 8 (Success x 2 at target 6)

[Twilight] This struggle, between a pair of unarmed human men almost perfectly matched physically, takes far longer than any battle between Garou. There is a sort of relentlessness to the gritty fight, the cinders of the broken pavement underfoot and then underbody, the way the asphalt abrades Trent's knuckles as he holds Johnny down, insinuates his arm around the kid to get him in a choke hold, and then chokes him, cutting off his air. The damage isn't life threatening, scrapes and deep bruises for both, but this time the hold literally immobilizes him. Trent squeezes, cutting off Johnny's air, and the kid's body spasms for a minute, these terrible choking noises coming from his mouth -

- then he goes limp, all that strain gone out of him as the oxygen deprivation hits.

"Don't - don't - baby stop, baby - " Trent yells at Amber to get her child out of her, to move, to remove herself, the goad of her presence. Christ, and she just stands there, watching. That's not entirely true, she's backing away the whole time, one step two step, watching, leaving, but unable to pull herself entirely way.

Then Johnny - scrappy Johnny, who kicks and head-butts and elbows Trent - leaving him with a few superficial bruises and a deeper one on his left knee - goes limp and Amber stills. Stark and alert, her grip on the infant like a vise.

[Twilight] Final tally:

Trent: 2 bashing!
Johnny: 4 bashing, passed out!

[Twilight] The stop changes again, red to green. The same cars idled on the main thoroughfare throughout the fight. If anyone noticed, they are doing not a damned thing about it.

[Trent Brumby] As his arm slowly pulls away, allowing oxygen back into the others lungs and brain, he touches the side of his neck for the pulse. He's trained as a medic, worked professionally as one for a few years, and had obviously done some self defense training too. Making sure Johnny is still actually alive, he gets up and immediately heads for his trunk.

A hand points from Amber to the restaurant. "Amber, go over there, calm your child and yourself. You are not helping this situation. Johnny is fine and breathing." But as he says this, he hasn't stopped what he's doing, moving to pop open his trunk and to grab out a length of rope.

Providing nobody stops him, Trent has full intentions of binding up this guys hands and feet, and while he may have told Kora that he is perfectly hopeless when it comes to camping, tying up a person is another matter altogether. He's well versed in that. Immobilizing others by the use of restraints is a several year (and then some) pastime.

[Twilight] "You aren't going to - " Amber watches the whole thing; sees Trent checking Johnny's pulse, feeling for signs of life, and watches as he lets her boyfriend go. There's silence, after. Just the idle of engines at the redlight, and the baby's crying.

Her arms are getting tired.
Johnny's fine, she tells herself, Johnny's fine.

Some part of her - some macabre part of her - wants to stay and watch this play out. She wants to go, kneel down, turn Johnny over, brush the pebbles from the broken asphalt off his cheek, his bruised jaw, his cracked nose.

Then she remembers the look in his eyes when he launched himself at her, and Johnny, Jr. renews his crying, hungry now, tired, legs kicking, heavy in her arms. With a sort of gasping sigh, she pivots, clutching the baby to her body, and retreats toward the restaurant, stealing glances back over her shoulder at Trent and Johnny.

No one else seems to have noticed. The shadows over the parking lot are dark now, the only light from the restaurant, on the street, in the sky.

[Trent Brumby] Breathing a bit easier now that the girl is away in the restaurant, he finishes up with Johnny decides he'll gag him later if he starts any screaming bullshit, but would rather have the guy able to talk. He's made him as comfortable as he can while being hog tied on the ground. Flexing his knuckles, he looks at the scrapes before going for his phone from his pocket and pulling it out, hoping the screen isn't cracked - thankfully it isn't, these are durable things.

Kora's number is in speed dial and gets put to his ear. He gathers his breathing and checks himself over, rubbing at his knee as he waits to see if he's getting the voice-mail or not. Already he's contemplating a plan, thinking in this silence.

[Twilight] She answers on the third ring, her voice distant, a bit distracted. The sound of a an engine close by, some clanging, the harsh screed of metal against metal. Gaia only knows where she is. There's a certain - distance in her voice, like her mouth is held away from the speaker that resolves after ten seconds of static. Then her voice is in his ear.

"Baby," she says to him, quiet, underneath the metal noise in the background. Familiar, fond. " - hi. What do you need?"

[Trent Brumby] "I just got into a fight," he tells her the moment she answers. "I'm alright, a few scraps, and I've detained the guy." Pale grays shift down to Johnny, held captive on the ground. "But I'm pretty sure that there's something not right with the guy. Aside from the obvious. He needs some help."

There's a pause.

"Should I call the cops, or?" Another glance to his knuckles, flexing them again and watches the dirt and grit shift across the raw skin.

[Twilight] Trent says, detained and she's still for a moment, silent on the other end. "Not a threat to you anymore, yeah?" she asks, pausing before continuing, listening to the traffic noise on his end, through the statis. " - and you're outside. Okay. If you need to call for form, yeah? Call Izzy, have her come and flash a badge. I'll get an address where she can bring him. Give me twenty minutes. Or if you're okay, bring him youself."

Another pause, then, " - we'll see what we can do. Okay?"

[Trent Brumby] "Great idea. I forgot about Izzy." It perks him up some. "I'll give her a call and we'll go from there. Don't worry, I'm not in any trouble." Now with a more solid plan, he feels better. Some tension leaks out of him and his voice takes on a happier tone. "I'll call you again soon. Okay? And we'll have to buy dinner."

After any goodbyes he'll hang up and make a call to Izzy to see if she can come and pick the guy up to go from there.

Early frost.

[Imogen] It is a cool autumnal evening, the sky dark, though cloudless. The day itself had been brilliantly bright, the sun shining, warming what it could, though it never overwhelmed.

She sits in a booth near an open window, a file folder in front of her, a beer to her left. No cigarette - Chicago does not allow them indoors anymore, but her hard-pack sits nearby, a zippo atop it, as if waiting for the moment for the mood to strike.

Overhead, music plays, canned, a radio which plays inoffensive rock, mostly classic, mostly repetitious. The stage is empty. Tuesday nights are not particularly a big draw, even in the British pub knock-off world. Many of the tables are empty.

[Kora] There's a fire going in the hearth. It isn't a real fire, just the facsimile of one - clever facsimile that it is. The logs are sculpted out of fire resistant resins, lights are embedded among the cinders scattered underneath the iron cradle in which the fake logs are contained, then spark and sizzle like the real thing. The crowd is small enough on a Tuesday night that the staff have opened the glass doors that would be closed on a busier night, and the fire dances cheerily, though it gives off little enough heat.

The hearth and the deep wooden booths and the polished brass and the gregarious barstaff imported from the countries of the Commonwealth - or at least those that produce citizens with the sort of charming accents that lilt pleasantly in the ears of Americans. Most of the crowd are clustered around the hearth, there's a game of darts in the corner. Otherwise, the place has that wrung-out, empty feel of a bar after hours, the overhead lights turned on, the trash cans brought out to start the clean-up. There's too much empty space, too much music, too little of the murmur of other conversations, the white noise of other people, ther lives, that one usually finds in a place like this.

Kora stops at the bar to put in her order for the kitchen, waits and clarifies a moment, and is then handed a glass. She pays the bill now, on the theory that her food will be presented to her sooner in such circumstances, in cash slid over the counter, surveying the room while the 'tender finds and makes change. Leaving a few bills behind as a tip, she picks up the glass and saunters through the dark pub, circling empty tables, the amateur dart league, stops at last at Imogen's table.

"Doc," the Skald's greeting is quiet, easy, her eyes direct as always. There is a glance shaved off to the file folder, then back to Imogen. " - mind if I join you?"

[Imogen] Imogen sees movement approaching out of the corner of her eye, and as she does, she begins to close her work. The papers are gathered, the folder closed, even as she realizes it is Kora. It is habit that that makes the action seem unhurried, even as it is immediate.

She watches the Skald approach, her gaze flicking briefly to the glass, then up again.

"I don't," she says. "Ha' a seat."

She moves the file folder aside, leaning back in her chair. "Ordered food, ha' you?"

[Kora] "Cheers, thanks," Kora returns, when Imogen notes that she doesn't mind. She lifts the glass just a little by way of toast, the dark liquid - not carbonated - gleams in the dim light. In the handful of steps from the bar to the table, Kora has already slid her free hand back into her right front pocket. Now she slides it out, shifting the drink from hand to hand, lowering herself into th seat opposite with that careless, animal precision that marks so many Garou, that defines them so easily, so clearly, to those accustomed to looking for these subtle signs.

" - yeah," she continues, affirms, shooting a glance over her shoulder, told the bar and the kitchen beyond. "Bangers and mash. I don't suppose you've ever it here, have you? All I've had before is the fish and chips. Which is usually decent, even if the fucking imported British newspaper is a bit much." Then she is sliding across the opposite seat, until she can press the back of her shoulder blades against the paneled wall, sit nearly sideways, keeping a keen eye on the barroom.

[Imogen] Imogen's mouth twists slightly in wryness as she shakes her head in answer to the question. "I didn't come all th'way t'America t'eat poor knock offs o' food I could get back 'ome," she says.

Back home, she calls it, always. It doesn't matter it's been ten years. It doesn't matter she never goes back. Back home while here - well. It's somewhere she lives.

She picks up her beer, a brew dark enough to be its own meal, and takes a sip, swallowing slowly.

"Trent stopped by to see me," she says, somewhat abruptly. "Shall I congratulate you on your news or pretend I don't know anythin' about it?" An eyebrow cocks a quarter inch as she looks at the Skald - her gaze more direct than most cliaths.

[Kora] Six months ago, when spring was slowly crawling from the slough of winter, 50-something felt like a heat wave. Throw in some watery sun and bright blue sky and she might've gone around bare-armed, without a jacket, innured to the cold both by virtue of her blood and by dint of the long, dark winter days - in and about the streets.

Now though, softened by summer, Kora's already wearing her thermal underneath her t-shirt, topped by a hooded cotton jacket in bands of muted blue and gray zipped half-way up. It's light enough that she needed take it off, but she's unzipping it, about to make some quip about British food, knock-off or otherwise, being inherently superior to the hardscrabble traditional foods of the northmen of Iceland, Faroe, Hjaltland, the bare, salt-washed rocks of the north Atlantic islands. Headcheese and pickled testicles, dried fish, whale fat.

Instead, though, she's caught with that faintly ironic half-smile on her mouth, a moment's lilting surprise at Imogen's bluntness.

"I heard Roman puked on his shoes," Kora acknowledges, in lieu of a more direct response. Kora glances up, meets the kinswoman's eyes then, and breathes out a sort of spare laugh, this flare of her nostrils that stills, after. A pause. Then, "I'm sorry you found out like that, though."

[Imogen] Kora mentions Roman and Imogen's breath exhales slightly. "It was a little - " a brief pause. "Dramatic, shall we say, yes."

The Fenrir apologizes and Imogen shakes her head slightly, picking up her beer for another swallow. Her eyes move away, touching briefly on a couple, laughing near the bar, her expression masked.

"I'm sure there's no etiquette for it," she decides to say, finally, turning back. "How yeh tell a kinfolk acquaintance that you're enceinte." The word choice is handled with particular irony.

"I wasn't particularly missin' my engraved letter."

[Kora] That particular choice of words is enough to make Kora laugh - briefly, brightly - out loud. Her mouth curls around the hint of laughter, and the movement of it lingers in the tension of her shoulders, gleams across the surface of her eyes, after.

"No," she says at last, agreeing. Left to her own devices, Imogen - perhaps even Roman - would likely have remained ignorant until they could see the change in her body with their own eyes. "I suppose there aren't rules for that. I meant more - " a gesture of her free hand, and a brief, unconscious, even envious glance at Imogen's beer. " - the rest of it, yeah?" The vomiting packmate, the - drama of it - though Kora leaves that unspoken.

"Would've been better if he found out from me," she continues, sobering. Her fingers circle the rim of her glass. Not beer, but iced tea. A concession, perhaps, to her delicate condition. Kora shoots a look, direct, at Imogen, then looks off, more unfocused, toward the flames dancing in the fireplace.

[Frost] (Okay if I join in?)
to Imogen, Kora

[Kora] (I think Mei - Imogen's player - needs to sleep, but I'd be happy to start a scene, or shift this one to RP with you!)
to Frost, Imogen

[Frost] (That would be great. I don't mind lurking a few while you guys wind up.)
to Imogen, Kora

[Imogen] Imogen is quiet again, picking up her file folder to lean over, sliding it between the teeth of her brief case's open mouth.

"I'm not owed an apology," this, simple, firm. "Personally, I can't imagine he is, either, but that's fer you and him to decide."

[Imogen] (and pause!)

[Imogen] (goodnight, folks! *grin* have fun! Frost, I look forward to playing with you!)
to Frost, Kora

[Frost] ((Me too! Good night.))
to Imogen, Kora

[Kora] okay: so, I can continue in the setting we were using - a British-style pub? - or go somewhere else if that makes more sense for you. Also: does your chickhave pure breed!
to Frost

[Frost] (No pure breed. She could certainly use a drink though. *G* She's new in town and has been trying to hook up with the family, but doesn't have any connections here.)
to Kora

[Kora] Okay. Bar works! If she has anything that might mark her out as kin to help me out in giving Kora a reason to talk to her, that would be brilliant. I'll post again, recycling some of the setting stuff. :)
to Frost

[Kora] Their conversation continues, shifts, moves. Sometime later, Imogen leaves, packing away her file folder, disappearing out the front door, her precise, clipped gait, remarkably slight, her hair bright against the clear gloom of the Chicago night.

The pub remains three-quarters empty. The evening is a slow one, most of those here are regulars in the small dart league. The kitchen is open late, but the wait staff leave early on a night like this. No use in waiting around for tips when the 'tender can serve those patrons who want food just as easily as anyone else can.


Twenty minutes after putting in her order, Kora still hasn't got her meal yet.

She stands up, picks up her half-finished drink, slides neatly out from the booth and ambles through the warm, dark pub toward the bar. She's a tall woman, dressed in casual clothing - worn jeans, a white thermal under a black t-shirt, under a zip-front cotton hoodie. Pale blonde hair - some ash-hewn color, more gold in the summer, fading to sun-stripped wheat as the sun begins to retreat with the fall - is pulled back sharply from her face. Doc Marten's complete the ensemble, heavy black ones, scuffed and sure, with shafts half-way up her calves, wrapped round with colorful laces.

"Hey, man," she says as she slides up to the bar, hooking a stool with her left foot and pulling it out before climbing up to sit on it. "The hell is my food, anyway?" It's friendly, that, accompanied by the curl of an expressive mouth, this engaging half-smile that takes away some of the sting from the coil of fear that twists around the base of the man's too-human spine, that subtle twinge of subconscious fear, her rage, his will.

[Frost] It must be tall women night at the pub, as Frost steps inside and pauses to look around, pale blue eyes alert, her lips quirked as though she were thinking of something amusing. Ambiance. That's what she needs. Isn't Chicago supposed to be famous for it? Her boots clip the wooden floor with muted thuds as she walks towards the bar. It looks like a slow night. She didn't bother to dress up. She's been doing the business suit thing all week. In fact, she deliberately dressed down, in old levis and a black tee shirt sporting the heavy metal band Rhapsody. Adorning her neck and wrists are spiked bands. At least, that's what a casual glance would get you; however those spikes are not ivory, but real teeth and claws, trophies taken from creatures few humans have ever seen, or lived to tell about.

She pulls up a stool at the bar and orders a Fat Tire. When the beer arrives she gives the aroma an appreciative whiff before she takes a deep draught.

[Kora] Ambiance. That's what she needs. It's not Chicago ambiance she finds her, but some imported facsimile of a British pub. There are pennants for Man United and Tottenham, for Chelsea and Celtic and on and on, scattered about the ceilng. The dart league in the corner consists of a few British ex-pats interspersed with 20- and 30-somethings who would prefer to live on the other side of the pond, and insist on calling the field the pitch, even though they manage the words with accents as varied as Boston and Minnesota.

The bartender serves Frost her drink, gives her a lingering smile maybe calls her love. He has one of those vaguely British accents that suggests he's from somewhere in the Commonwealth, though his place of origin could be as varied as Wales or New Zealand. Someplace with a richer accent than any American could claim, though. Maybe he throws in a love, at the end, one of those endearments that sounds lovely when tossed off in an accent, sexist, and instrusive when spoken by a drawling southern boy.

He's back a moment later, a plate of - well, meat and potatoes, bangers and mash - set in front of the lean blonde woman two seats down, sitting up at the bar. "Thanks," Kora says, with a quiet, casual flicker of a spare smile for the bartender, who retreats rather quickly, all said, without knowing why. Most of her attention is on frost, a flicker of dark eyes over the jewelry that isn't what it seems.

"Interesting stuff." The stranger tells her, a certain tension - a certain awareness - written into the shape of her spin. "The neck piece, and wrist band," she clarifies, a moment later. Her voice is rich, low, the accent blandly American - suburban, any suburb, anywhere. " - you do them yourself?"

[Frost] She can't help a hint of a smirk when the man calls her love in that oddly charming accent. Is it real? She tilts her head slightly wondering, and then the man glances at that other chick and takes off before she can ask for what she's eating. Because it does smell good. Ah well, he'll be back. She takes another sip of her beer and gives the woman a friendly smile. She must have looked clueless when stranger said, "interesting stuff" because she clarified it quickly enough. Frost looks down at her wrist bands and lightly touches one. "Oh, no. I didn't make them. In fact, I wish I knew where they were made, I'd get a belt to match. I sort of inherited them."

[Kora] "Family heirlooms?" Kora returns quickly, her interest sharpening, dark eyes tracing the gesture as Frost reaches down, touches the wrist band - lightly, even musingly, she continues, her expressive mouth quirked at the rightmost corner, the expresson not-quite a smirk. "You might injure yourself with a belt, you know. Or," unwrapping her untensils from her napkin without quick looking. " - someone you know, or want to know. Probably best that didn't come as part of the matched set."

There's a shout from the kitchen, and then the bartender comes back to Frost just as she thought he would. "Anything from the kitchen love, he's about to shut it down for the night."

[Frost] Nods when she calls them family heirlooms. They well could be. Funny, she never saw her mother wear them, but they were in her things. Perhaps from a chapter of her life she'd never shared, and now, never would. "I think I could have managed a belt unscathed." Ah, there he is. She gives the bartender a warm smile. "Yes, LUV, how about a dish of what my friend here is having."

[Kora] "Bangers and mash?" the 'tender inquires, a dubious glance at Kora's full plate of mashed potatos and cooked sausages, British style, not Chicago style - bangers, not brats, swimming in glistening grease. When he receives affirmation from frost, the 30-something ex-pat retreats to the kitchen window, calling out the last few orders to the kitchen.

--

Kora, well, Kora flicks one of those dark eyed looks back at Frost. The glance lingers, now. More interested, more watchful, more aware of the shape of the bones, the claws affixed to the black leather. Humans would dismiss them, assume them to be constructed of plastic, resin. Something front hot-topic, maybe, purchased from some dealer in leather goods at a concert. The stranger takes a bite - sausage and potato, together - savors it and swallows.

Then, the bartender out of earshot by the kitchen window, the dart club celebrating - and disputing - some divergent score in the corner, she continues, rather more quetly, a sort of stillness written into the planes and angles of her features, the sharp jaw, the curving mouth, the intent gleam in her dark eyes. "Never seen an animal with claws like that," the stranger says, a lift of her chin. " - who'd you say gave them to you?"

[Frost] A nod to the bartender, yes that is really what she wants. Another sip of beer as he walks away. She can feel a sort of tension building in the air between her and the other woman. She hasn't missed the scrutiny, and now... she wonders. Deliberately she unbuckles one of the wrist bands. No cheap costume jewelry snap. She fondles the spiked leather, each bit of ivory secured in a pewter base. She can't help noting the leading question. "I didn't say, but they were my mother's." She offers the band over to her, thinking she might like a closer look.

[Kora] The Skald reaches out across the empty barseat between them and, palm-up, accepts the spiked leather band. The hoodie she wears doesn't match the black PIXIES t-shirt evident underneath when she turns, swiveling on the stool, opening her body briefly to take up the cuff.

Neither does it match the bracelets wrapped around her own wrist. None of them are so martial as Frost's spiked cuff - though there are a good half-dozen of them on either wrist, braided leather, twisted suede, even knotted rope and fiber, the utilitarian sort one might use in fishing nets, in boat rigging, splayed open, unwound and repurposed on a long, drawn-out night.

These are matched by a choker of braided black leather, thin and fine, dark against her pale skin, evident really only when she turns. Underneath the mixture of pieces, on the fine skin of her inner wrist, a small tattoo - an angular Futhark rune - etched neatly into her pale skin, just above the pulse. Just a glimpse of that, really - though it is distinctively norse rather than some other script, for one who knows the lines of the old runic alphabets, hard and angular, precise.

Kora turns the piece over in her hand, moving her thumb over the pewter fixings, feeling both the weight and supple hand of the leather.

"Your mother's, yeah?" the Skald asks, when she's finished. It is just a placeholder; or - more than that, an acknowledgment, respectful, quiet. Were is a distinctive term. Past tense. "She collected them herself."

That last bit isn't even a question. Without though, Kora reaches across the bar, snags a pen from behind the counter, and scrawls a number and a name on a napkin.

"My number. I have to go, but you should give me a call."

[Kora] (III posted, and alas, I need to sleep. Does tha work for an ending?)
to Frost

[Kora] (and! if you have AIM: mine is istioname)
to Frost

[Frost] She watches her closely, taking the number and putting her hand out to receive the bracelet back. "I'm Frost," is all she says.

[Frost] (My bed time too. I have Aim but it won't add you. It doesn't work very well for some reason. Very glitchy. Sylkie696 or ebon_wyvern@hotmail.com)
to Kora

Confusing kin.

[Kora] hey, were you soliciting a scene? (grins) or waiting for someone?
to Fire-Claws

[Fire-Claws] (Nah I was soliciting for a scene)

[Kora] The sky is bright and clear, the lake still and dark. The moon is nearly gone, the barest silver curve, slowly sinking in the west. The bright lights of the city are behind them, occluding the stars, but the stars are visible, pricked out against the dak velvet of the eastern horizon, where sky turns into water, where water turns into sky.

The graves of the Fenrir dead are recently cleared of the usual autumn detritus - drifting leaves, windblown dust, the odd bit of trash tumbled past - over, under, through - the chainlink fence that circles the place. Truth-in-Frenzy's is the last grave she cleans, and when finished, the tall, confident Skald crumbles up an egg roll over the dark earth. It is followed by the fingerbone, the last joint with a needle-thin claw attached, of a recent kill. Her offerings finished, she stands, rising from her easy position low on her haunches, and glances off over the edge of the lake, the dark horizon.

[Fire-Claws] The caern was one of the few places in the scab that he felt even remotely comfortable. The place were the scab's influence didn't feel so oppressive and the weaver didn't seem to isolate him from the natural world. It was a safe haven, even if it was always beset with the minions of the wyrm at every turn. But that was what they were all about.

He did not understand the graves of the fallen. The idea of burying or burning the dead. They were gone, the bodies would return to Gaia on their own, there was no need to speed it up with fire. But monkeys were a strange lot indeed.

So he pads through the graves, eyes kept open until the scent of a familiar hits his nose, his Jarl was here. It would be no hard effort to find her. And he would stand out, a lone wolf among the graves.

[Kora] "Fire-Claws," Kora greets him, low-voiced. She's tall for a monkey, healthy as all Garou are, with pale, shining hair that shows off both her health and her youth, pale skin, and a lean physique - boyish, except for the distinct curve of her hips. Her hair is never allowed to hang loose. Instead, she arrests it, ties it back upon itself, twists it up outof her way as it is now.

There's a certain curve to her mouth that every human reads as a half-smile, even when she's still, off-guard, even when she's pensive. That curve deepens, minutely, as the wolf appears amidst the graves. Dusting the crumbs from the crumbled food (the smell is sharp, greasy and rich) on her thigh, she looks back to him from the lake. "I'm glad to see you again." She glances from him, up ad away, out in the direction of the Brotherhood, then back to the wolf. "Roman and I hunted with your Alpha some nights past. How do you find your pack?"

[Fire-Claws] He tries his hardest to stay in his natural skin as he can, but it was difficult to do so. The scab was full of humans, there were no places that one could find a wolf, except maybe the zoo. But he be damned if he let himself become a prisioner to monkey amusement. That was not the way of Fernis. He whuffed and postured.

{ws}"We are no longer pack. We lost our connection to Valkyrie."

It was a simple fact. The pack was no pack when there was nothing to unify them. That was it, without rainer they could not be considered a pack.

{ws}"But Night's Reprieve is a good alpha."

[Kora] "So quickly?" Kora returns, quiet, dark eyes intent. There is fleeting moment of startlement written on her features. Her hands are tucked neatly into the front pockets of her dedicated jeans. Over them, she wears a cotton hoodie, and a thermal under a t-shirt, as she has no fur in her natural form to protect her from the cold. Then, with a certain note of formality. "I'm sorry for your loss, then. Will you and Night's Reprieve seek patronage from another spirit of Fenris' brood?"

There is a hint of wind in the air tonight that makes the cold air at the lakeside colder. It pulls the tendrils of Kora's loosely bound hair and sends them streaming across her pale cheek until she unearths a fineboned hand from her deep pockets, pushes the threads aside. "Or perhaps another spirit, then?"

[Fire-Claws] {ws} "Without Rainer, we cannot be connected."

He padded around another marker, moving between the graves as he steps. Wolves around other predators are never so passive as maybe other humans were. But he thought about the idea, he wanted a pack. Needed one. But thinking so far ahead, of another spirit or anything like that was not something he could easily grasp.

{ws} "Not sure. I will need to speak with Night's Repreive about it. But what did you hunt with my alpha?"

[Kora] "Ranier left, I take it?" the Skald asks, a certain fatalism implicit in her tone, and a certain half-swallowed judgment lingering there, too. Kora is walking too, through the graves, down the faint, nearly flat slope toward the edge of the dark lake. Her hands are still in her pockets, her gait is lean and even, a long-legged sweep as she moves more from the hip than from the waist. "It happens here more than most places, because the Sept is young; we have few kin attached, few cubs. New Garou must come from elsewhere, and those who come seeking glory or fame, or just a different shape to the world leave again, leave their packs and then the packs, too, leave.

"It cannot be pleasing to Valkyrie, or any spirit, to see her packs dissolve under such circumstances - not because their purpose was finished or their objective done." Kora speaks musingly, here, looking off toward the surface of the still lake. "I hope that you and Night's Reprieve will find a new patron, make a renewed committment to the totem. If not, you are welcome to run with my pack until you find another."

He asks what they fought, and she gives him a glancing look, sidelong, then looks back toward the water. "A kinswoman found certain signs suggesting Garou activity in an area. We investigated and discovered a pack of cursed Garou engaged in a black rite. My Ragabash - Fate - discovered tunnels leading to the interior. Night's Reprieve and Roman, with Tongue-Twisted, Bone Grinder, and Dreams in Summer Snow followed Fate through the tunnels and burst into the room, to stop the cursed ones from completing their ritual. While they attacked inside I took down the outside guards, to keep them from running to the aid of their packmates."

[Fire-Claws] He padded alongside his Jarl as they moved to the dark lake edge. It was hard to imagine how far the lake stretched. Beyond his sight was almost impossible to believe, like the end of the very world. And yet he has come to learn there is much more than jusy this land.

He listens with full attention at what this Sept has and what happens here. Those from Storm Hammer told him of such the blight of this caern. But much is the way of those born in the scab. Difficult to be so far from Gaia breath and touch.

{ws} "Kinwoman..." like it triggers something in his mind. " I am sorry for Cigney. She was a bold monkey kin."

And as that seems to registers something else in his mind, like a switchback path in the forest, running with strange twists and turns.

{ws} "Kin in this city are confusing. Thinking they are just as strong as us, go out without even letting knowing of their guardians. I met another Fianna kin, something strange yet familiar about her. With a silverfang one. Alone. I don't think the fianna kin know of Tongue-twister, just as I don't."

[Kora] "I liked her, too," Kora returns, her voice low. There is a flash of anger underneath, the subtle twinge of rage inside her that spasms and quiets and passes. "Cigney. The kin here though - it's a human city. They're both more independent here and more important to us, to maintain the veil, to keep our presence from the humans, yeah?" Then she breathes out again, nostrils flaring with faint, lingering irritation. "Tongue-Twister is a mule. She acts like a beaten thing, shies from leadership and responsibility, follows a Shadow Lord. Strong enough in battle, but weak in too many other ways. I've found other Fianna kin without leadership, or knowledge of their tribe in the city. Someone needs to ensure she takes on he responsibilities, or claim her kin."

Trust

[Kora] The night is cold, crisp and clear, cold enough that breath comes out like smoke. The moon dwindles rapidly, just a sliver of light far in the west. Dressed in her usual jeans and t-shirt, with a fitted men's thermal underneath the t-shirt and a warm, hooded jacket over it, Kora turns and walks through the front gate, taking the steps leading toward the portico two at a time. There are closed rooms deeper in the church complex, the remains of the priests' apartments that Roman has been fixing up with salvaged plumbing and other modest luxuries. It is easier to den, there, easier to warm the space and keep it warm. Now, though, the chill in the air is a small price to pay for the strange glory of the cathedral' interior, the way the stained glass glows with the city's reflected lights.

With a faint, mental nudge that says - Dinner's ready - Kora turns on a space heater near the tables and coolers that serve as kitchen and dining room, and begins unpacking her goodies from a cloth bag. Two thermoses, one of soup, one of hot chocolate, sandwiches, and half-an-apple pie - that's dinner.

[Roman Turner] He'd felt her presence through the Bond. Felt as Kora drew closer to the Pack House. Her nudge came and a faint stirring answered her. He could be quiet when he tried, but this time his boots scuffed when he hit the ground outside. This time he deliberately smacked his hands together, cleaning dust from them as he came through the back. His stetson was held loosely in one hand, used for brushing his jeans off as he approached her. Like her, he was in jeans, though he wore a jean jacket over a plan gray tee.

"I weren't expecting ya. Mighty kind of ya to bring supper."

[Kora] "We're pack, Roman." Kora says, by way of explanation, writing off his mighty-kind-of-ya as if it were the ordinary, natural thing to do. There's a certain stillness in the Church, lit from above, where the light spills in from the city through the old stained glass windows, shadowed from below. The glow of the space heater and the fitful light from an electric lantern on the rickety salvaged tables are the only bans against the darkness here.

She smiles, this half-smile, quiet, lingering, as her attention fixes on him, remains there. She finishes pouring out a cup of soup, grabs a sandwich, and pulls up one of those plastic lawn chairs, spreading out her meal in front of her, sitting close to the warm glow of the heater. When he has picked out what he wants and settled down to dinner, she says, "We need to talk." Quiet. Then: "I heard you puked on Trent's shoes."

[Roman Turner] He'd grabbed a sandwich and had just sat on the floor with his knees up and a cup of soup between his feet. Right in the process of lifting that sandwich to his mouth when Kora mentioned Trent. He froze for just a second before taking a bite and chewing, then came back with.

"Why didn't you tell us? Why send him?"

[Kora] "I didn't send him, Roman." Kora returns, quietly. The space around them is vast, full of drifting shadows, but they know every inch of it. She reaches out, drags another one of the lawn chairs closer and props her booted feet on it, making a table of her lap as she eats.

"He went to the doc on his own, figuring she might know a bit more about - " Kora doesn't really have a language for it, so she shakes her head ruefully. " - being true-born and in the family way, as you said. Told me you sort of snuck up on him. I pointed out you were a Ragabash. Sneaking's in the blood. And if your reaction to the thought of it is puking on my mate's shoes, well - do you have to ask why I hadn't told you yet? You would've known soon enough."

Maybe when she started showing.

[Roman Turner] "You don't trust me."

Four little words, the food forgotten now. Instead there was stillness.

[Kora] Kora closes her eyes and swallows hard, her own meal forgotten in a heartbeat, too. "That isn't it, Roman. That's not it at all. If I didn't trust you I would never go into battle with you at my back. I wouldn't've have asked you to pack with me if I didn't trust you. Jesus, Roman - " she breathes out, this silverflash of temper underneath, turning and then disappearing beneath still waters.

"I didn't think of it. I wasn't hiding it from you. I just didn't - think it was relevant, not yet. And I had to get used to the idea first. And I was - " Abruptly she shakes her head, swallows as if she had something sour in her mouth, in the back of her throat.

[Roman Turner] "Pack Miss Kora."

He spoke soft as silk sliding across virgin flesh.

"Pack is in some ways stronger, more than family, mates and tribes. Pack is complete trust in each other. It's beyond words. It's like part of your essence. Ya don't even have to like each other to find that place inside where ya know ya would die for the other. Yet something so important, so precious, so spritual..."

He shook his head and sighed, his words softer still.

"I had to overhear because that belonging and trust weren't there."

His voice lifted slightly, becoming formal again with a stiffening of his spine.

"I'll get Mister Trent a new pair of them leather slippers he wears."

[Kora] "I know what pack means, Roman." Kora stands up, abrupt enough that she upends both her chair and her meal, feeling suddenly and surely nauseated by Roman's sinous tone, the accusations that are written underneath every word. There's this flare of temper, sharp and hot that goes through her light lightning.

"I know what it feels like to lose a pack, and I know what it feels like to lose a packmate, that instant when the bond is severed and you hold your breath, waiting for them to return. I felt that when you died, and when you came back.

"And I pulled you unconscious out of the river while poison was working its way through my body, while I was puking green bile, struggling to fucking heal you in case the poison was stronger than I was. That's what pack is, and If that hasn't proved to you who I am and what we are then nothing else will.

"This doesn't change any of that. It's - " Abruptly, she breathes out sharply, cutting him a searing look out of the corner of her eyes. Then abruptly changes tack. "Trent doesn't care about his shoes. He was angry that you were so disgusted by the idea you threw up on him. An apology will do just fine."

[Roman Turner] "I will not apologize further. I did that night, I won't again because he has it in his head I was disgusted. And I reckon ya don't feel like I was grateful for your help in combat or ya wouldn't throw that in my face as defense for not sharing."

He too rose to his feet, smooth as water flowing over stones to face her.

"I got sick because I found out from spying that my Alpha is carrying a precious child and she didn't tell me. I got sick because I could of lost so much more than my life in combat, and I would of been the last to know. Trust. If ya trusted me, ya'd tell me, not make me find out like a beggar asking for crumbs to survive on."

[Kora] "I wasn't throwing it in your face, Roman." Kora says, quietly, looking away from him now. Her features are still, sharp in the shadows of the building, the pale curve of her cheek and the sharp line of her jaw. Her hair is pulled back from her distinctive features, twisted behind her head, and her eyes are closed, this line of guilty tension lingering there, evident in her jaw, in the touch of her pulse. "It hasn't been easy for me to come to terms with it. And I didn't know what the fuck to say. Or when to say it. Or how."

A ghost of a smile, sick underneath. "Believe it or not, my vaunted ancestors had no advice on the matter. I'm sorry." Softer, this, a minute, winging look back in his direction. " - forget you heard it from him. Let's start over. Let me tell you."

[Roman Turner] He moved like grease through a goose. He was a Child of Gaia; a very forgiving Tribe compared to the Fenrir. Whether she wanted it or not, his arms wrapped around her like a vise as his face buried in the nap of her neck in a wash of warm moist breath.

"You're my family Miss Kora. I couldn't be happier for ya. It's a precious rare gift ya carry and I'm honored ya decided to trust me with your gift."

[Kora] "Roman," her arms are wide; she's not exactly hugging the young Ragabash back. Instead, she holds her arms open a bit, then settles her palm on the back of his head, closing her eyes. Her voice is low, and thrums between their bodies, barely piercing the silence around them. " - it doesn't change anything. I'm not sick. You're not to put yourself in undue danger to defend me. You know that - right?"

[Roman Turner] He rubbed his cheek against her's in a move a small child might share with it's mother, but more a move that was pure wolf. Leaving his scent behind on Kora while gathering her's on himself where it blended with his senses to bring that feeling of everything was good, safe, Pack. Then he gave her a quick kiss on the cheek and stepped back with a well trained.

"Yessum."

[Kora] "Hey - " she returns when he lets go, his scent on her skn, the tension bleeding out of her, this sort of relief worming through her body, under her skin. She moves, hip-centered, bumping her body against his in that animal way they have. "You don't have to apologize to Trent, or get him new shoes. Just sit down with him. Have a beer, and tell him what you told me."

Wouldn't mind it if others weren't puking on my shoes.

[Kora] [Last post!]

She tells him a story. There's a point to it, but not until the end, and when she began he filled his lungs and stomach with a slow drawn air, as if he had to bear a story when he really didn't want to hear it. He's like this, angry. Completely unreasonable. Its no wonder, then, that she first saw him bloodied. She liked it then, maybe not now though, not when part of it seems directed at her.

But this leaks out of him, not the anger, the air, sliding through his nose in a hot breath when she mentions son and daughter. Makes her point, drives it home in the way Galliards do. It deflates some of that stiffness in him. Not all.

Raising his arm he took a swig of his beer, right before she's tugging on his shoulder. That core strength of him has filled out, expanded into his physical form. What was hidden, something under the surface that showed in the discipline and the strength of simply standing still, is now this raw shine of solid stubbornness. He's stronger now then when he's ever been with her, sitting rigid as she pulls.

... then gives.

He flops back, expelling another one of those hot growling sighs. But she grips his hair, sharpens that look in his eye as she forces him to look at her. Tells him that she's happy. It makes him frown, cutting these lines in his dark brows, making his eyes lighter against them, but no less glittering unhappy. "You have a funny way of showing it."

Off to the side, his beer is held, rested on the couch, hand around it loosely. His other by his thigh, on the couch, not touching her. His body is not relaxing but he's becoming placid with her. Letting her show her dominance by riding higher over him, covering his body with hers, holding his head in place. The extend of his anger about this becomes clear, when there remains no stirrings in his jeans. Not yet, anyway.

[Kora] "I know." Her admission is a simple thing, offered quietly as he sits back, submitting to her dominance without relaxing into her touch. There's a soft undertone to the pair of words, a little raw, a little steely. She looks down at him, her eyes dark as they touch his, her familiar features still and solemn, her wide mouth set and still. Parting her mouth, she moistens her dry lips with a dart of her tongue. It is a thoughtful movement, but she's looking away from him, over the crown of his head which is damp, which glistens blue-black now where the light hits the forming corkscrews that would turn into curls he he ever let it grow long.

She is holding him in place with her body, her spine straight, fully extended, and her narrow shoulders turned forward and down. The grip in his hair slackens, turns into a gentle, thoughtless sort of caress before she shifts, balancing herself with a hand on his right shoulder, bending down to brush her mouth across his left temple.

Her breath is hot but her lips are cool compared to the flush of his anger. She can taste his pulse underneath his skin. "I know," she tells him, mouth moving against his skin, the curve of her cheek firm against his brow brone, the bridge of her nose a fulcrum of sorts, as she breathes in his scent, spiked with stress hormones, hotter and familiar and maybe just changed enough to -

"I'm not just happy. I'm other things, too," quiet again, her tone touched with reflection, perhaps a thread of regret, the sort of looking-back that comes after an act of god, a force of nature. The shadow of her teeth behind the soft flesh of her mouth. Her throat closes, and she stills, and when she continues, the whisper is quiet, raw. " - but when I peel those things back. When I pull them away, I'm happy. That's not even the right word, though it will have to do."

[Trent Brumby] Small things. The brush of her cheek, the murmur close to his ear, into his skin, and the way her strong grip holds his shoulder when the other had caressed through his hair. These begin to relax him. This seething anger won't disappear. It will ease into the background where all of these things reside in this strong, older man. Maybe again to burst forth when he is too upset to care for protocols.

He lifts his spare hand to touch her hip, leaves it there. Just a touch, letting her know he's there, he's now listening to her and the things under her voice that she won't say nor admit. His awareness grows beyond his anger, levels it out, and stops it from brimming over again.

"I understand that there's plenty of worries and sadness," he tells her, "and that this isn't an ideal life or situation. But it's our child. It's a child of Gaia, of Gods, either way we look at it." Breathing in, he swallows, shaking his head. His voice takes on a different tone, something that sounds disappointed, confused and even a little hurt. "We haven't even celebrated it."

"So what of it's premature. It may not happen to full term, we both know that Kora. But its here right now, growing inside of you, a life. She or he deserves something for the time that they're here." So much death, and the threat of it still to come, he's still very much his Tribal blood and in tune with the cycle. Appreciative of it all. It's a side of him that is deeply spiritual that doesn't come out in the daily routines of life. It's a personal thing, which is why it has him so riled.

[Kora] The television is not on. The windows are open, though. The city beyond them has a sort of live - traffic hums constantly in the background. Somewhere near, a truck backs up, beeping incessantly to warn anyone behind it exactly where it's going. Somewhere close, maybe another apartment in the building, someplace else with two bedrooms and a kitchen like his, music's playing, just close enough that - focusing - she can hear the rhythm of it. Just far enough away that she cannot hear the tune.

She listens, still, not moving except when she turns her head just aslant, so that her cheek is against his temple, and her mouth is free. He can hear her slow, steady breathing in his ear. Her nose is in his still-damp hair, just at the hairline.

"I've been completely unfair to you," she tells him. Tells his ear, really, just moving her cheek against his temple. Her eyes are closed, and when they are open, they are unfocused. He has seen the changes in her body, so subtle that he might think he imagines them. Her small breasts are heavier, somehow, just fuller. When he touches her hip, looks down the line of her body when she's naked in his bed, - just this week he could have sworn that her waist was thickening. But her jeans still fit. Maybe it's just hope; that anticipation.

The moon's waning. That tension that sharpens when it gathers eases. She spent her rage this night last, nearly all of it, and it leaves her - not softer, so much as open. " - and I'm sorry for that."

Quiet, this. Her grip eases, and she brushes the edge of her thumb in a slow, sweeping caress through his hair, against his skull. "Let's celebrate. Tonight."

[Trent Brumby] He wants to say: No kidding! But he doesn't. That isn't fair to her either. She has a lot on her plate, more then he can possibly imagine. Now she has an extra stress on top of that, added to the duties that she wonders and worries if she can perform. She is still young, even if she has ancients whispering in her ear.

She finds the same tension over his scalp as the rest of him, but his eyes close now as he breathes heavy through his nose, this deep sigh that is almost soundless. Fingers at her hip slide across it, up along her waist and back down, moving partially to her back. He likes this curve, the dip the rise, the stronger curve at the back. It's lovely on her, especially when she's above him, like this.

"I just ... wouldn't mind if .. . others weren't puking on my shoes, you know?" He doesn't want to bring it up, but it's really a reaction that kicked him in the guts. Kora's pregnant should not have someone being physically ill. Some very distant part of him, and only brief in his anger, wondered if there was some sort of sick jealousy there. He'd chastised himself when his mind began to wonder down that path, the nights and the church instead of in his apartment, and the way there's increasing Metis and --- No. This is Kora.

It just leaves him upset. There had not been a single smile, a congratulations, anything remotely normal in response to this. Even Imogen had been brisk and bitter about it. Only he had dropped to his knees and kissed her belly, glowing from inside, and had fussed and walked on a high for an entire week. Hell, he was already planning out a nursery.

But now? He lays his head right back so that he can try and see her, search her face out. "How would you like to celebrate?"

[Kora] "I know," she says again, as if the words were a litany. One she is repeating tonight, again and again, and not without cause. She could say, too: I know, now. It takes a certain level of imaginative sympathy to recognize the hurt one has caused - not to apologize as a rote thing, but to take the knowledge of it back into your body, to digest it, make it your own. And it is not always useful characteristic in a werewolf, that.

She doesn't know, of course. NOt entirely, not even when she assures him, so quiet, so certain, that she does. That she knows, suddenly, in this way that is physical, that is back-of-the-throat alive, glottal, some strange swallowed consonant in the way - the hurt she caused him, without ever imagining every primitive line of passing male instinct that circulates through the half-conscious folds of his mind. "He'll make it right with you."

There is that familiar tension in her hips, in her spine, that awareness of her body, like a line pulled tight, holding her upright, curving her shoulders down toward him, her mouth to his temple.

Then he pulls his head back, and her hand opens like a bloom against the back of his skull, cushioning, holding, shaping the gesture. Briefly, her mouth follows, she turns, brushing a still kiss across his forehead, before straightening, settling, and looking back down at him.

Her eyes are clear in the darkness, her features still. He knows that look, the way her mouth curves at the right corner, the sense of presence about her. She lifts her hand from his shoulder and reaches over to touch him, to trace the line of his jaw and feel her fingers push at the bristling growth on his cheek, this way, then that.

"I think we should do something else, soon. Yeah? Get out of the city, go camping, out in the woods. Before it gets too cold, maybe when the leaves are changing - just look at the sky. Watch the stars, you know? Count them. Remember what this is all about."

"Tonight, though," she continues, "I want to go out, someplace lovely, and have some indulgent dessert." Her hand stills on his cheek, she presses the pads of her finger against his skin, tips his face just higher. "I'll have mineral water, Pellegrino, yeah? And you, you'll drink champagne and when I kiss you, I'll taste it on your tongue."

[Trent Brumby] His eyes widen a little, and she finds surprise there, something pleasant though as she suggests going out for camping to look at the stars. He's considering this, and his anger is sweeping away in great gusts, leaving him breathing easier as the rate of his beating heart slows further. "I haven't been camping since I was a kid," he admits. Then, with a sudden curl of his mouth and a tightening of his hand on her side, attempting to draw her in against him, he adds: "I'm horrible at it." Bad form for a Black Fury kinfolk. Maybe this surprises her in turn.

Although he wants to kiss her, she's tilting his head back more, and he goes with it, muscles relaxed and totally compliant. The pale of his gaze looks at her down the line of his face, though, brightening from their dark brooding colour, making it leak away and be replaced by better cheer. "They say you can have one glass a day, every now and then. If you want one, that is." But the idea of her kissing it out of his mouth is far better. While she meant it differently to what he's suddenly imagining, his fantasy is much hotter. Wisely, he doesn't admit this.

[Kora] "I'll teach you." Her surprise is clear, this twist of brief amusement in her dark eyes, this steadiness as she stares down at him and watches the anger sweeping its way from his face. That he is horrible at camping, Black Fury that he is. That's he's admitted it to her. It ebbs as quickly as it arose, though, replaced by this intimate, teasing light. " - you know, I can set up a tent and start a fire, scare off the predators, find a good, clear stream for water. I'd offer to hunt down a deer,"

- "but if you can't dress it, we might have to carry our food with us. Maybe fried chicken and potato salad, and hot dogs, and - " bending down, she touches her forehead to his. Her eyes are dark, she sees his features now in these patchy representations, scrimmed by the sweep of her pale lashes, defined by how close she is to his face, to his skin.

Still now, closer to him, feeling the heat of his skin close to hers, watching the color of his pale gaze changed through her unfocused eyes. Something shifts, sharpens in her body language. She kisses the bridge of his nose, the flat line of his cheek. She kisses him on the mouth, nearly chaste except when her mouth opens, still and lingering and twisted with this fine-banded control, over his own.

"Yeah?" - she echoes, when he tells her she can have an occasional glass of alcohol. Then, " - tell me you have champagne here. Cooling in the fridge." Mouth lingering over his, she inhales him again. "Then we needn't go out. I don't have anything to wear, anyway." Impossible to imagine her in a dress, her hair anything but a slow-falling mass or a strictly practical French braid.

[Trent Brumby] "I'd like that." He is nothing but honest. The idea of camping, of being shown the ropes by his mate, out in the middle of nowhere is very appealing to him. He follows instructions well, to the T, and enjoys his time out away from the city as much as anyone else. Except he has to work. Life for Kinfolk has to be practical. They still money to live in the world and rare is the job found away from the city. He'd like to combine the two worlds as much as he possibly can. Not just in camping.

Trent likes to feel a part of something. It makes him feel whole. He is not an independent being, as much as he can function as one. Maybe that blood in him is stronger in his instinct then others, and attributes to his need to be in a pack like role. It certainly fits his personality if one gets to know him as Kora has.

He's cursing this beer he has in his hand, and stretches it to find the cushion in the couch, wedging it in so that it doesn't spill over, careful when he reluctantly lets it go, praying he doesn't get beer everywhere. But its more important that he lays both hands on his mate right now. She's kissing him like that and breathing into him, pushing away any more of his tension, replacing it with a new sort that is found mostly in the towel around his waist, felt much more easily between them for the lack of boxers and denim.

Thumbs find her ribs, his hands around her sides, riding up the top she's wearing. "I can go and get some champagne. But no hot dogs on our camping trip." This is said as he's leaning his head up, wanting more from her, just these opened mouth kisses. He's talking between them.

"I should buy you some things," murmured, getting carried away, "I'd love to see you in a dress. In a corset. In a military uniform." Each one punctuated by a kiss against her mouth or chin, or jaw. "In absolutely nothing at all."

[Kora] Trent has a long enough reach that he wedges that open beer - the one he had tossed back without tasting anything except the underlying bitterness of the hops, the underlying bitterness of the moment - right where she had tucked her copy of Rilke earlier, between the botton cushion and the upholstered back.

"Soon, then," she's telling him, when he says he'd enjoy camping with her. "It'll be better before it gets colder." She'll give him a list of the things he needs to buy, some inexpesive two-person tent, a handful of other things, a good sharp knife. Maybe she'll buy him a good sharp knife, something he can carry more easily than the gun she gave him months ago, presented to him in a gift bag recovered from god knows where, repurposed for her use. She already has the rest. That's later, though.

There's a flush under her skin, this subtle spreading of blood through her cheeks when he murmurs his list, punctuates it with his mouth, when he says the word corset and she sort of inhales, not getting it, not precisely, but seeing him, seeing her.

But then: "A military uniform?" she laughs back into his mouth as his hands span her flanks, as his thumbs find her ribs. Imagining it some flight of strange fancy, maybe Half her hair is loose, curtaining down around them. The rest is pulled back messily, twisted against its own weight. That laughter lingers in her mouth, thrumming as she kisses him again, just deepening it, this little nip of a kiss, like she's going to take him degree by slow degree. "I'd make a terrible marine, baby. But you can buy me anything you want - "

That's not exactly what she means, she's still laughing when she says it. Then she goes still, really, kissing him again, deepening it fractionally, not lingering but hungry for him now, and rather more serious for it. "You can buy me a dress."

"Mmmph." - she says then, into his mouth, against his skin. " - champagne can wait. Take off my shirt. Okay? I want to feel your mouth on my skin."

[Trent Brumby] Camping? Whatever. That talk flies over his head, all momentarily forgotten. He has a Garou on his lap, heating up for him and starting to make demands from him. Not only with her mouth but her hands and her words. He also gets to buy her a dress, and will take her literally on being able to buy anything he wants for her - oh he knows it wasn't meant that way, but he can claim ignorance after the fact.

"You'd make a great drill sergeant." Trent really likes this, she can tell, it's heating him up as quick as her well placed mouth could. These things he secretly thinks about her, coming out much more politer then the imagery, but the result is still the same. "When you get that look in your eye... " He can't even finish it, already short of making a quiet low sound from his throat into her mouth.

She need not ask him twice. Sliding his hands down to her hips, he finds his way under the fabric and slides it up with his wrists, trailing his warm hands over her soft flesh up along her back and ribs, higher until reaching her armpits. Changing his grip, he takes the material and stretches out his torso in order to lift it off her head and her arms, once she's co operating.

The moment it's thrown to the side, he's braced her at mid back, pulled her in closer, and dropped his mouth down to the growing curves of her breast. He doesn't even ask, doesn't wait. He's already been told what she wants, and he is more then ready to get himself lost in the touch, smell and sight of her. Her loyal mate simply worships her, a strange thing in a modern age.

[Kora] "A drill sergeant?" she repeats him, twisting her body, lifting her arms to that he can take off her t-shirt. The open window sends these tendrils of cool air through the otherwise warm room. She can feel one wrap around her ribs, but mostly she's too warm to notice, her blood vessels dilating as want spikes under her skin. Her face disappears behind the expanse of black cotton jersey fabric, and she is still alive with that laughter, her eyes gleaming bright, reaching for him as she untangles her arms from the fabric of her t-shirt, shakes out the remaining strands of her loosened hair.

Still, there's something about the way he looks at her when he says it that she can read, the solar flare of heat in his pale eyes, the way his body responds to hers, the serious, almost even way he tells her that she would make a brilliant drill sergeant.

Then he drops his mouth to her skin, just as she asks. It is her turn to breathe out sharply, a breath she had withheld, to twist her hands in his hair as if she might crush him into her skin, absorb him by some celluar process, osmosis, diffusion.

"A drill sergeant." - she repeats, moistening her dry mouth, bending - briefly awkward - half-way to the crown of his head because she wants to mark him with her teeth, because she's not laughing now. Not entirely.

Her chin dips toward his right ear. She snags the top of the cartilaginous curve between her teeth and bites. The marks of her teeth will linger there, little divots, all night long. Her cheek is against the side of his head, the crown. She half-closes her eyes and murmurs into his ear. "Before you fuck me tonight, baby." she tells him, evenly, sinking closely from her upright position to her haunches over his lap, so she can feel his arousal through the layers of the towel. " - you're going to have to drop and give me twenty."

[Trent Brumby] He breathes out hotly, jumps under the towel. "Yes ma'am."