Paul's challenge.

[Kora] Mykonos - a diner on 103rd Street and Carver Boulevard - is something out of NYC. Half Greek restaurant, homestyle, half greasy spoon diner with the usual suspects on the menu. The neon sign in the window that just promises -

Food - 24 Hrs

The sun a good hour ago, and the sky is choked with clouds. There's a chilly wind rising from the north that chases away the stagnant feeling in the air. Some homeless man in a wheelchair walks himself slowly forward. The footrests are turned up, his feet move on the pavement. The smell that rises from him is a revolting combination of body odor and urine, sharp enough that the Skald gives the man a second look as the pair step around him, heading for the diner. "They have the best gyros here, man. The best."

[Roman Turner] He could smell the man before it registered he saw him. For a moment hunger was chased away by the stink. But he was raised where wheat grew in the fields and folk were different than the closed guarded way they were in the city. Maybe one day what made him different would be worn out of him, for now it wasn't. So as he walked along with his Alpha, listening, he was watching too. And when they went around the homeless man in his wheelchair, a deft as pick pocket, something green was dropped in the man's lap and a hand patted his shoulder as the pair parted and moved on.

"What's a year oh?"

He pronounced it just like it was said, though when he saw the menu there was going to be a debate on Gyros.

[Linus] (Whoop. Fack. I may have to drop in later if you guys are still around. If not, splargh! I gotta take care of some stuff alas. I'll lurk for now)

[Imogen] (don't wait for me, I'm waiting for you guys to enter the restaurant!)

[Kora] The man - a mangy speciman with a headful of wild hair knotted, thick with grease - has his head down, his arms braced on the arms of the wheelchair, concentrating on the movement of his feet. One after the next after the next on the sidewalk, with the sort of precision and concentration an amputee might give to relearning to walk. He's wrapped in three or four layers of filthy clothes, with a thick, matted beard obscuring his face. Kora glanced at him with that inherent brace of suspicion; Roman dropped him some cash, discretely acknowledging the homeless man's humanity. He looks up, gives Roman this gap-toothed sort-of smile as the kid walks by. Drops his head again, and makes that dollar or five disappear into the folds of his filthy coat. The whole tableau plays out in reflections on the plateglass windows, beneath the neon blare of the sign.

"Roasted spiced lamb," Kora informs Roman, the scent of the man behind them now, her appetite returned. " - with veggies and this sauce in pita bread. Seriously delicious." This bell rings as she pushes open the front door. A waitress and a short order cook are behind the counter, talking. The handful of other patrons look up, and conversation briefly dies. Then the waitress pushes away from the counter to show them to a table.

"No," Kora says, " - that one," and indicating a corner booth with views of the diner and street, farther from the rest of the patrons than most of the other tables.

[Imogen] Imogen is in the restaurant when they enter - not seated, but leaned against the counter, in a conversation with a greasy, balding man, his wifebeater straining over his paunch, his apron stained.

The conversation is direct, intense, the older man appearing belligerent defencive, though his eyes flick sharply toward the door as it swings open, admitting Kora and Roman into his establishment. He stares at them suspiciously before turning back to Imogen, shaking his head.

Whatever she says next stops him, causing his brow to furrow. Realizing with a certain cold satisfaction that she's won, Imogen straightens from the countertop, holding out her hand, palm up, though the abrupt pull of her fingers toward her palm, makes the gesture demanding rather than supplicating.

"C'mon, then." The word is barely heard.

He stomps away - and stomps back, an envelope palmed in his large, meaty hand. Passing it over, despite his obvious belligerence is a subtle affair, and Imogen slips it into her pocket. If at any point, either Garou approaches or appears to consider it, she'll shake her head sharply at them, her awareness now split between the two.

"Could I ha' a coffee, please?" this deliberate, quiet. The cup is nearly smashed down, the coffee slopped in. Imogen pays him with his own money, taken discretely from the envelope inside her jacket.

A little later, she is walking toward the corner booth, the restaurant's proprietor returning to the kitchen with a baleful glare.

[Roman Turner] "This one of them places where they spit in your food? Put bugs in your pity (pita) bread?"

His question came because of the glaring man, though there was miss Imogen looking like she got a pay off or something. So in his mind, she got to be the food taster, just in case.

"Howdy Miss Imogen!"

He wasn't shy about calling out and waving his arm.

[Paul Kellogg] Luck? No perhaps it were just Kismet. Coincedince didn't just happen according to most of the Garou nation. And if it did, they'd after the fact say it were destiny but never before hand.

Anyways, Paul...having done his sheit for the day. Which including self indulence and whatever else floated his boat for a typical Coggie...found himself saddling up upon a Greek resturant. Why? Well anyone who's anyone can tell you grape leaves are f***ing awesome!!!

So He entered the estabilishment, with the idea to order just that...Wearing jeans, his five finger vibrams, and a simple long sleeve tee.

[Kora] That exchange - the sharpness of it - draws the edge of Kora's attention. The Skald folds herself into the far bench seat of the booth with a fair view of the diner, the counter, the front door, the patrons, the bloody glow of that red neon light, and keeps her dark eyes forward, Imogen and the restaurant's owner in her peripheral vision.

"I have no idea if they spit in your food, Roman," Kora returns, with this quiet sense of inexorable logic. "And since I'm hungry for a gyro and some spiced fries and maybe a baklava sundae, I'm going to write that thought out of my head here and now."

Imogen returns then, her coffee cup, the bottom ridge crushed in two places from the force with which the proprietor set it down on the counter. "Doc - " Kora says, lifting her chin in greeting as she pulls the menus up from between the salt and pepper shakers and the napkin dispenser. " - the hell was that about?"

Her voice is always low, a hint of richness underneath. When Paul Kellogg walks in, Kora lifts the edge of a laminated menu in a brief, semaphore wave of invitation.

[Roman Turner] He added a wave towards Paul but his attention locked on Imogen as he stood to offer her a seat.

"Did ya call him a yella belly sap sucker or something? I don't think he was too pleased with serving ya coffee."

[Frost] Nothing like spending the day exploring the underbelly of the city. Although she seems to have made her way into neutral territory here. Hell, it may even be safe to grab a bite to eat. She settles her eyes on the Greek restaurant across the street, pursing her lips. Ah hell, why not? Checking traffic the tall blonde strides across the street. Supper is way over due. Adjusting the collar on her duster, she steps into the restaurant.

[Imogen] Imogen had ignored Roman's greeting, effusive though it may have been while she'd finished her business. When she approaches the booth, she greets them both with a flick of the eyes.

"I did him a favour," she says. "He owed me money."

A brief glance to Roman, ignoring his comment. "Do me a favour - next time ha' a care before shouting out my name. Sometimes I'd prefer others not know it."

[Paul Kellogg] Did Paul see that invitation? Why yes!..Hell he went straight for their table. Despite the fact a hostess got upset that he totally dismissed her.

Beaming bright, he settled at the table with a glance about those in attendance. Yet that did not stop him from slapping his hand down prominately upon it's hard (the table) exterior. "Women are nucking futs..thats all I have to say about them. I've resigned myself to the fact that I'll never again know a pack..Im ok with that..I'll make do with does of the blonde persuasion...all being kin of this or that for sure..but still. Anyways...I want to thank you Kora, for being the only fucker here in Chicago to have taken an interest in August's well being....thank you...I owe you big...gyro's for everyone? Do they serve more than beer in alcohol?" He inquired before looking about the establishment

[Imogen] Imogen regards Paul as he speaks, a long series of phrases, before she merely answers one part out of - well, however many.

"They ha' ouzo."

[Roman Turner] "It's supper time Paul and we got lady folk with us. And while I'm sure either one could curse ya under the table without thought, I think it's best we don't start cursing at the supper table."

Imogen mentioned ouzo and had already corrected him, so his next words to Paul were.

"Ya see, they have Ouzo, let's get a bottle and preceed to get friendly with it."

[Frost] The little bell on the door chimes as she steps inside and looks over the place, inhaling deeply of the aromas before she decides if she wants to eat here. Mmm... it does smell good. The hostess seems a little put out after being snubbed by someone and sighs dramatically when Frost doesn't respond right away to her greeting and question of 'one?' Instead she peers a moment towards the group in the back of the restaurant. Finally she looks at the waitress, pinning her with cold blue eyes. "Yes. Seat me near the back."

[Kora] "Never would've figured you for a mob boss, doc," Kora replies, her voice low, her dark eyes on the front door. There's that little bell that rang when Paul walked in. It's getting a workout tonight, and dings - this tinnysound - as Frost walks in after Paul. " - doing favors and getting payoffs." It's not approbation in Kora's voice, it's admiration, when she finishes, " - that was some fucking shakedown," - this hint of humor underneath.

Paul arrives, Kora makes room. For the moment, though - she's distracted by the woman who just entered.

There are a good two or three empty tables in either direction from the corner booth, but the group that sits there is a strange one. The blonde Skald is recognizeable even from a distance, pale hair an distinctively sharp features. Her eyes ae still, settled on Frost until the latter returns the look. The Frost receives the same semaphore gesture of an invitation - a lift of the edge of the laminated menu, and a lift of the creature's sharp jaw by way of invitation.

[Kora] Then and only then does Kora look back at Roman, the edge of a half-smile curving her mouth, before at last returning her attention to Paul, dark eyes sheening in the flourescent light of the diner. The edge of a curve to her mouth. " - you don't owe me, Paul. I'm glad you're back, though. And that your mate's well."

[Frost] She gives a slight up-nod as Kora gestures and steps past the waitress, who is batting a thousand tonight in the impertinent customers category. "I can set myself," she tells her, heading towards the colorful group in the back.

[Paul Kellogg] "Ouzo is great, cept in large quanties and without Tuaca..." And it was then that he finally seemed to notice and even accept the fact that Imogen were among his company. Which brought a huge smile to his lips. "Hey Doc...how you doin? Would ya liake a Sambuca Shot with me? If they ave it?"

Sharply making a gaze to Roman. Simple were it really...an expression that said..Sssshh..just go along. Yet his chesire grin remained the same. "Little brother, would you be more happier with something of a darker persuasion? Im of the mind to say..yes...Shall I order for you?" Turning to Kora, he simply shook his head, a frown forming on his lips

"No dear fille, while I love you most of all of your and their Get..I must say this..my mate has bid me to be an ass in the next company meet. She thinks her condition has been sullied..agree or not..Im afraid to make her happy I must be blunt..and who better than I? He without friends or pack...Hey Doc...how's tricks?" Glancing back at Imogen with a playful wink

[Imogen] Imogen scoffs faintly and perhaps had a comment to make, but Frost's entrance distracts her. When she speaks, it's a voice low, meant for Kora, though it is not as if the others at the table could not hear her, "Met her yet?" she asks.

The group is definitely ragtag. Imogen sits straight, poised in the booth, a to-go cup of coffee in hand, taking up a small corner of one far edge of the bench, closest to the exit. A slight woman, she barely takes much space to begin with. Her hair is brilliant, bright, red, and swept back from her face, twisted into a bun at the nape of her neck.

Roman, a teenager. Kora, a woman with blonde hair, doubtlessly knotted. And Paul, talking a mile a minute.

"I hope yeh like black licorice," this to Roman, before glancing at Paul. "Well enough," she says, and he invites her to drink with him, "I'll pass," she says, "thank you."

[Roman Turner] "Why? They give black licorice out with dinner?"

He wasn't sure what Paul meant about something darker. Was he talking food, drink or women?

[Imogen] "Ouzo," Imogen lifts her coffee, black for a sip, "and sambuca, fer that matter, is flavoured wi' anise." A beat, then she adds a clarification. "Tastes like black licorice."

[Kora] "Her?" Kora says, breaking off as Frost steps around the waitress, begins down the narrow aisle toward the ragtag little group. She looks up again, though. Finds and fixes Frost with her dark gaze, mouth curving into the edge of a half-smile. " - I met her once, yeah." There's a brief pause, as Kora breathes out a flaring breath. Still quiet, a sidelong glance at Paul briefly as a sort of stay, really, an acknowledgment, a sharpening of interest. She's heard him. She'll come back to that, later. " - is she what I think she is?"

Then a brief highlight to Roman, a quick negation, a twist of her pale head. "Ouzo's the Greek vodka. Tastes like liquorice." She does not add, So I've heard, but does glance back at Paul, briefly. "I'm having unsweetened iced tea. X-nay on the Sambuca, sorry."

[Imogen] "Kinfolk," this still in undertone. "One o' yours."

(and now Mei is not allowed to post anymore for a bit, holy crap)

[Paul Kellogg] All three, whenever Paul spoke. But Obviously Roman hadn't yet learned or truly picked up on that.

A nod to Imogen, he hadn't expected her to acquiesse, actually he'd been surprised had she actually said yes. So when he turned his lucid smile to Roman he simply nodded. Adding with a wink. "Pay attention my friend...." Glancing to Kora...then to Roman..and back again. Were he the only one oblivious to who they were stalking and watching with their eyes? Well...yes.

"Hey..fuck you..are ya'll drinking with me or not damnit?"

[Frost] She arrives at their table and her pale eyes take in the gathering. "Evening," she says, and she could be greeting any of them or all of them; although the two women get a nod. "Nice to see you again Imogen. Kora."

[Roman Turner] He didn't know the tall woman and at that moment he had Paul in his face offering exotic drinks. "Yah, I'm up for trying your drinks."

[Paul Kellogg] HOLY SHIT!! As Paul twisted, turned and saw. Well the most exquiste blonde he'd seen thus far. I mean for real...she were akin to a teen's porn fantasy and more.

Blinking twice he now understood why his buddy Roman were so distracted. Actually even turning towards Roman and smiling. "Dude...why didn't you nudge me?" Chuckling before righting himself and returning his gaze to the newbie...a shake of his head and he were solidfying the walls of 'NO..I am NOT Trouble' as those who mattered to him had made his latest mantra.

[Kora] "Cool," Kora returns, this quiet acknowledgment to Imogen. Roman, beside her, can feel the way that knowledge relaxes her, relieves that hint of tension in her spine, in her body. "Not me," Kora returns to Paul, " - it's a work night. The kid might be good for a few drinks, though," she continues, with a fond, sidelong glance at her packmate, sixteen years old. Going on twenty, maybe, like the rest of the Nation.

Her eyes return to Paul, then. Linger, the edge of her mouth turning upward as she corrects him, almost gently, " - you're not without friends, Paul." The firmness is underneath, that uniquely animal confidence, the ease she has in the space she inhabits. "What's this about August feeling sullied? When and by whom?"

Then, Frost arrives. Or rather, Frost arrives in the midst of that and Kora doesn't bother to censor herself, Imogen's knowledge emboldenin her. "Frost," Kora says, her generous mouth curving into an easy, expressive sort of smile. There's not a false note to it, though there's a sort of quiet there. " - have a seat, or pull one up. It's good to see you again. We need to talk, I hear we share a common heritage."

A brief pause. "I heard you know the doc. This is Roman. And Paul." Indicating each with a tip of her pale blonde head.

[Frost] Her eyes slowly glide towards the man who has taken oggling to a new level and she arches one brow at him, then Kora is speaking and she settles her attention on the woman. "Yes, Imogen and I have met. Nice to meet you gentlemen," she says, dragging a chair over from another table and turning it backwards to straddle it, sitting in the aisle at the end of the their table. Kora> "I always have time for... family." She smiles.

[Roman Turner] "Nice to meet ya. We're Paul and Roman, ya know, from the Beatles, only we were frozen so we wouldn't age and just recently thawed."

[Frost] Smirks at Roman. "That explains a lot."

[Roman Turner] "Ya see?" He leaned towards Paul was he spoke. "If you say it with conviction and present it as fact, they believe anything."

[Kora] "Ringo," Kora corrects, quietly. "There wasn't a Beatle named Roman. He was Ringo. Unless you've changed your name?"

Frost's acknowledgment of - familial - ties draws the right corner of Kora's mouth up. The lopsided half-smile would be a smirk on another face, but there's that hint of awareness there, self-awareness that does not devolve to self-consciousness - that keeps it ironic without sinking into a smirk. The dark-eyed blonde studies Frost now without interruption, this close-eyed sort of attention as the kinwoman sits down, backward, in a chair at the edge of the booth.

[Paul Kellogg] Paul just laughs and give an expression of surrender with his hands. "Thats sooo you buddy, sooo you" Though he did turn to Kora, about to speak his mind, but thought better of it and just sat silent for the time. Instead ordering himself a very stout drink and one for Roman..even if he were underage, he made it so it seemed to be ordered for himself

[Frost] She leans towards Kora, speaking in a conspiratorial tone. "See? If you pretend you believe them, pretty soon they start believing themselves."

[Paul Kellogg] Paul quickly pssst Frost. Pointing an indirect finger at her. "Hey..I miaght be attracted to blondes superficially, and always end up with brunettes...but don't let that confuse you to the fact that I know what you fuckers are about..being blonde myself..Im ahead of the game. You best at least make my boy Roman feel special.or the very least..Kora..I don't care whatcha think bout me...I got a harem full of blondes..and they all hate me..so whats one more?" Laughing before returning to Kora. "Seriously Kora...sexy, darlin, baby...what do I have to do to win your patronage or admiration?"

[Imogen] Imogen casts Roman a brief glance. "Let's here you sing 'Here Comes th'Sun'." She says, arching an eyebrow as she lifts her coffee cup back to her lips.

[Roman Turner] He accepted the drink from Paul and though his breath caught with the first sip, he finished it all. And turned a smile on Imogen, singing sweetly. "Little darling, it's been a long long lonely winter." In which he had to stop and burp.

[Frost] Paul manages to get both brows raised as he goes on a blonde rant. "Dude, take your medicine, I think you missed a dose." She grins at Imogen's challenge then laughs when Roman steps up to the plate and gives them a verse. She waves at a waitress. "Beer. Closest thing you got to black."

[Kora] When the waitress finally gets up the nerve to venture close enough to take Paul's drink orders, Kora requests a gyro, with fries, and a side of spanakopita. Doubles the order for Roman, perhaps - and requests not an iced tea as she'd thought, but a coke with a slice of lemon. Thank you, she says as the woman leaves, though the woman is unlikely to hear it, really. She just wants to remove herself from the space they all inhabit.

"So that's your strategy," Kora replies to Frost, that spark of interest gleaming in the creature's dark eyes, the movement of her head inhuman there. Just the sharp lilt of her chin upward, the way she tips her head away, the way she watches, unabashed, all speak to the animal inside her body, the wolf under her skin. There's humor there, not lilting, quiet and perhaps a bit dark, though it brightens when Imogen demands a chorus of Here Comes the Sun from Roman. And that stills as Roman sings, even sweetly.

" - well," Kora's attention returns to Paul then, lingers there as she shakes her head, rueful, and this gesture is almost limitlessly human. " - you can stop calling me sexy, for starters." The faint hint of a burgeoning smirk is a bit weary. She's tried that before. Then, that half-smile filters away, and there's something still about her. "You've got my friendship, Paul. You fought with me to avenge my kin. That's not something I'll forget."

[Imogen] "Long cold lonely winter," Imogen corrects him. "Sorry, 'Ringo', but you've been caught out."

Imogen shakes her head slightly at the waitress, taking another drink of her coffee, instead.

[Roman Turner] .In the worse English accent he said. "I didn't have me bleedin cards."

[Frost] Imo> "You gotta give him points for trying," she chuckles, although her ear is more closely tuned to what Kora is saying to Paul.

[Paul Kellogg] He looked to Frost...quickly gestured with his hand towards Kora. "Yours...not touching it..not interested even." Chuckling. It were obvious he had a few drinks before coming here. But was that out of the norm for Paul? Not really. A gaze to Roman, another Imogen. The sexy self indulgent Doctor, how he could only wish she'd treeat his illness...

Turning back to Kora he wickedly smiled. "I got an Egyptian doe staying with me and August...I miaght even have in a day or so, a Falcon's feather, both blondes. Im telling yah cause well..I liake ya.:" Smiling again, though he spun to Roman. "Im gonna need your help brother...I can't say on what or why just yet..but be forewarned..I'll be looking to you on a tribal matter here shortly..and I hope you'll be there for me, even if it's drama both you and I can otherwise have done without..but who knows the will of our opposites? Not I..not You...and thus comes our curse...how say ya? Other than hit me with another shot?

[Roman Turner] "Wait, wait, wait, wait, wait." He shook his head, trying to figure out what Paul was talking about. "Ya got yourself a pack of women and ya need help with their drama?"

[Frost] She can't help laughing at Roman's response. "Yeah, get in there and help him," she encourages. "It's a dirty job, but someone's got to do it."

[Roman Turner] "Oh I ain't never been much for drama and I learned real young if the drama involves a bunch of women, a man's place is as far away from that hen party that he can get."

[Frost] The blue eyes glitter with amusement. "You're not going to tuck tail in your friend's hour of need are you?"

[Roman Turner] "If he done dug himself a hole with a bunch of ladies, I will give him the advice that ya choose one and stick with it. That's about as far as I can go with that."

[Kora] Imogen correct "Ringo" and Kora huffs out this quiet laugh. It's still, except in the way it moves her shoulders, her bdy underneath. "Touche, doc," that hook-curve half-smile, here, the glance is sidelong, brief and intent. " - remind me not to let you test my knowledge of the Beatles' songbook. There's this look that Kora gives Frost, this acknowledgment of her interest, this awareness of her at the table. Then Paul's discoursing drunkenly on the state of his harem, and Kora picks up the bottle of sambuca that waitress has just brought to the table -

- along with Frost's dark beer and Roman's drink and Kora's coke and maybe even her gyro, damnit, with fries. Her gaze remains on Paul, brief and glittering. Readying herself to repeat the question she's still not had answered. A brief, lilting look toward Frost. Then back to Paul, " - why does August feel sullied?"

[Paul Kellogg] He pointed a finger at Frost. "You..shush...this is familie business..nothing to do with you blonde big wigs from the Balkains and nethers..." Swiveling on Roman, he couldn't help but laugh. "Yes...NO...Yes...but no.../b] Slaping his hand upon his knee before stealing a sip of his drink. Shaking his head again as if to re-itterate the issue. [b]"No..not drama as you miaght think...but drama simply because..yes..they are ladies. It's actually quite simple really...I can break it down for you if you liake...but frankly in the open..among well...other folks of other cultures and triates...Im not sure we'd want to do that just yet"

[Frost] Her eyes meet Kora's briefly, a silent acknowledgement... a statement of interest... things to come. A public place. A bit of banter. Most of the real talk will come later, she knows.

[Frost] Paul gets an amused look, but she eases up. "California actually," she inserts when he dresses her up in her own heritage.

[Paul Kellogg] He spun on Kora, hands open in gesture. "Im gonna talk to my battle Roman here alone in a moment..or perhaps later on a Coggie issue thank you...that you or no..yes..that means no one outside of our tribe has business with save me and him...deals with... Laughing before shaking his head, he then seemingly directs his whole attention upon Kora. "August is very upset about the fact that while pregnant many a Garou decided to see it fit to kick her from lodging at the Brotherhood..and even protection from pack because and I qoute from she...'Infants aren't good with Garou'...to the point that she would liake to take it to the voice of the Goddess of our Triabe...which in effect Kora..isn't good.."

[Imogen] (FYI, folks, I gotta start working. I'm going to be really sporadic in my posting!)

[Frost] She listens to this bit of news, lowering her eyes as Paul talks about an issue of strange interest. She's never really spent much time around this side of the family. She had always imagined they would be particularly protective of pregnant women and the very young. Apparently she imagined wrong.

[Imogen] Imogen glances up as Paul speaks, an eyebrow arching slightly. Her gaze rests there several seconds, her expression unreadable, silent, cool.

After a moment, she gets to her feet. "Goin' t'ha' a smoke," she says to everyone and no one in particular.

[Frost] She watches Imogen rise and retreat. Paul's news, unaccountably brings a flush of shame to her, for those who would put out a pregnant woman. Her eyes trail the redhead and she rolls her lips then glances at Kora.

[Kora] "If you and Roman want a moment alone, go ahead and take it." Kora replies, her voice low, as she leans over her plate of gyro and fries, peeling back the layers of the sandwich to make sure everything is as she wants it. "Frost and I have a few things to discuss along similar lines, so I would not be offended. As to the rest of it," a brief, sharp glance at Imogen, a faint gesture of her head by way of acknowledgment before her attention returns to Paul, her dark eyes even, her attention direct, easy and assured. " - the Brotherhood, and your mate, I have advice for you, if you want to hear it."

[Kora] (FYI: Blu fell off AIM, so I'm guessing he's gone for the night since it is laaaaaaaate fo him.)

[Paul Kellogg] "Its not a question of do I want to hear it, or should I? It's a matter of politics. I left my mate in the care of a Sept who set her out on her own because of her pregnancy, considering unsafe for the 'Garou' in attendance? That only you and your pack came to her aid? Who among the nation would rally behind such packs or sept if such workd were made namestay? You and I both know noone...noone would back a single pack from Chicago, no totem, no Garou for such a blatant disregard of our kin, yet it happened. Thus I can ake our charge to the Nation..and be branded here by those seeking to be well..unadmonished...or I can simply ignore my mates viable protests and keep them to myself in the hopes to secure Sept Politics.....what is more important to Chicago Kora?" With a raise of his brow to his friend. "Im asking you as my friend...

[Paul Kellogg] (wow..sorry for all the misspells lol)

[Frost] Her eyes rest on Paul as he speaks, her expression serious. This is her first direct interaction with any sept and what she's hearing does not bode well, in her mind. God she hopes Kora tells him to kick ass and take names. Her eyes flicker back to her kinswoman.

[Kora] "I don't live in the Brotherhood, Paul." Kora begins, this is quiet. There's this undertone there, a storyteller's patience written into the rhythms of her speech. Kora has an expressive face, dominated by dark, reflective eyes and an expressive mouth, this stillness underneath, this assurance, a deeper confidence. "I never have. In my home Sept, there were some lodges for cubs, for packs passing through, for unpacked Garou. We took care of our own - yeah? But nothing quite like the Brotherhood. Temporary quarters, sure, but I couldn't live there long term."

A pause. "They offer hospitality to anyone. I heard a story that Silence-rhya fell through the gauntlet wrestling a giant wyrmsnake in the common room. Garou of all manner pass through, and the place could easily be compromised at any time. Information given to the enemy. The doc's phone number - and a few others, maybe the Brotherhood's location - were compromised like that, when Joey Oliver's cousin was kidnapped, and tortured by the Wyrm. I heard that she rescued him once, then left him alone and he was taken a second time, never recovered.

"That's where I start. I don't think the Brotherhood was a good place for your mate, for your pregnant mate. There's not a pack of Garou. There are two packs, sometimes, maybe there. Ahrouns, cliaths, even cubs barely controlled - I might've advised her to seek shelter there, but I do not think they were wrong to suggest that she find another place to live. For her protection, and the child's sanity, if nothing more."

Here, Kora pauses, still, her eyes level, an undercurrent of anger in her voice, this deeper thrum of it. " - if you are telling me that the Garou of Maelstrom and the Brotherhood kicked her out without provision for her, without assuring themselves that a pregnant kinswoman - a pregnant kinswoman alone in a city at war - was safely sheltered somewhere, though. Then yes, I agree wth you - but when you level your charge, when you make you challenge, focus on the egregious failure of hospitality, not the perhaps wise thought that a child would be in danger among so many Garou."

[Paul Kellogg] "This is why I ask you Kora...because I were not HERE..I were not available to rightly take care of the mate I claimed at that time. But I hear the horror of her predicament..and a horror and complaint I can't ignoe. Thus why I give you so much regard. For according to she, you and only you..not pack..not Sept..not tribe or whatever other affliaction beyond the singular were hopitable to she in a manner that had not hating and loathing thoe of this sept and Caern but seeing them rather as the focus of her angst and energy. A woman scorned if you know what I mean. However, a woman who is my MATE...and one who were likewise seemingly turned out upon the streets. Alone...without aid....a crime to our senses, of all tribes and all auspices fille. Hence, hy I speak this to you..my concerns, reflecting what I have hearead...and what I've learned. I ask you now. were it not for yourself, would my mate have survived?"

[Frost] She sips her beer, taking this all in. There's a loaded question. One likely without an answer. Frost remains quiet, her expression schooled to a careful neutrality. She has no voice here, and she knows it.

[Rain] Maybe there's a bell on the door of the Greasy Spoon. Maybe there's a squeak in the hinge, an irritable little sound that eases-aches as the door opens. Maybe there's nothing but the rush of street sound and cooler, damp air. The door opens, and a young woman enters, holding an scrap of paper in her hand and looking around as if she expected to find someone she recognized here.

She steps in, out of the doorway, brushes her long, straw-straight brown hair over her shoulder. There's an empty table, somewhere. She may have to make her way across the room to get to it. Rain doesn't look like she should be out alone at this hour of night; she doesn't even look legal.

It takes a bit of time for the conversation to filter through to her, the slip of a girl with narrow hips and bee stung lips. It takes a little time before she realizes what and who they are.

Rain unwraps the scarf from her throat, jams it into one of her pockets. She slides into an empty chair. Runs her eyes over a menu absently. Glances around again. Keeps quiet.

[Linus] The front door jangles and the sound of muttering can be heard-

"-Think a fucking bird would be grateful every so often. Bring 'em something shiny and low and fuckin' BEhold where's the fucking gratitude? Shit in a mead horn..."

The man unbuttons a long gray coat and undoes a slate gray scarf, letting them both spread out as he pushes through the doorway and shakes out fingers, like they were wet or cold. Short buzzed hair is given a scrub, like waves of frustration bleeding off in rivulets. The sharp tang of ozone clings to him, cool and frosted like the Gauntlet smells before and after the trip.

He grunts in Rain's direction, a quick glance flashed toward the little kin, slows his gait briefly while trying to find the attached Eve that should be with her, only to speed up in dismissal as he hits the front counter.

"Two coffees, black-...Kor, you want Somethin' while I'm up here?!"

Frank and without a care for polite policy, the scruffy stubbled figure at the Diner counter, receiving glares from the late night waitress for such loud tones at this time and seven hours into her current shift (mood not helped by the bundles of Rage housed at table nine), turns toward the Table of Garou and Kin and shouts at the Jarl with as much ceremony as a Frat Brother near the Keg.

[Kora] Kora listens to Paul's impassioned speech with a stoic expression that belies the sharp - perhaps even irrational - chord it strikes in her. Her body is still, her shoulders set. She's leaning over the table, her forearms braced against the edge, her coke, the lemon slice floating in the dark liquid, marooned on a sea of ice cubes, popping and hissing with the release of carbonation. Her fingers are long, fine-boned and precise, the nails blunt, scrubbed clean, faintly pink against her pale northern skin. Bracelets encircle either wrist, forgettable things made of leather scraps and fisherman's twine that change with her body when she, she-wolf, changes.

Two tattoos are inked into her skin, nestled among those bracelets. Runes: angular, ancient.

One says thought.
One says memory.

"I think," the creature says, with this quiet, sure precision in the aftermath of his passion, this counterpoint, emphasized by the half curve of her mouth. " - that you overstate what I did, -yuf. And you needn't, not to make your point. I don't know whom you have to challenge or accuse. Perhaps they will answer for themselves when you tell the story you have to tell - be sure that they cannot be sidetracked. Your grievance is not that she was asked to leave the Brotherhood, but that they made no provision for her after, gave her no aid, offered no assistance, failed in their duty of hospitality.

Kora looks up as the front door opens, and her features shift, easy. Her half-smile deepens, she reaches for the glass and lifts it toward her brother, like a toast. "How about another Coke?"

[Frost] Still sitting backwards on the chair at the end of their table, Frost glances at the new arrivals, taking a longer look when one of them seems to know Kora.

[Paul Kellogg] Paul sat back. Quickly in his chair. More disappointed now than ever. Even moreso in hi friend. He couldn't blame her. It were a political nightmare to call injustice to an entire sept. To those who'd so eagerly turn their back on a kin. A Pregnant kin at that. Release her, no...bid her farewell into the night without so much as guidance to kin or Garou who could better care for she than they....

No, this were the first time Kora failed Paul. the first time he saw her flinch and with dismay...relent. It were an eye awakening

With a shake of his head he simply groused. "For the stability of this Sept and those I know who's hearts should be judged better than this..I shall not make this an issue. I will however say foul..and claim no Garou here my ally, nor that of my tribe. And I speak for it despite whoever claims the voice of our goddess. Kora..you are excuxed from this judgement..your heart were in the correct place..so too your honor. But not the Sept....but I'd rather see it thrive than decline by espousing the selfish natures of it's individuals..I find it lacking..and thus renounce my claim of support to Maelstrom..I protect those who Garou shall not..I protect the kin they abadone...and nothing else"

[Paul Kellogg] (wow..I really can't spell LOL)

[Rain] There's no Eve. And there's no duffel bag. And there's no pocketed twenty-dollar bill, either, for that matter. Rain has found a place to stash her baggage before finding her way all the way out to the Green. Linus will find her quite alone, and shrugging out of her jacket. She's wearing nicer clothes now, perhaps lending credence to the line she'd given him about her plans for the afternoon. These nicer clothes have long sleeves, so the markings on her left arm are obscured.

She leaves the jacket bunched into the seat beside her when she wanders up to the counter to order a coffee, and half of a sandwich. She says her pleases and thank yous. She calls the staff sir and ma'am. Perhaps, to Linus's surprise, she has money enough to cover her own tab.

With her fingertips resting on the counter, and her body turned away from them, Rain glances over at the collection of Rage and people more than once. Never at any one person. Never when any one person is speaking. She doesn't make eye contact, doesn't let it linger, but there's a nascent curiosity to it.

It'll be up in a minute, the waitress tells her.
"Thank you," she says, with a faint drawl and a slowness. It's polite. Almost sweet.

She hears the words challenge, and selfish and abandon. They send her back to her table to wait. They make her that much more wary, watchful.

[Imogen] There's a brief rap on the window - Imogen lifts her cell phone in some sort of indicative gesture - an explanation, as opposed to an exact farewell. A cigarette still scissored between her fingers - and she starts away, down the street.

(sorry, guys! I gotta work again in like 30 minutes aaaaaaaaaaaand yeah. it wouldn't be fair for me to bring back in my PC and then just fade out again.)

[Linus] "Shit rots your teeth but whatever!"

He turns to the counter and perks a brow at the Waitress who returns with two black coffees. Then he lifts a finger and points at the nearby Table, jaw pushed forward irritably.

"She wants a Coke. Put it on my tab." To which the reply is a frank hand on hip and pursed lip "Anything else, your highness?"

The gaze narrows further.

"All you people here are fucking critics, I swear." The coffees arrive just as Rain gets to the counter and he narrows his gaze when she orders. A snort later and he pushes one cup forward toward the Waitress. He doesn't take a seat at the counter. Doesn't look as if he's going to try either. He just looks across at Rain evenly, a brow perked.

"That's my Sister." A sharp head jerk off in Kora and her Company's general direction.

"She's been here a lot longer than either of us. Best person to talk to about getting you and Eve situated at this point 'cause I don't know any Rats in this Town less you found some while I was out."

He turns slightly opening the way for Rain to be able to get a good look at the table. It's an invitation of sorts. Not really a command so much as it is a piece of adamant advice.

"Where's Eve?"

[Imogen] (thanks for the RP, all!)

[Kora] Kora's rage is sharper than Paul's. Half-way through is speech, it spikes. That easy, half-smile stills on her mouth, and the Jarl of the Fenrir - who is a young woman of twenty-something with messy blonde hair, in a cotton hoodie in shades of blue, some as dark as her eyes, some a sort of muted turquoise, some a dusky hybrid of the two, and a PIXIES t-shirt underneath, whose name is Sorrow and who has a single french fry in her had sets her jaw and drops that fry and lifts her right hand, making a fist -

- that she brings down hard on the table, hard enough to jar the drinks, to slosh coke all over her gyro, sambuca all over Paul's place setting, the one that describes the Greek gods and goddesses in all their incestuous glory.

"You weren't listening." That's not a snarl, that's firm, quiet statement, with a whip-like tension built into the words with the flare of her temper. When she continues even, still, low her voice sinuous and urgent.

"I never told you to drop it. I told you to call them out. I told you to do it clearly, and directly. Leave the extraneous bullshit off your story. Understand? You grievance is not that she was told to leave the Brotherhood. It is that they made no provision for her comfort or her safety after. I didn't save her from cursed ones. I made a fucking telephone call. And whover kicked her out owed that much duty to Gaia and the child - kin or true - she bore."

[Frost] She looks towards the window and tilts her chin upward as Imo mimes she's leaving. Maybe she'll give her a call tomorrow. Her gaze shifts to the interactions at the counter, the shy girl who wants to look but never meets anyone's eyes...big brother. Interesting. As for Paul's declaration, something in it saddens her. There is shame to be had here. Although who's shame, precisely, is still unclear.

[Linus] "...As you can see, she tends to be very loud at times."

A passing remark to Rain. Part joke, part reassurance.

[Rain] Or she would have, escaped to her table that is. Except Linus is dragging her away from that. He doesn't have to touch her, or do anything more than narrow his eyes and raise an eyebrow. The girl stays put, shoves her hands into the pockets of her jeans.

She leans out a little to look past him and over at the table. At Kora. The others, who are nameless still. Big brown eyes sweep over the group before she glances back to Linus with an expression that says little more than Oh.

"Eve's, um..."

Kora's fist finds the table. Rain's eyes widen; it's an instinctive reaction, a little flair of fear. Her muscles tighten. Finding her throat suddenly parched, she swallows.

"Eve's... not here."

Rain drags her attention away from the table. Back to Linus. He's making overtures that she should join them. The kin obviously does not want to, but instead she says: "Let me just get my coat."

There's a burr to her voice, a little catch in the drawl and sweetness.

[Frost] Then the fist comes down, startled, she snaps her attention back to the table... to Kora... so collected just a moment ago.

[Linus] "Go for it."

He seems distracted, motioning a nod while maintaining eyes on the Table and the company there. Some sort of argument. Discussion. Obviously heated. He seems about to head over when he notices the Waitress standing at the counter with the Coke he'd ordered for Kora in hand.

She isn't moving an inch and the look on her face is something between fearful and annoyed. He leans forward toward the counter, tapping the counter top.

"I'll take it to her."

The Coke is set down with blatant relief and continued irritation, leaving Linus to return his attention to the Table.

[Frost] These two have things to work out. Things that don't require her presence. Rising she shoves her chair back over towards the table she borrowed it from. She looks over at Kora and taps her wrist, where a watch would be if she wore one. "I'll give you a call tomorrow." He looks at Paul and gives him a nod. "Good luck with your issues." ((Player's bedtime. Work tomorrow.))

[Paul Kellogg] His jaw set as firm as her own. Deadly how a Child of Gaia could so become as stern as even she. "This is a political issue I wish not to play. Nor you should you try even. The Sept, our totem has allowed such foul beings to hold sway. I renounce all ties and claim to it. For no honor can come from it. By playing your polticial gain in court..or by being true and me. Either way shall endear the same part. No pack would have me, I've long released this...I'll treat with kin who've been mis-used, and ill-tempted. My house and the block around it shall be mind and mine alone. Rank means nothing since I now go Ronin. I shall speak my grievance to the Sept as a whole. Make them know the errors of their ways..but by martyr or not..I shall score the heat of my words that they never forget nor sway...I shall speak for those who's voice has too long been drowned in a capcophany of shriel and fanatisism. As I said..you are excused...and you...Roman and the Lord known as Lukas only shall enter my terrority without my reprisal..and do not mock me..this Coggie will destroy those who test it..for I fight for justice this Sept known nothing about..and a farity to our kin it has too long ignored...and death will not stop with the first who tries it...for Unicorn now speaks to me as my prophet...and thus it shall be. Only you three garou shall be allowed in my territory..kin though of all types need only come when abused. I shall take them in. No longer does the nation work if such travesties occure...my words..nore yours matter if they are and will remain unheared. Someone has to remind them..those elders..why position is to serve..not be served." With that Paul stood and began away from the table

[Maya] There's always an up side to cities.

They had not the freedom of the Wylder areas that she preferred but they did come with a conglomeration of narrow alleyways, side streets and tiny little nooks where one might slip out of one realm into another and drop from seeming air to land on hands and feet like a deft cat with only the startled yowling of one of the very creatures in mention as it went scuttling behind a trash bin and peered out with glowing green eyes.

It was watching the form of a young woman uncurl herself from the balled stance she'd adopted while in motion, her wrists and feet jangling. Her head was a cloud of black snarls, thick hair that fell to her mid-back and needed tending to somewhat urgently. She turned her face in the animal's direction and for a moment they engaged in the primal watchfulness of a pair of animals in the wild.

Who would move first, attack first, flee first.
The Godi waited, her smooth skin smeared in places with dirt and debris from wherever her travels had taken her this night before the cat flattened its ears and slunk away.

Courts the Storms Eye, as she was known, departed the alleyway then, her steps musical; the necklace of painted black bones around her neck adding a duller accompaniment to her other decorations. For all that the ulfr carried with her a decided lack of typical city behavior, her clothing was nothing truly startling. Worn jeans and sneakers, a man's workshirt in flannel blue and black checkers and beneath it a plain white undershirt.

Of course; when she decides the step inside the diner, eyes flick to her.
Take in the dark hair, the kohl-rimmed eyes, the strangely regal bearing for a woman dressed as she is.

[Kora] (night! grab me - likely next week? and we'll do a proper scene. :) )
to Frost

[Rain] It doesn't take long for Rain to gather her coat. She slips her arms into it, tugs it up over her shoulders in a quiet assertion that she will not be staying long. Tugging her hair free of the collar with one hand, she makes her way back across the room to where Linus is. Toward that table. And Kora Bangs-On-Tables, Sister-of-Linus.

Hands in her pockets, she seems set on keeping her chin dipped down and her eyes low until Paul's oration erupts and draws her attention upward, sharply. She draws a tight breath between clenched teeth, steps back a bit, to put herself behind Linus. To put some extra distance between her and the quarrel between the two True.

Her attention, indeed, flicks over to Maya when the door opens. Rain studies her, perhaps more openly than she ought to. Lingers a bit. Then ultimately pulls away.

[Frost] She moves aside, letting Paul pass first, then heads out, sparing the newcomers a final glance before she slips out the door and is lost in the night.

[Linus] ...Paul stands up, ready to leave after his declaration. Linus settles into place beside the table, settling Kora's coke down on the table and inching it under the Skald's peripheral view. His attention remains with Paul, even as he feels that vague shadow behind his back where Rain stands.

Things always have to come like Avalanches, don't they?

"I gotta say, Sis. This place of yours sounds like a real treat 'n half in a massage parlour, tell you." Linus offers little more than that whilst watching the Ragabash stand, his face set in a matter-of-fact sort of frown. "Your coke." He offers down to Kora, then hooks a thumb back over his shoulder.

"Got something here that needs a lil' attention if you're done babysitting the weak..."

[Kora] Kora listens intently, her dark eyes lingering on is features as he speaks. Not just his eyes or his mouth, but the movement of her jaw, the sharp bite of tension across that boyish face, the flare of indignance in that boyish - nearly pretty - face. She's older than he is by a handful of years, older than most of her rank. A late change, a life lived as an adult before the world and the wyrm came crashing through the half-open doors around her gives her a certain aura of stability, briefly broken when she jarred the table, returned now.

Look, she listens, not argung, her mouth snapped closed, a hint of fire behind her dark eyes being slowly banked. Paul rises, no longer drunk, no longer playing the fool. Kora reaches across the table and stays him just briefly - the lightest touch of her fingertips. "Maelstrom," she says, with a quiet conviction. This time, her voice is so low that likely only Paul can hear, though her brother can read, easily, the impassioned fanaticism underneath her skin. " - did not offend your mate. Keep that in mind, before you renounce the sacrifice you pledged him."

Then she lets him go.
Lets him go and looks up at her brother, this canted look, the weight of her hair swinging behind her head, the spark of rage bleeding away, though it leaves her aching in the aftermath, the back of her eyes, this yawning sense of otherness under her skin.

There's a moment where she breathes in, then lifts her dark eyes over Linus' shoulder, toward Rain, behind. The look is brief, rather even, a tillness underscoring it as her gaze cuts back to her brother. "Here?" She tips a look toward the counter, the irritated waitress, the patrons, looking-without-looking. " - or outside?"

Then she accepts her coke and takes a drink. "Thanks."

[Linus] "She's got a Warden. Couple of Rats. Just seeing if you know any in the city that are responsible for their number or if these two are on their own...."

Like sunday brunch. Like newspaper articles about the titanic. What a Shame, another day. Linus remains Frank, just like his middle name.

[Rain] She's an even five-and-a-half feet, slight but not bone-thin. The girl waiting, patiently for all appearances, does not look maligned or wronged that Kora can see. Off-put by the Rage that swirls in the room and uncertain, most definitely, but there is not an air of Lost Kin about her or a keening fearfulness.

There's wariness, and there's always the awareness that any of the could snap at any moment. Rain lived with that every day; it weighed on her whenever she was around them, but it was a familiar worry now, almost comfortable in its weight. It kept her eyes shadowed and downcast. She waits on them to sort this out until...

"Beg pardon," she interjects. "Eve... isn't my Tribe." Her voice is mellifluous, sweetly soprano. It's in a pleasant register and well honed. Quiet now, it could be louder than any of them would suspect when needed.

She glances up at Kora, then over at Linus.

"I'm actually --" She glances at Paul's retreating form. "A Child of Gaia."

[Maya] It's hard to place Maya's age.

She doesn't engender ease with the way she dresses, and the fact that she does not wear typical clothing items or jewelery as befit any particular age bracket. The bracelets on her wrists and around her ankles are metallic, with the reddish tinge that suggests they might be copper, or something similar.

She could easily have been in her late teens, or her mid-twenties.

Her face, while apparently one of calm, was none the less interested in what it saw before it. She was being observed by a female, and the she-wolf's eyes roved from counter-tops and frazzled wait staff to the Garou she smelled and finally to the face of the female glancing at her.

She was, after all, blocking the only exit.

"Hello, stranger." The voice was rich, husky yet melodic and underlined with an accent unmistakably European; at first hearing it seemed Russian. It gave further speculation to her ebony hair and those high crafted cheekbones. The slant of her brow. The breeding coming off of the petite Godi, however faint, was decidedly that of Fenris.

After she speaks, Courts the Storms Eye moves out of the door and fully into the establishment. She does not head for the counter, or to a table. She walks a few steps, stops and finds Kora with her dark eyes. There's a slow blink. She watches.

[Paul Kellogg] "A Totem is only as wise as it's patrons. For from they does it draw power. And from they both ignorance and agnst dictate it's honor. The Nation shall hear of this..that I promise you. Sept, including all...both Spirit and Garou alike shall be made accountable. Who better than I a Ragabash if need be sacrifice my life in order for those of lesser debasements to learn and improve or not for Gaia's sake. I love you Kora...you know I am not meek...only you may see the strength of my conviction here...at the Moot the Sept shall here my words, my conviction and complaints....and from there I shall endure the hositilies that shall reap upon me. This is my fight...a wrong has been done...and not this Sept..but the Nation as a whole shall know I stood protecting the rights of what we supposidly hold true as our burdon. You have my number...friend...till then, adiu" And with that he walks away

[Kora] " - and does your Rat, Li, have a name?"

The table is - well, there's ouzo spilled, and coke. Imogen's coffee in a paper cup, several half-eaten gyros, and fries that Kora is now eating from the plate that Roman abandoned when he dashed out of the diner to make sure that Miss Doctor Slaughter made it safe to her car.

Now there's another full class of coke for Kora to spill if she is of a mind to bang on the table again. "Used to be more of them, packed with one of ours under tweety bird, if you can believe that," she delivers, in that same low voice, pitched to stay close, careful. " - now, I don't know if there are any left excepting Marni, Sticks-n-Stones. I've got her man's number, if they need to get in touch."

[Kora] (eeek, sorry! my screen stopped refreshing!)

[Linus] Does your Rat have a Name?
I'm a Child of Gaia


"...What the fuck?"

He wheels around and looks down at Rain (inadvertently turning his back on Kora half-way through her diatribe. The irritation spikes slightly, even as eyes narrow again.

"What the hell are you doing with a Gnawer then? And please...pretty please do not tell me there's some sort of mate thing going on 'cause that's gonna cause you all sorts of shit trouble 'n giggle fit-"

A pause, sudden and sharp, he snaps his attention back to Kora.

"Name's Rain. Her Warden...who is a Rat by the Way...is called Eve. A little cuckoo on the uptake but a Judge and a Sin-kid. Fresh to town and...well, fuck I don't know what to do with 'em now."

Another pause. Another quick gesture of vague annoyance and Linus is turning back toward the Counter top for his coffee; This is about when he notices Maya's attention in regards to Kora, near to the entrance as the other Woman is. Linus takes a half step forward, clouding half of Maya's vision of the Jarl and asks with brow perked and no small amount of grate in his voice.

"She ain't a dyke, toots, just to let'cha know. Hard to tell sometimes but it's true, so quit your staring already and move on." And then he's coffee bound, all head shaking and mutterance.

[Kora] Something about Paul's response stills her, makes her set her jaw. Her nostrils flare, and it's not rage, precisely - just something else, underneath, the shadow of old death, the responsibility she has for those buried under the damp, sandy soil at the lake's edge, where the land and the sky remember, echo the wide, flat expanse of the prairies, some reminder that the horizon was once limited only by the curvature of the earth.

Name's Rain.

Linus brings her attention right back to the pair. Kora offers Rain an expressive half-smile, made brittle perhaps by the way memory surfaces underneath her skin, of the dead at the water's edge. "I'm Kora," alto to the slight kin's soprano, pale-haired to her dark. Tall, evident now when she sits straight in the booth, and narrow-shouldered but long-limbed. "Good to meet you, Rain. You will want Lila. I'm looking for her, too. I'll pass on word that she should find you when she can."

[Rain] Linus wheels. Rain's hands come out of her pockets, come up reflexively, are held out in front of her to ward him off (little good it might do). Her scarfs tumbles out of one pocket, puddles like faded color, lays like a limp snake on the floor.

"I... what?"

Her expression screws up into something patently shocked, and it's the first not half-way numb thing he's seen out of her since she wandered into the diner. There's a flash of something keener, a reaction that flared like protective instincts or sharp rebuttal or even just offense.

There's an edge to Rain's voice now that's colder and lower. It's a darker thing, however polite her words. It's practiced; like she's spun stories in her time, like she knows how to use that voice like a tool, like a weapon, like a shield. The edge fades out toward something more even keel as she explains, but the ice and the iron are there at the start.

"You don't know her. Eve was packmates with my last Warder. Things didn't go well for them, for any of us, and she's who I'm left with now. She's decent folk; at least she means well."

Rain doesn't say: It's not nice to judge people you've just met.

She breathes out a little. Glances to Kora and nods a bit, more politely. Then finds her tongue, which is less sharp again. "Thank you, Miss Kora."

[Maya] There's a decided curl to the lip. The dark eyes travel over Linus without a great degree invested in the outcome one way or another, for all that she was tiny in comparison to many of her bloodline, there was no fear in her perusal of any so far within the constrains of the building. Only some abiding curiosity, like a traveler confronted with the customs of a foreign land.

Some things were familiar, some were not.
The rudeness of strangers, it appeared from the manner she was looking at the boy, was.

"If I wished to bed her I would not stand and stare from afar, unknown one. You move your lips with great speed before a stranger." The voice was all smoke and whiskey, curling from her throat. Maya moves toward the Jarl now without much more thought toward the boy. She moves until her presence can no longer be ignored and stands; arms crossed over her chest.

There was expectancy in that stance, but also the acceptance that she must wait her turn.

[Linus] "Fuck's sake she sounds like Wisdom~in~Shade..."

An over the shoulder murmur, followed swiftly by a flash of 'whatever' hands cradled in dismissiveness toward Rain. The entire had gone quite upchuck rather swiftly and he seemed unwilling to partake of any courtesy surrounding the table. Kora could handle things. Would handle things. She always did.

From the counter:

"Fucking Coffee's gone all luke 'n shit too."

[Kora] "It's just Kora," the Fenrir corrects, direct and sure and perhaps more than a little resigned to being addressed as Miss this or ma'am that for whatever remains of her likely-to-be-short life. The corner of her mouth twists fractionally wider. "Not Miss anything. Just Kora." A brief, flash of a look, lingering and shrewd on Rain's doe-eyed face. "Kora Eyjólfsdóttir - " the foreign patronymic added with a hint of precision, after. " - if we're along and you're intent on being formal."

Miss is a human title.
She's not human.

"Do you and Eve have a place to stay?" Then, Maya. Kora reads the pure breeding under her skin, the blood, her dark eyes half-closing to chase some remnant memory, the shape of her ancestor's face, carved into her bones. Whatever it was, it doesn't rise to the surface soon enough. After a quick, dark eyed survey up and down - the stillness, the stories - a half-edged smile rising for the Godi, too. "Maya, yeah?"

It is an educated guess. "Good to finally meet you. Have a seat." A glance at Rain. " - you too, if you've a mind."

[Rain] She stoops long enough to gather her scarf up, twists it between her hands. Her attention is mostly for Kora, now, though she does glance over at the other two from time to time, mostly to make sure she still knows where they are.

"Yes'm," she answers, which is a step back from ma'am and [/i]Ms. Kora[/i]. She nods. "We've got a place in Bronzeville. I'm looking for work."

There's a little pause. She looks over at Linus, and his luke 'n shit coffee.

"I'll take care of Eve," she adds, "Don't worry." As if they were somehow worried somehow that she couldn't provide for her Warder. It's just the way Rain's always known things to go. She twists the scarf tighter in her hands, until it goes thin with the roping of it, and pulls against her skin.

"If y' don't mind, maybe I should move on?" she suggests. With a glance to Maya, who clearly had important business. Aside from a brief stint at her own table, Rain's been on her feet since she arrived. She's not touch the luke warm coffee, or the sandwich she ordered. She's forgotten about them. "But thank you. It was nice to meet you, too."

[Kora] "There's a bar called the Brotherhood, run by our kin, down near the docks," returns the Fenrir, briefly. There's that look again - direct dark blue eyes that touch Rain's, then flick up and down, head to toe, that sort of impersonal look, all-encompassing and brief. " - could be you might find a job there. Ask for Jennifer Coltrane, let her know who you are, and she might find you something."

Temper faded, now, coiled back into the core of her body, around the base of her spine, settled there where the pelvis meets the sarum, she's clear, controlled - easy for one of her tribe, one of her moon. Her curving mouth suggests a burgeoning sort of half-smile, some Mona Lisa thing, secretive, when she's still, distracted, but now that fledgeling look deepens, sparks some response in her eyes. "Sure," says Kora, with that ease. " - I don't mean to keep you." A glance back at Maya. " - and we do have a few things to talk about."

[Kora] (aaaaaaaaand, since I think Jacqui is distracted and it is INSANELY LATE here (I will hate you people in the morning. ;) I'm'a duck out. Such a wimp.)

[Rain] ((Thank you guys for letting me play! It was nice to meet your characters :) ))

[Linus] ...Linus returns, smacking his lips and trying to remove a taste from his mouth in the process. He glances between each of the three women present, unwilling it would seem to warrant an interruption. Rain mentions a place to stay and the taking care of her Warden and Linus catches the edge of Kora's peripheral with a shrug and a wide eyed 'Whadd'ya know' sort of stare.

Then he switches over to Maya briefly...and finally back toward the Waitress who is clearing her throat and tapping the counter where he left some money behind for the various articles of food and beverage. Apparently, not enough.

Linus scowls.

"Oh Fer Fuck's sake..." He fishes in his slacks pocket, fishing around for a crumpled up five that is unfolded and shown to the woman, before being tossed onto Kora's table unceremoniously.

"I can walk you to the bus stop..." It was an offer. At least that much. His gaze lands on Kora briefly.

"...Need to talk to you about a few things when you get the chance. I'll drop by tomorrow."

[Kora] (thanks for joining the scene! :) )

Crawling out of the shadows.

[Intalgio] There are rumors about this place, one of her contacts told her - some drunk, who smiled a gap-toothed smile at her and commented on the firmness and shape of her rump with a sort of ruined charm. She has had her eye half on it for months, looking out for strange happenings in the vicinity. Maybe she drove by, a street or two out of her way on a gray summer night, a storm on the horizon, frowned at the abandoned home and the inhabited one for a brief, thoughtful moment. She had no reason to come here until now.

Gump, whom she sees on odd occasions and knows to be kin to the Bone Gnawers, he checked the trash for her. Passed through on occasion, hunting cans and salvage, sorting out what he found, looking for something strange when he could. Some handful of nights ago, he found something - an earring - still stuck through the desiccated lower half of an ear.

--

The neighborhood is blasted, half abandoned, almost revived, never again touched, hard against weedy freight railroad corridor long abandoned by the company charged with maintaining the tracks. It looks like a wild place, that incisive dart of green through the ruins of the industrial city, among public housing and old warehouses, the abandoned stockyards, the junk pits.

Marooned between an abandoned industrial hulk, the old tracks, and a flat block of public housing apartments that look like squat storage buildings is Blyth Court. Once, there were maybe eight or ten houses on the court, but time and arson and development have whittled the original development down to these two.

Two wood framed houses, circa 1922. One is white, and one is yellow. They are strange twins - built by the same hands, to the same specs, 2.5 stories tall with two front windows that look like eyes and sagging porches like slaggard mouths, along among the ashes, the burned out remnants of the rest.

Both lean, one to the right, one to the left, as if they were listing closer to hear a secret. The yellow house has broken windows, dark eyes, peeling paint. The siding on the white house is blistered, too, peeling away from the bleached and rotting wood, but the glint of clear glass in the windows gleams intact in the remaining sunlight. There yard is barren, this ruin of dying grass and mud and the front gate is sagging but whole. A small flag on the mailbox is up, reminding the post carrier that a letter inside awaits pickup, and a small pot of pansies sits on the sagging porch, incongruously cheery, yellow and lilac, the dark centers like little eyes winking in the gloom.

[Imogen] Over the years, Imogen has cultivated a web of connections. At first, it was people who simply told her about strange corpses. Gave her a call early, if they could, late if they couldn't. Gave her the heads up she needed to keep the veil as intact as she could.

She paid them through a variety of ways. Alcohol, cigarettes, favours. Some, she actually paid with money, though to be frank, the quality of these contacts were hardly high enough to aspire to cash. There are a few she repays in kindness, but they are far and in between. They make her uncomfortable - touch her "line in the sand" as it were. She lies a hundred, a thousand times a week, but somehow, faking niceties to someone desperate for such things lies uncomfortably against her skin, like a poorly washed woollen sweater.

Anyway. Details.

Over the last year and a half, her requests had changed - her interest shifting slightly. She still went out after strange bodies, which were sometimes truly strange and other times ordinarily strange, but she began to ask around - not just for bodies out of the ordinary, but simply things. People. Garbage. Occurrences. That was not precisely when she began to hunt, actively; in fact, the original intention had been simply another weapon to give the Garou in the war.

Then the Garou disappeared, one by one.

Details.

She walks down the block, dressed in flat shoes and a nondescript jacket, nondescript jeans and nondescript t-shirt. Her pace is deliberately slow, eyes on both houses as she begins to pass.

After a review - she will go around the block, then approach the houses again.

[Intalgio] Blythe Court is inscribed into the block it inhabits like a broken smile, this narrow brick-paved street with grass growing up among the pavers, the remnants of old patch jobs among the bricks, curving through the flat, square block. There is no one out on the narrow Court, which is tucked like a forgotten relic between a squat commercial development circa 1958, mostly abandoned, and the old L&O tracks.

A pair of homeless sit in the lee of the old guard building of the industrial building to the east, and the flat blocks of public housing to the west are ripe with the sort of life one expects in such a place - dealers thugging it up on the corners, addicts staggering out of their squats to score another few hours of peace from their demons, hustlers seeing t-shirts, cheap vuitton knock-offs, cigarettes at twenty cents apiece, teenage mothers carrying kids is sagging diapers, a man in a wheelchair who walks himself forward, foot by foot by foot, sucking on his teeth, an American flag hanging off the back of the wheelchair.

There's no one, though, on Blythe Court. An abandoned Chevy truck, weeds growing up around the tires, is parked in the smoked remains of an old lot, the house long since burned down. A shopping cart from Family Dollar, overturned close to the peeling fence that circles the front yard of the white house. As dusk comes on, light seeps underneath the drawn shades of the white house, but the yellow is still, quiet, the broken windows like dead eyes staring out into the night.

[Imogen] By the time Imogen has made it around the block again, she has made a decision as to what she will do first. Methodical. Cautious maybe. It may well lead to nothing.

But she's made it - weighed the pros and cons, considered the possibilities.

She heads up the steps to the yellow house, her head tilted as if it would help her catch any sound or sigh or sob from within. She'll search it first.

[Imogen] (perception+alertness!)
Dice Rolled:[ 7 d10 ] 1, 2, 4, 4, 7, 7, 9, 10, 10, 10 (Success x 5 at target 6) Re-rolls: 3

[Intalgio] Three cracked concrete steps lead from the front walk to the front porch, which sags in the middle, as if something essential has given way. The floorboards feel soft beneath Imogen's feet. She waits a half-second before trusting her full weight to it, feeling the sag and then the contraction underneath, that tells her that they will hold.

The muffled sound of a television - some bright program, with an announcer's sharp voice - dampened by the wavy glass of the old frame windows in the white house is audible from the porch of the yellow. They are close enough to be kissing cousins, this narrow concrete walkway between the two.

Inside the yellow house is surprisingly dry. The living room is narrow, with a flight of stairs heading up on the left, opening to an L-shaped living/dining room on the right. The air is dusty but not damp, the interior solid. The shadowed ceiling shows no signs of moisture spreading through the old lathe, and a brick-framed wood burning fireplace occupies almost the whole of the right wall.

What is surprising about the place is its emptiness. The odd piece of furniture remains here and there - a sagging china cabinet, dull with age, the glass in the door broken, the wood intact remains in the dining room. An old chrome-and-vinyl table and chairs is in the kitchen. The cabinets are painted metal, open, mostly empty. A cylinder of salt remains in one. In another, a glass jar of white vinegar. Under the sink, a bottle of bleach.

No - what is strange about the yellow house is its emptiness. No one has moved in. The floors are solid and the fireplace is an attractive accoutrement - a few sticks of firewood and one could keep warm in this place, baffle the windows, curl up in the corner. There is none of the usual trash, the detritus of haphazard human habitation. No worm-eaten blankets, no empty cups of cheap gas station coffee, no newspapers piled up as insulation against the cold. The bathrooms are empty, dust but clean enough. She has seen them before in squats spattered with feces. No matter that the water was turned off five years ago, no matter that that the ritual use of a toilet without water or sanitation is pointless - there's none of that.

The place smells of loss, empty and dry, husked like autumn going into winter. She finds a yellowed newspaper on the cracked linoleum of the utility room that was added to the back of the house sometime in the 1940s. September 2, 1968, it says.

That was a bad year.

[Imogen] The house, originally thought to perhaps be a false lead has now become an enigma. She roams the rooms, her eyes flicking to the floor where her feet leave prints in the dust, checking for others. She inhales deeply, catching no smell but dry wood and dust that tickles the back of her throat.

Upstairs, downstairs. Everywhere, there is nothing. It gnaws at her, but eventually, she exits the house - not to head to the white one, not precisely, but instead to head to their garbage, her head cocked to the sounds of television through the glass.

[Intalgio] The white house is neatly kept, with pull-shades in the windows, thick with wavy glass that suggests they are original to the house. There is a narrow sidewalk between the houses, poured concrete, cracked and broken, and the shadows between them are deep, exagerrating the height of the old frame buildings, deepning the shadows. Just a sliver of sky is clear above, framed by the dark eaves.

Something dark flies across between the houses, a pigeon startled from its roost, a small black bat hunting insects in the gloaming. Her steps are quiet, precise. This close to the yellow house, the ubiquitous smarm of Pat Sajack is evident. Someone's watching Wheel of Fortune, the sound damped by the structure of the house. The white house has a square framed utility porch, enclosed, half the width of the house built onto the back of the original structure, mirroring the yellow. As she walks past it, close to the wooden boards of the old siding, she can see the dull glow of aged yellow paint underneath the peeling white.

The back yard is framed by a short chainlink fence, the posts not purpose-made, but welded together out of old pipes, jury-rigged, the chainlink attached to the homemade posts so long ago they are rusting together and seem like one thing. There is a newer structure at the back, a five-foot wooden privacy fence, just long enough to screen the trash cans from the house. An alley of grass and rutted gravel runs along behind, between the house and the old corridor of train tracks. Two metal garbage cans sit listless in a metal cart made to contain them.

The address is painted on the metal in blocky letters, in flat green paint, the sort of shivering hand of an elderly person, or a doctor's scrawl.

[Imogen] She glances at the address, bringing to mind the address of the houses out front, matching her memory to the scrawled green paint on the trash cans. She hazards a guess that it is an elderly person rather than a doctor.

She glances briefly at the house before reaching into an inner pocket of her jacket and retrieving a pair of gloves, slipping them on before she gently lifts the lid of the can. Her nostrils pinch at the smell of refuse - but still, begins to root through the contents.

First one, then the other.

[Imogen] dex+stealth
HAIL KAHSEENO!
Dice Rolled:[ 8 d10 ] 1, 1, 2, 4, 4, 5, 5, 9 (Failure at target 6)

[Imogen] attempt numéro deux!
Dice Rolled:[ 8 d10 ] 2, 3, 4, 5, 7, 7, 9, 9, 10, 10 (Success x 6 at target 7) Re-rolls: 2

[Intalgio] Per + Alertness:
Dice Rolled:[ 7 d10 ] 3, 4, 6, 6, 6, 8, 9 (Success x 5 at target 6)

[Intalgio] The lid is old, rusted, but fitted tightly over the metal can. The first time she tries it, metal begins to shriek against metal, this loud, shivered noise as if something essential were shearing off. So Imogen - standing in this filthy old alley, her back to the overgrown weedlot where the old L&O once ran - stops, goes still - waits, in silence.

Now that she's identified the television show, she can hear the rhythms of it even from this distance. That drumming is the clapping as they spine the wheel. That burst of near-static is the crowd, chanting the name of the show. And so on.

A minute, then two. She starts again, moving the lid differently, coaxing it off the trash, twist, move, twist, like a shaker of salt.

There is a bag of garbage in each of the cans, a single bag, white, wrapped with twist-ties. An empty container of cottage cheese tops the first. Underneath, the pit of a prune, a banana peel. A box of Cheerios. An empty package of batteries, and a wadded up handful of papertowels that have the sharp scent of Windex soaked into the fibers. Another, underneath, blocked with blood. Bones like ribs, bleached clean underneath, all the shreds of meat amd muscle fiber gone. A crumpled picture of a girl wearing braces and a graduation cap and gown staring at the camera, giving a peace sign - or maybe a victory sign - grinning, wide.

A smear of coffee grounds, the pit of a peach.

An empty packet of Goody's headache powder.

--

And something else, really. The scent of ash, streaks of carbon on the interior of the can, the faintest scent of accelerant use.

[Imogen] Her jaw is clenched, her heart beating a little faster than it should, has been since the beginning screech of metal, an aborted sound that had lead to silence, broken only by the rhythms of the game-show, and the sound of her heart pumping blood fast enough to make her fingers tingle.

She moves through the items slowly but methodically, but stops altogether over the bones, the blood. Several seconds of stillness follow, before she casts her gaze downward over the ground. It does not need to be clean, nor perfectly even ,but it does need to be more or less dry, and more or less flat.

If it is, she begins to lay out the bones, one after another - the rib bones as it were, more if there are more. She uncrumples the photograph and sets it beside the bones before sinking to a crouch to examine them.

[Intalgio] The verge is dry enough tonight, a rib of grass between the half-graveled ruts of the alleyway. The sky is clear, the air cool but not cold. Imogen lays out the ribs, a fair half-dozen of them. Worn clean, three intact, the others cracked, the marrow sucked away. They are clean, clear except for a smear of barbeque sauce near the point of attachment to the sternum, long since severed.

It would be easy to dismiss them as pork ribs. A rack of them, smoked and then lathed in barbecue sauce, cooked until the meat was falling off the bone, a tidy little meal.

They aren't pork, though.

--

And the photograph is a picture of a girl from the mid-2000s, the frizz of a bad perm peaking out from under her cap. She's young, round-faced, with a bristling mouthful of braces, smiling wide at the camera in spite of them. The sunlight gleams behind her, glistens off the surface of a lake in the background. Otherwise, it's a close up, printed on Kodak paper, a 3" by 5" print. Underneath the broken lines in the printing where it was crumbled, there are hard straight lines of wear, as if it had been folded and tucked away in a wallet for months, years.

[Imogen] Imogen crouches on her heels, her wrists resting on her knees, and straightens from the bones, exhaling her breath slowly as she turns her head to look toward the house. Latex rubs against latex as she rubs her thumb against her index finger, finding a familiar groove of a scar.

She stops the motion a second later, as soon as she's aware of it. Still, her head remains turned, studying the once-yellow house, the tendon in her jaw moving as she grits her teeth.

Then she turns away. The bones are picked up, returned to their current resting place, careful so as to leave no sound.

She replaces the lids carefully on the garbage cans and turns her head toward the house again.

[Intalgio] The backyard is approximately the size of a postage stamp. Wide wooden steps lead down from the utility porch attached to the back of the house. The utility porch is lined with framed in windows, covered with dusty curtains, white going to yellow, or yellow going to white. The windows are dark, the lights near the back of the house were off. She picks up the bones, replaces him, looks back to the house, which leans to one side, as if it were slowly sighing, as if its foundation were sloughing it off, like an old sleeve of dry skin.

She can see the lines of old raised beds against the fence, mostly, though, the back yard is a pit of mud and dying grass, with the broken old aggregate sidewalk winding between the houses, back toward the concrete pad on which the trash cans rest.

The lids of the garbage cans slide back on more easily. She knows where the points of pressure are. When she looks back to the house, though, the lights in the back porch are on, there's movement behind the curtains, and the back door opens with a creak of hinges.

--

The sudden, high-pitched bark of some little dog - a terrier, not a toy - is startling. The animal comes barrelling out of the back porch, its growl rather less than menacing, like someone revving the engine of a 2 cylinder Vespa by way of challenge. It shoots off the back porch like a cannonball, scrabbling down the wooden steps, peeling out across the back yard, barking like it treed some great beast, right for Imogen.

"The hell did you find, Butch? Butch!" The voice is that of an elderly woman. "Come back here!" Then, when the barking continues, intensifies, the command in the tone changes to suspicion. " - who the hell's out there at this time'a - "

The flat barrels of a snub-nosed shotgun precedes her. Imogen can see the dull glint of gunmetal in the darkness. The wielder is somewhere between 72 and 87, with a headful of tightly curled white hair, wearing a floral housedress and a plain white apron.

[Imogen] Briefly, as the dog comes barrelling toward her, Imogen shuts her eyes, wishing briefly for the isolation of rage. She has none, however, will never.

Instead, she opens her eyes again, turning toward the sound of the voice.

"Sorry," she says, abruptly, "I was lookin' fer a shortcut to," a nearby street. "I think I got turned around."

She sees the gun - as if it were for the first time, and draws in a sharp breath. "Wow." A beat. "Guess you can't be too careful out 'ere, eh? Mind -" a smile comes slowly to her lips, "pointing that the other way?"

[Imogen] (manipulation+subterfuge)
Dice Rolled:[ 8 d10 ] 1, 1, 4, 5, 5, 7, 7, 8 (Success x 1 at target 6)

[Intalgio] Per + Empathy
Dice Rolled:[ 6 d10 ] 1, 4, 4, 5, 8, 10 (Success x 1 at target 6)

[Intalgio] "Couldn't tell you no more," the woman says, holding the shotgun with a certain familiarity that comes from long association. Long practice. Suspicion is written across her features, though mostly she's enshadowed, the light coming from the open door behind her. " - they went and changed all them streets years back. Named 'em after them nigras they done brought in. That one that was killed an that other one, 'cept I can't keep them straight."

Butch continues to bark, the wiry little terrier dances around Imogen like he just flushed out a rat, until the woman says, one more time and sharply now, "PLOTZ" and the little dog just stops abruptly, lying down on the concrete walks, ears swiveled and alert.

The weapon lowers though, goes from ready to almost ready as the old woman squints against the gloom, shading her eyes to block out the glare of the lights behind her. Takes her time looking over Imogen, head to toe, and back again.

"Ain't safe for a little thing like you to be out here, this time'a night. You wanna come in, I'll call you a cab. Never know what's gonna crawl outta the shadows."

Meet the family.

[Kora] Storms moved through the city late afternoon - autumn storms, the thunder a background promise, the sky full of cold rain and falling leaves. The front was gone by sunset, a dark bruise of color in the east across the lake, obscuring the horizon, this dark, hazy shadowthing where sky and water seem to merge, like a pair of antique mirrors, reflecting each other's imperfections.


The last rays of the sun score the lingering clouds with fingerling impressions of orange, pink and crimson. Beneath the livid colors, the city's dusking sprawl seems muted somehow - streetlights hazed by the moisture in the cool, sharp air, deepened by the long shadows of twilight.


The storm sewers are full of water, reflecting the dying light in the sky. Wet leaves are plastered to the pavement.


The church is mostly dark. There's an electric lantern on a salvaged table set up just inside the sanctuary, right underneath the choir loft. The wooden doors, iron-banded and solid, are half open. Scattered across the table, the familiar little white Chinese take-out boxes, and a couple of white paper bags, translucent with grease.


The portico is sheltered enough by the roof's overhang that the top three steps are not damp, but the rest are slick with rain, covered in wet leaves driven down from the trees and vines that have grown up around the church in the thirty years since it was abandoned by its human owners. Kora sits on the front steps, cradling a container of egg drop soup in her lap, opening it carefully to enjoy the steam, an aluminum tin of crab rangoon on the next step, sheltered underneath her legs.


[Roman Turner] Singing heralded his arrival long before he came out the door still wiping his hands on a scrap piece of what once was a bath towel.


"Rain makes corn, corn makes whiskey. Whiskey makes my girl a little frisky!"


He paused sniffing in the doorway.


"Fee fi fo fumb, I smell dinner and I want me some."


[Sparrow] That crack in the Prius' windshield is bigger. It's testament to a divorce from some earthly things, because Sparrow's stopped worrying about it. Poor Prius. She'll mourn the little hybrid when it dies, but until then-


She smells soup.


It mingles with the scent of broccoli beef in the litte paper sack she's carrying. The apocalypse is obviously drawing nigh, because Sparrow is maing her way through the church in something Kora has likely never seen- pants. Does Sparrow even own pants? Obviously she... well, they might be Roman's pants. He's filling out better now and she's not grown much. She still has her boots on. The denim's tucked into the pant legs, and they're a little tight. It seems alien on her. She's wearing a white tee shirt, and her tan is fading.


she's not got a billion bracelets on, either. She doesn't jingle. The wirethin burnmarks on her wrists are a little more prominent here.


"Trade you some broccoli for one of your crab thingies," she says as she approaches.


[Roman Turner] "Hey wait a minute."


His gray-blue eyes narrowed as the young face screwed up in a puzzled frown. Roman had grown about an inch since spring, and true it made some of his jeans shorter, but his boots helped with the illusion all was well with the world.


"Are those my jeans?"


He was frowning at Sparrow as he swept chestnut brown hair from his forehead.


[Linus] Autumn storms.


Smell like nostalgia. Old memories of childhood, fragrant runs through mud puddles before stains, smells and the cleanliness of neurotic adulthood found root and ushered out daydreams. Before War became a lifestyle and a contract and a duty. Autumn rain smelled like Chinese and distant times ('You remember when...")


The Church steps are popular tonight, gathering the trio that are the Last Watch Pack under a union of fresh take-out, warm and generous. The powerful smells serve to push the appetite to proper priority while the vague mist that begins to cling to the horizon, during that brief moment before twilight turns to darkness, serves as herald and messenger.


The bond between them is a strong one. Confident, unwavering and firm. A hallowed thing defined by the stoicism and endurance of the Totem they follow. Hermordr is not harmful or monstrous or hungry. He is patience, demand and firmness. A millstone of the steadfast that clears the warped confusion of a War Fog from his path with the snap wave of a standard and the bullish set of shoulders.


This night coming and his horn can be heard, a distant thing, always the affirmation needed to let each know that he is there. The Call to War. The urge to rise. To stand. He brings it with his patronage and with his patronage...


Power.
Duty.
Strength.
Courage.


...And Tonight, this night, something Twangs that silent cord of connection between each packmate, as if a pair of slim fingers had plucked it for the proper note. The proper tune. A humming sound that reverberates through bones, flesh and into the nebulous presence of the Spirit, a gnostic knot at the centre of the gut.


The Horn, distant still, continues to drone. Slowly...building...


[Kora] "There's plenty for everyone," Kora returns, her pale head tipped backward, her long hair caught up into a braid as thick as her wrist, following the line of her spine, moving with a certain sinuous swing of its own - its own mass, its own gravity. The reply is for both packmates, a glance at Roman as when he comes singing through the doorway. She gestures back to the interior, where the rest of the feast is spread out. He'll have his pick of take-out, and a billion little sauce packets to boot.


Sparrow's appearance draws a different sort of eye; the Skald meets the young Ahroun's intense gaze, takes in her new choice of clothing with a faint, perhaps approving curve of her generous mouth. "Wouldn't've guessed it was you, Resistance," the deed-name makes that formal, so does the brief weight of Kora's dark-eyed regard. " - didn't hear you coming."


Then, she nudges the tin container of crab rangoon out from under the protective ceiling of her thighs over to her packmate. "Dig in."


The eggdrop soup is rich and yellow, this thick, nutritious swirl.


This is a meal. This is the kill. There are no deer to hunt here, no elk to bring down. The plastic top comes off, and the rich sent of deep-fat fried wontons is a savory undercurrent to the damp scent of loss that comes with autumn, the promise of winter in the air.


A glance back at Roman, as he questions Sparrow about his jeans. "I'll get you some that'll fit, if you want."


Which means: she'll send her mate shopping to Sparrow's clothes, too. "Or you can try some of my spares, if you'd like." They'll be too long. Sparrow can cut off the bottom inch or three.


[Kora] Then, that twinge - that moment of sharpened awareness makes Sorrow go still. The plastic container of soup is held carefully, neatly between her fingers, her spine straightens, and her awareness of the building, of the night, of the damp, cold wind, sharpens.


[Sparrow] "Maybe," she said.
Yes, her face said.


Sparrow's never been good at lying, so even this was half of the story. She might say more, but she stops. Abruptly, and her thought process is immediately halted. She stops, and it's like she's listening to something. listening for something. Her eyes don't grow distant, instead she is focused. Her attention is back to wherever it came from, though. She has a strong connection to Gaia, something that keeps her sane and focused and tempered.


She put her bag down, and whatever commentary she might have had was gone for now.


[Roman Turner] Nothing got in his way of food; not at his age. While everyone paused, Roman started snagging food and squirting Duck Sauce on everything he piled on his plate. If something bad or good was about to happen, it would happen in the middle of stuffing his face.


[Linus] There is a voluminous pregnancy that creeps into the air of the Church's interior, flooding from wall to wall. Like pushing hands against the stone and woodwork, seeking to bulge out what physics would not allow. It presses gently against breastbone and ribcage, fingers and joints. Cradles without slowing, a familiar thrum within.


The drone continues. Building, without true sound. A memory more than an echo.


Then. With sudden, ear popping clarity:


The world split and the interior table gained a new shadow and a voice...


"FuuuuuUUCCCKKkkkk..." The voice is young. Developed and matured enough to forego teenage uncertainty, but hardly the depth worthy of mid-twenties let alone more.


The Shadow itself is attached to a tall, lean thing, draped in woolen grays. A thick scarf wrapped at the neck and face, while the coat around it all hangs to the ankles. The sleeves are rolled up and tucked to stay in place while bandy arms, sparse of hair and pale from lack of fierce summer suns are shaking as if trying to push some form of cold or shiver out.


The shape stops in place. Spasms once. Then settles into one of the chairs around the Feast Table.


"That was- Fuck me, Dumplings. Awesome." One of the white take-out boxes is plucked up and a pair of eyes under a neatly trimmed, if very short, buzz of brown hair suddenly vanish inside, along with two fingers digging for sustenance.


...The Horn begins to dim, slowly. Steadily.


[Kora] "What the - hell - "


Kora's reaction is sudden and harsh. She has the care and presence of mind to cap her eggdrop soup and set it neatly aside, but she does it quickly and she stands up spinning, booted feet pivoting neatly on the steps leading up the church as she turns around in a lean and deadly arc, taking the top stairs two at a time in a quick sprint toward the interior. The heavy doors are half-open. She pulls them a fraction wider, this spark of awareness about her, barely slowing down as she surges toward the figure resolving itself from the umbra into the nave of the great old neo-Gothic church.


Every five minutes brings a new shade of twilight, and the last spark in the stained glass is almost gone. Inside, there's just the glow from the lantern, maybe an electric light from the old pastor's apartments, the meeting rooms that Roman is slowly making livable, and the dull orange glow from the windows above to break the gloom.


- a spare moment of tension, the pack Alpha is fractional seconds away from attacking the shadow. Her packmates can already feel her moving.


Then the voice arrests her, and Kora goes still.


"What the fucking hell?"


- her voice is the definition of incredulous.


"Linus?"


[Sparrow] "... who the fuck is Linus?"


She's left standing there, confused, and her hands go to her hips, and for a second she is the picture of the confused farmer, stuck with uncooperative crops. Sparrow transfers her weight from one side. She looks at Kora, and then, off to the...


"... huh."


[Roman Turner] He had vanished from sight. Kora reacted, running inside and somewhere in there Roman had simply disappeared. Though his location was known pretty quickly when he spoke from the dark behind Linus.


"Ain't polite to curse during dinner. Now do I shove this here eggroll where the good lord split him, or look for Charlie Brown and Lucy?"


[Linus] "Kor! Sup!"


The White box is hefted in one hand, chopsticks held precariously between the fingers and the material, while the other lifts to pull down the scarf from his features, revealing a scruffy young man below, all teeth and grins. A moment after that and the dumpling he was holding between thumb and index is popped into his mouth and shoved off into the space of one cheek so he can continue talking.


"You 'ave...any fuggin' idea 'ow 'ard it wa-..." Swallows. "-to find your ass all the way out here?! Mom wasn't even any help-...you gotta call her more by the way, I hate getting earfuls meant for you-...and the damn Sept just went and said 'She left'.." He dances his hands around in the air and pulls a 'We're a Big Deal' sort of face to represent the 'Sept' he seems to be talking about.


Legs kick up, thick booted feet planting solidly on the table top, crossing at the ankle and leaning back in the chair, the box of dumplings falling to an inspection again for another morsel.


"...Took me three cuckoos and a fuckin' Stray Dog just to get a fix on your ass and not even you!" He points with almost equal incredulous stance at Kora, eyes flicking unceremoniously toward Sparrow and Roman.


"Did you fucking know she was a Jarl?! 'Cause I sure fucking didn't!" Then a shrug and a stare at the Church ceiling with equal incredulosity. "Who the fuck becomes a Jarl when they're a Cliath?!"


A pause then, head falling back down to regard Sparrow and then Roman, chopsticks emerging in his free hand to point at the two.


"...I'm Linus and-" He looks again at Kora, a brow perked quizzically. "What the fuck did he-" Pointing at Roman again "-just call me? Lucy? Or Charlie brown? Are you Lucy, Sis? 'cause I don't wanna be Lucy...."


[Linus] (toward Sparrow and then over his shoulder at Roman^)


[Roman Turner] "Language......"


This fella was lacking manners and then some.


[Linus] "...Sticks were meant for beatin's not for sitting on."


An elbow nudges back into Roman's stomach gently.


"Lighten up!"


[Roman Turner] He scowled and moved out of reach. Way out of reach as in he headed for the door.


"Cursing like that in a church, at meal time. Ain't got no manners."


He lifted his voice from the unhappy muttering disapproval to call out.


"I'm going outside."


[Kora] "My fucking brother."


There's a hint of irony in Kora's tone. She offers the explanation both aloud and over their totem. Other than that, she's quiet, utterly quiet for a good five seconds - this sort of visceral disbelief clear in her expression, wreathing their sense of her over their spirit bonds. The expression Lucy might've had if Narnia had crashed through the wardrobe to plant itself in the real world, and there was Mr. Toonsis in all his goatly glory.


Then that hint of disbelief cracks; instead, this sort of restraint like a mantra - four beats, moving with the movement of her hear. Then another four. Then she's in motion again, tackling Linus like she meant to devour him. Because, as someone wise once said, If it ain't a tackle through a stone wall sort of hug? It ain't Fenrir.


There may be noogies, but those are passing, last minute and just before they are righted and separated again.


"Wait," to Roman, " - hold up, you gotta meet my kid brother. By the gods, Linus. Last person I expected to see. The absolute last person I expected to see."


[Sparrow] "... oh my god, Roman, he eats more than you do," she is just watching in something between horror and fascination. Like she can't look away from what is going on here.


She reaches forward for an egg roll, and just holds it in one hand. She holds it like an over-sized cigar, and pops one end into her mouth. Her eyebrows are up high and she bites down. It crunches, and she idly chews. It's a mindless gesture. At that moment, she looks up and Roman's headed outside and-


"Romi, wait," she turns around to follow him, and the rest of the eggroll is popped in her mouth. She looks back at the table, then her cousin, then-


My fucking brother-


"-ohhhhhh-yeah."


She goes back to pick up another eggroll. And to move. There were Fenrir and noogies being flung. There would be bloodshed.


[Roman Turner] He paused at the door, turning to level that disapproving look back at all the cursing. The gears in his head were turning and they involved liquid soap and dirty mouths; always a good mix as far as his Ma was concerned and right then he was thinking she had something.


"If y'all are gonna spend the night cursing, I'm gonna go buy out the soap in the Dollar store."


[Linus] "Church?!"


He blinks, owlishly even, righting his chair with an audible thwack of wooden legs on stone. He watches Roman move back toward the door, one elbow set on the table, the take-out box and chopsticks joining it so he can point at the retreating Ragabash.


"Is he for seriou-Demon!!" The word is bellowed as he catches Kora and both go careening off the chair and onto the stone floor all laughter and shouts of 'Not the Hair! Watch the Hair!'. This would pass. Quickly enough. A little wrestling that Linus would inevitably lose for lack of power or any martial prowess beyond how to make a fist.


"Alright! Alright! Enough! Mature, be Mature!" He shoves and pushes and eventually rights himself, coat peeled open to reveal the turtleneck beneath, scarf dangling long on either side of his shoulders.


"Gods, indeed, Woman!" He brushes himself down, eyes finally lifting to flick toward Sparrow as she pulls back up to the table for another Eggroll. A slow up and down, followed by a quicker repeat is offered.


"Hotness. What's your name? Wait-" Then eyes, lifting past Sparrow toward Roman "Awww C'mon Bud, I didn't meant nothing profane! Ain't like I knew you still had a soft spot for white beards and Flagellation! C'mon back and have an Egg roll!"


He plucks one of them up and dances it between his fingers, smiling with beguiling and suggestive 'It's finger lickin' gooooddd' written on his face.


"Oh yeah, Sis-" Without moving from his 'Roman Tempting Eggroll' stance "-Your new boyfriend? so very F-...Cool. He's awesome like awesome took lessons from him sort of awesome."


[Trent Brumby] "Hey Roman," the voice comes up the front of the church stairs to where the open doors are. Trent avoids the food left out there by Kora when she had vanished inside to go and meet the other. He can hear other voices inside, which is a nice change. Usually he has bad timing and drops by when it's either Kora or Roman, or both of them. He hasn't even met Sparrow yet, though he's heard a little about her.


Trent, the reliable kinfolk that he is, is bringing beers for the dinner he was invited to. He also has one of those grocery bags that are reusable with him, too. It's got a bunch of variety of fruits for the pack to pick at when they're not devouring take out. There's milk too and water, if beer wasn't their style.


He's dressed in a pair of jeans and a simple t.shirt that strains a little across the back of the shoulders but otherwise fits him well. Some sneakers are chosen over leather loafers this time, since Roman puked on his good ones and he hasn't really had the desire to wear them since, despite being cleaned and polished.


[Roman Turner] He didn't budge from the doorway even with the temptation of food. One reason being he wasn't sure what Linus was trying to convince him was finger licking good, that just sounded perverted. Two because of the white beards and flagellation comment. Trent came up behind him and he made room for him, muttering a question and greeting.


"Hey Mister Trent. What's white beards and flagellation mean? He saying I'm in to gay dudes with gas?"


[Linus] ...There's a sharp bark of laughter at that.


[Trent Brumby] Brows raise and he looks from Roman towards the laughter inside, then back again. He adjusts the heavier bag in his hand. "Well, no. By the sounds of it he means something closer to gay men with Santa Clause fetishes and seeking out all the naughty boys." Trent never knows what to expect when it came to Garou, or Roman, or Kora, or anyone else for that matter. This conversation is just another surreal moment in his busy, somewhat turbulent life.


"You want a beer?" Nodding his chin he lifts the bag as gesture.


[Frost] ((open scene?))


[Roman Turner] "I do, yessir."


With that he took the heavy bag from Trent and reached in for a beer.


"Ya might want to down a couple before ya go in."


[Trent Brumby] [no idea. it's at the garou's pack house.]


[Kora] The last time Linus saw Kora, she was 18 and he was 15, maybe 16 on a good day. Her pale hair was died a matte black. She wore liner around her eyes and smudged black shadow, a half-dozen rings through her ear, all silver, and painted her nails - religiously - black or blue or deep, bruised purple. She was a couple of inches shorter then, still growing, and he was shorter than she - two years younger, with even more growing to do. She had a heavy, olive green backpack on her back, the sort people wear hitching around Europe and a guitar case in hand, and she was going to Germany. And she wasn't coming back.


That was before.
This is now.


Things change. The word turns.


The black dye is gone. Her hair is pale blonde, and long now. It hasn't been cut in six years except to excise the remnants of that old dye job. Her nails are bare tonight. The rings through her ears are gone, the holes closed. There's just one, which hums with life enough that it might be a fetish, this old piece of worked iron struck with runes, hanging from a hoop of iron nipped through the inner cartilage of her left ear.


The wrestling about is rather undignified. Kora lets it go after some passing show of strength. Maybe that's her answer as to how one becomes Jarl while still a cliath. The other answer is rather less pleasant: everyone left except for a Rotagar following tweety bird. Beat him, and it was mine by default.


So - grinning, now this expression that is more quicksilver, brighter somehow, more girlish than her usual half-smiles - Kora lets Linus go and


" - no." corrects him. "My packmates. Hotness - " a hint of asperison. " - is Sparrow, known as Resistance. And that" - her boyfriend "is Roman, known as Fate."


Then Trent arrives, at the door, bearing gifts of beer and fruit. There's a dusky gloom in the church, except in the circle of light from the electric lantern.


"Okay," Kora says, low-voiced as a sort of aside to Linus. "that's the boyfriend, actually."


[Linus] "Roman! Buddy. Lookin' good mate. Resistance I...haaahahaha, ok that one's took easy. I'll spare you the party line- Wait, what?"


He blinks and turns to look at Kora after a moment of back and forth between the two packmates. His features have lost the sudden flush of excitement and brashness that came with his initial greeting and taken on a moment of sharp surprise. Then, he's turning toward Trent and that gaze narrows suspiciously. The Church is a good distance between them, but he is no less offering a steely glare.


As steely as things get anyway.


"...That's the boyfriend? When the fuc-...when did that happen?" Then. More blinking. "I'm getting distracted. Not that boyfriend-" He waves almost dismissively at Trent and turns back to Kora, hooking a thumb over his shoulder at...a nearby wall, eyes rolling.


"Hermodr" The name sounds practiced. Accented near perfectly by the young man and delivered with the same sort of comfort as the word 'Cat'. "Nothing but muscle, frost, a dark black dun of a charger and a War stave that looks like it could crack a Thunderwyrm in half. The Man is Large like lions and Bill Cosby..."


And it isn't until Trent comes into the Church, that Linus' attention actually returns to the moment. Those same suspicious and narrowed eyes cast at the Kin.


"So..." A pause, lips pursing. "...You got a thing for blondes and deathmetal huh?"


[Roman Turner] He actually stepped up in front of Trent, fishing another beer out and handing it to the Kin with a muttered.


"Told ya, ya'd need it.


Then he lifted his voice.


"Show some respect for your sister's Man. This is her Mate. The father to be. Give congratulations."


He tossed a beer through the air towards Linus.


"And toast the man. Try not to barf on his shoes."


[Trent Brumby] "Bad mood?" It didn't sound like Kora was in a bad mood, but he's been waiting for it. He really expected her to be this hormonal crazed lunatic as far as rumours and pregnant Garou women go. So far he's been pleasantly surprised, but Roman's warning has him in this strange hopeful and relieved twisted moment, that has him glancing to where Kora has just finished tussling with another man.


That twisted moment turns to something else that he swallows down. She's smiling in his direction even if not at him really. He's watching them from just inside the front door, his body still turned to Roman, who's stole the bag containing the beer. His eyes are pale gray, his skin has enough colour to it to know he's not completely Caucasian, and the black hair is cropped short enough to stop it from rolling into thick curls, shorter on the sides then the top. He's also got a very solid build to him, to know he's physical in a job or hits the gym, or both.


Let's not forget the Pure Breed which is far from that of Fenrir.


"I wouldn't say I have a thing," Trent replies to Linus, shifting his gaze from Kora to the other directly. He keeps his voice low and measured, but there's this underlying tension to him.


[Linus] (Willpower: Father..to...WHAT!?!)


[Linus] (LOL. Soak!)


[Linus] (Hello and good morrow to you too Kahseeno!! You trollop of a harpy!)


[Trent Brumby] [haha!]


[Kora] "Yeah," Kora says quietly, affirming Hermodr as the other boyfriend. There's not humor in it though, just this quiet sort of rooted strength, right, this underlying confidence in the totem, and the bond she shares with her packmates. "Just me, a pair of kick-ass Coggies, and Hermodr."




"Hey hey - " and whatever she was going to say. Knock it off, or he's mine or something like that now that the flush of color - passing, that, the collision of worlds, the brother, the old world, where she was a kid of 18, and the new one, where she is so far divorced from her old self that it is like stepping out of an alternate world into a new one, remarked and remade - fading from her cheeks. Whatever she was going to say, as she broke away from Linus and crossed the dark stone floors inlaid with marble, tracked with mud and damp leaves and all matter of other things in from outside, toward Trent is pretty well lost.


- goes out the window, as Roman spills the beans. Kora closes her eyes. She's a tall creature, taller than both Sparrow and Roman, and the boots give her another good inch of height. There's tension to her narrow shoulders, in her spine, running like a satin ribbon pulled taut through her body.


A glance at Roman.
A glance at Linus, and a level look, this half-curve of her smile for Trent.


"This is my brother, Linus, baby." The endearment is a deliberate thing, really. Her curving mouth edges briefly wider. She glances back at Linus. "And yeah, he's mine." Maybe the brother didn't hear the rest, damnit.


[Linus] Linus climbs back into his chair again as Trent approaches, a brow perked and face a stoic calm that seems a little bit too put on to be taken seriously. His jaw pushes forward and his gaze slims the closer and closer Trent gets. Then Roman chimes in and earns Linus' attention briefly, confusion flooding his face for a split second.


"Well don't you- WHAT?!"


Linus all but shrieks, face twisting into an explosion of utter shock. Shock enough that Linus forgets he is sitting and attempts to turn on Kora with obliterating accusation. Then, ankles tangle up in wooden chair legs and he goes tumbling off to the side in a slow descent that he seems fully aware of in the moment (If the wide eyed 'Oh Shit' on his face is any indication) but incapable of doing anything about.


There is a loud


Thuwunk


A whoosh of air and then silence from the young man. Followed of course by a soft and pained.


"I'm gonna be an uncle?" Pause. "Ow."


[Sparrow] She smiled at Trent when he came, even gave a little wave. She's wearing pants, though, which is probably far from the description Kora's given. Unless, of course, Kora described her packmate as dark, tan, and intense. Her eyes are pretty, she's not bad to look at, and there's a juxtaposition between her calm demeanor and her distinctively


She blinked, and just watched with wide eyes as the world passed. Maybe it was going too quickly for her. Maybe she couldn't figure out what to say. Or, maybe, that eggroll was just really fucking good.


But now? Now Kora's using terms of endearment, and Sparrow shoves some more food in her mouth. Her stomach growls with satisfaction.


[Roman Turner] He paused for just a moment with the beer nearly to his mouth as Linus fell off the chair. But like all things that shouldn't be funny as hell, it was funny as hell to Roman. He started laughing, pointing with the bottle.


"Fainted didn't ya?! Hold still fella, I'll get ya some mouth to mouth."


He looked at Sparrow, the pointed at Linus.


"Go get'em! Mouth him! I'll jump on his chest."


[Trent Brumby] The way that Kora approaches him, where he's standing just inside the door, and with Roman now in front of him, has him set his remaining grocery bag down. Beers are being tossed by the Coggie, the brother is falling over and calling out, but Trent moves past with a single minded focus seeing the stress lines in his mates features. He knows these things, because he's the one that gets to see the layers - don't go there, perverts.


He has mind to snap at Linus not to be screaming at Kora like that. There's this slow breath he takes to swallow it down, and reaches to touch Kora's arm instead, wanting to embrace her but having this formality that seems to be well disciplined. "I'll give him a moment," he tells Kora quietly, glancing from where Linus is owing, over to Sparrow.


Who gets a small smile and nod from him.


Then to Roman and back around to Sparrow, then Linus.


"I've got some fruit and milk," this to Kora, again quietly, letting the chaos go on around him.


[Kora] "Thank you," Kora says quietly to Trent. He comes up beside her and she leans close enough to inhale his scent, rising to the balls of her feet to plant a chaste, prim sort of kiss on his cheek. The affection is beneath the gesture, more human than the animal physicality of her greetings to her packmates. There's something the brief way she meets and holds his eyes under the tension in her body as that clatter happens behind her, Linus rising and shouting and turning and then going down in a tumble of his wooden chair.


She takes that all in in her peripheral vision, and doesn't break into a smile until her Ragabash packmate starts laughing, openly. Then she turns, "Linus, you oaf." For the clatter, that, a hint of laugher gone rueful underneath, and old affection remembered. "You best not have knocked over by Kung Pao chicken, or I'll have your ass for it."


And, then, a little more quietly, with a hint of that rare self-consciousness that Roman and Sparrow might sense distantly over the pack connection, but which only Trent is close enough to read in her. "Yeah, Linus. You're gonna be an uncle."


[Linus] "...You're a cruel fellow, Roman. A pox on your happiness, I say."


He's wincing as one hand, then the other clap on the table and pull him upright. He grunts with the effort and pulls the chair up behind him, almost tumbling a second time in the process. A few more precious seconds and the chair's finally up and he's finally in it, taking a slow, grimace filled deep breath. A hand touches his side gingerly and then he's looking up at Kora. Directly at Kora, puffing out of his nose with a frank sort of...


"You're telling Mom she's gonna be a Grandmother."


Because if Linus' tone is any indication, that tid bit of news is going to go over like a Freight train at 140.


Then, around toward Trent, puffing out his cheeks.


"All kidding aside, mate, congratulations." A pause. "Ow." Rubbing his side again and leaning forward on the table, one arm stretching out, hand making grabby motions toward the beer in Trent's grasp.


"Beer me, Hubby. Gots me a powerful want a drunk."


[Kora] Linus informs Kora that she's telling Mom, with that direct, frank look on his face. "I think I'll leave that to Roman, yeah?" returns Kora. Dryly, with a direct look at the named packmate.


[Roman Turner] "Sure thing Miss Kora, Ma'am. Just jot down that number and I'll call her first thing in the morning. Maybe send her some flowers to sweeten the deal."


[Sparrow] "... I'mma pray for you, Romi," she says with a mouthful of eggroll, "mamas are dangerous things. I think Sorrow threw you under the bus here."


[Trent Brumby] Nodding his head towards Roman, who had thrown a beer at Linus earlier, but it had probably ended up clattering and skidding across the floor somewhere if it hadn't outright broken, "He has the beer." Since the heavy bag had been stolen by the CoG Ragabash when Trent walked in the door and offered the beer.


"You want one?" he asked Kora, trailing a hand from her upper arm to her elbow before sliding it away and stepping back. Leaving her side he's going to fetch her one anyway. There's that one drink rule apparently. He'll get Linus one while he's there, and one for Sparrow too. He also foresees a second beer run in short order.


I'm the only fucking one happy about this. His own words are screaming at him from the back of his brain; a conversation he'd had with Kora one night recently enough. Try as he might, all this negative association with this pregnancy is not sliding off his back like a water on a ducks.


Having grabbed a variety of beers, he starts dealing them out. "I'll tell her." This, unlike the others, is serious.


[Linus] "No."


A pause. Linus pulls up to his feet to regard the surrounding number. The smile on his face is vaguely wistful. Somewhat...disturbed, but genuine.


"Kid coming's a lot of responsibility. A lot of..." He closes his eyes and there is a curse in his next breath. Nothing audible enough to trigger Roman but it's in his face with the pain of standing. The eyes open and he looks up with a chuff of humour.


"Shit. Who else do you got in mind to take it in after the birth, Sis?" His head is shaking slightly, almost in disbelief at the Jarl of Maelstrom.


[Trent Brumby] Right there.


Linus' remark has him whip his head around and glare at the other Garou. His heart rate shoots through the roof and this stricken look that is overcome only with a sudden flare of anger, rises in the usually very reserved Kinfolk. Pale eyes burn with this glare from one sibling to the other, who happens to be his mate.


In a few seconds flat, his chest is rising with this sudden, deep breathing.


"Who the fuck do you think?" It comes out of his mouth before he stops it, and it's definitely aggressive.


[Roman Turner] "How about it's father? Hello? Fella is standing right here."


[Linus] Linus gaze snaps toward Trent. Narrows slightly. The jaw sets. A flick of a glance is cast at Roman and the lips peel back slightly. Not a grimace. Not a growl. Just a tightening that exposes teeth in vague exasperation. This lasts...a few seconds. He knows moments like these, it's written on his face. He knows them like his own hand print in the snow a dozen times over.


He knows a word right now would spark something vicious, more than likely off his own tongue. That was Fenrir too.


Trent's the Father.
Trent's Kinfolk.
Trent's not Fenrir.
And Linus isn't a Modi.


He flicks his eyes from the Ragabash and the Kinfolk, briefly passes Resistance to test the Ahroun's own waters, before finally settling on Kora with a hand held up in an ambiguous gesture of 'Well?'


[Roman Turner] "As for who tells Miss Kora's Ma, it should be Miss Kora along with her Mate in a show of respect. Ya don't want to break the woman's heart more than life has already bruised it. If she wants support from the pack, she has it. In all things we are as one. And really, do we need to talk about who is going to do the hard work once the child is born? Plenty of time to spend on that when it's not making supper cold and upsetting the proud parents to be."


[Trent Brumby] "With all due respect. Fuck your brother, Kora." That one word does spark a burning fire, and it makes Trent look far from his usual self. He's got this pent up aggression that seems all sorts of eager to come out tonight, considering the points that are being spoken about so openly and rather flippant as to his role in the matter. It's just that, the fear he has.


Roman adds his two cents, and gets Trent looking at him, jaw tight and temple pulsing. "I am going to do the hard work."


"Do you think I turned my back on my fucking Tribe for shits and giggles?" Looking over at them, not so much Kora, but he's really upset right now. "You think they like it? When Kora made me hers, it makes me Get of Fenris whether any of you like it or not."


"That is my mate. My child. I will honour our Tribe and raise it as she or he should be. You don't get to look at me like that, he who just walked in out of fucking no where and start making demands of my mate. You want to come and shut my mouth? You come do it."


"But that child is mine."


[Roman Turner] He had tried to defuse things and instead Trent took it as more of a challenge. Fenrir lived for challenges. Fortunately Roman was not Fenrir.


"Excuse me Mister Trent, I weren't saying ya couldn't do the hard part. I was trying to calm everyone down for supper rather than rush head long in to what's taking on the wrong bent. It's a happy moment when family comes together. It's a joyous thing when a child is conceived in love. But this is turning in to more of a land grab than a celebration. So, with them words to think on, I'm gonna go do my rounds. And by the way, we ain't all Fenrir. Just an FYI."


He snagged his hat and waved from the door.


"I hope to find y'all alive next time I come this way. Night y'all."


And he was gone.


[Roman Turner] ((Sleepy time))


[Trent Brumby] "Like you can fuckin' talk," muttered under his breath. Like many, when angry, he see's little reason. He see's only Romans face seconds before the Garou had puked on his shoes when hearing the news about pregnancy. So much for celebration and joy.


[Kora] Kora glances back at Trent, lingering a moment, his fingers on his elbow, before he steps back and away, going to retrieve a beer or two from Roman. Without other outlet for her hands, the Skald slides them into her front hip pockets. "No," Kora is beginning to say, a lingering backward glance at Trent as he breaks away, searching briefly for his eyes. "I should tell her. I will." There's a firmness underlying that, a certain directness and works its way up through her tone, making it iron. And all that's forgotten, really, caught up in this -


The strange quintet are in the shadows of a long-abandoned church. The sun has long since set, and an autumn chill works its way in through the doors, through a handful of broken windows lining the gallery. The tension there - between the mated pair - is quickly devoured by the sudden flash of aggression between kin and Garou. Kora goes still, sharpened, takes a step forward shadowing Trent, but not shielding him. Not yet.


She's a half-step away from interrupting the line of site between Godi and kinsman. Whatever she was going to say dies in her throat. "Fucking hell - " Kora rounds on Trent. She doesn't move, not toward him, she's half-rooted in place on the stone floor, her dark eyes sparking flame, flint against steel, glowering at Trent, this rain of sparks in her dark eyes, the tension in her suddenly and surely sickening.


Then, with a sort of snap to her movement, she turns back to Linus. "Trent's mine, Li. My fucking mate. I'm not giving away our fucking kid to some goddamned stranger." This underlying frustration, deep and abiding. " - for fuck's sake, when I'm dead, I want them to know my fucking name."


[Sparrow] She is watching those gathered, and it's not so much impassive as... ready. If she has an opinion, it's ill-formed. If she has words, she's waiting to use them. Of, conversely, maybe she doesn't have an opinion. She's quiet, though. As she has been most of the night, the Child of Gaia has failed to say much. her attention flickers, and she inhales.


She clenches her jaw, and something starts to flare. perk. Bristle. And is forced down- she's disgustingly calm.


She opens her mouth to say something, and it is interrupted. She takes a step back.


She turns.


And follows her family.


[I gotta get ready for work, sorry for being so quiet!]


[Linus] Fuck your Brother, Kora


"...Brings back memories..." Muttering. He leans back on his heels though as Kora speaks, tenses and flushes the air with ire. The frisson, that ozone smell of Rage peels the air and curdles what little civility might be left. Linus-


-is Fenrir. A Fenrir is a Fenrir. Just like a Shadowlord is a Shadowlord and a Fury is a Fury. He knows the tribe and what it expects and he knows how it's supposed to work. He also knows-


"Bone~Writer." A pause, eyeing Kora evenly. Meeting Trent's gaze right now would probably...be a bad idea. Kora said it. He's hers. They'd deal with it.


"They call me Bone~Writer. Cliath Godi to the Get of Fenris. I come from the Blood Drunk Sept." A deep breath, leaning back again to begin buttoning his coat.


"I talked to Hermodr. I like him. I like what he has to offer. More importantly, I like what he demands in return." Nodding. Matter-of-factly. Assuredly. "He says I'm good. That we're...good. So, big Sis, you and the Family-" An errant hand and finger is left to flap in the air, motioning a circle around at the gathered that were once here in the Church "-Decide how you want to play that. You need a Seer."


And finally, his eye flicks off at Trent. There is no narrowing there. Less than anger. More than sympathy (No such thing). A frankness.


"...In more ways than one." And he sits back down again, the White box plucked up from the table, fingers slipping past the lid.


"So i'll be here when you decide how you want to play this. After that..." Nodding again, a dumpling between his fingers "...I'll tell you why you're wrong." And the dumpling vanishes into his mouth.


"Better catch the other two, Jarl. Gotta keep the rounds."


[Trent Brumby] Kora looks at him, swears at him, knocking him down a few notches while she's at it. He had glanced to her, registered the glowering look, and glanced away again - not towards Linus either, the one that sparked this reaction in the first place. Licking his teeth behind a closed mouth, he swallows any other tirade down, shutting up.


Doesn't mean he's not thrumming with it, this desire to lash out at someone who's trying to get between him and his child - or so he thinks.


Two Garou have already left. He's thinking maybe it's better he leaves too, and let the two siblings work it out. In fact, it's probably the better option really, but he still has this need to stay and defend himself; Kora's choice.


[Kora] There's this flare of her nostrils, this riveted tension written into her spine, screwed into it, making those sinuously articulated joints stand stiffly, the bony prominences clear in matched and marching rows, pricked out against the sort material of her t-shirt, faintly visible through the cotton hoodie, too, fitted to her body as she prefers - still lean. Only Trent is close enough to her to see the physical changes her pregnancy makes to her body, the reaction to the hormones loosed in her blood.


"she who offers sorrow - " the rage is banked again. Just banked, but there underneath, this sort of ungiving wall beneath her skin. " - from Hjaltland before Chicago, cliath and Skald and daughter of Fenris." As if brother and sister were meeting each other for the very first time.


In a sense, they are.
Things are different, now.
For one: no one has pimples.


For two: war machines.
For three: one is pregnant.


"I'm not sure you made the best impression." It is like a papered over wound. There's a sort of weary humor in Kora's voice, which is sharpened by her anger. The spark of her rage, an open thing now, not one or the other, just there, like a flame that cannot be extinguished, just the fire that has to be born. "I want you to run with us. Come fight with us. Right? Show Fate and Resistance that it's not nepotism, me bringing you in." - and that control, over it, steely and sure except where it goes molten, and the wolf shines through.


- there's something glassine about Kora's eyes, some sheen across them when she looks back at Trent, still and aware and conflicted, the spark of rage floating there, not filling her, a sort of compassion that mirrors her brother's frankness there, underneath, but still ungiving. Her hands are fists, Kora. She's angry, but not overwhelmed, holding it inside her, intent on her mate, standing there thrumming with the hot blood of his own temper.


"I have to catch up with my pack." - there's a moment's hesitation, this sharpened but hooded glance at her brother. "I'll see you later."


- and then, - well, then there's her reflection in one of those windows. And then she's gone, just like that, stepping forward, and through.
"


[Linus] He waits. Until she's gone. Until she's off in other worlds (that he's used to). He waits and watches her go and it's only until she's decided to venture off that Linus attention turns toward Trent. There is a directness there. A frankness that is a trademark of the tribe. 20 years, maybe a few more, but nothing beyond that. A war machine and a monster with pursed lips and consideration in mind.


"You're not wrong, you know." A pause. "She is..." Nodding after his sister, leaning forward on the table with the box of dumplings still in hand, chopsticks plucked up to hover inside the lid.


"...But you aren't. You deserve to raise the kid." A dumpling vanishes into his mouth.


[Trent Brumby] She leaves, disappearing just like that, and he's stuck in the same room as Linus. Church, really. He does have the choice of walking out those doors like the others just as easily, but he doesn't. Two hands rake over his hair, as if it will shake out his tension. There's a silence from him while he grapples with the adrenalin, indignation, and righteous fury he's feeling.


It's nothing new, really.


When Linus speaks, Trent looks over, leaving his hands to swing down by his sides. That temper has been slapped back, dampened down and swallowed up. "She made her choices." It's for Kora to defend those, and in a way she had today - which leaves him pleased enough. Then she bailed though, and while he remembers well the last Get of Fenris he met, it cancels out that momentary satisfaction.


"And yes, I do."


"I understand you've got some reservations, plenty do, but I'll do right by her," he tells Linus, still quite serious - he seems that sort, "and I'm willing, and wanting to learn. We all had to start somewhere." So, he's not Get of Fenris. But everyone had to be put through the drill. The kin's not running from it, not even spouting off about the lifetime he had with his blood Tribe. The moment he accepted Kora as a mate sealed his fate.


[Linus] "Trent is it?"


Linus is leaning forward, eyeballing the Kinfolk. There's no skepticism there, nor pity or sympathy for his plight. If anything, Linus' look could be interpreted by a simple phrase:


Are you kidding me?


"Kora's my sister. I haven't seen her in more than five years...seven at this point I think but I know my Sister well enough to know she ain't a slacker. She ain't a half-heart and she sure as shit ain't no coward. She ain't stupid either, else she'd be dead by now and that means whoever she took as a mate? Ain't mine to doubt 'cause that would mean I'm doubting her."


Frank. Straight-forward. Honest. Three turns of the clock different than the Linus of before who is starting to seem more and more like an act and a show at this point.


"I don't have reservations about you. Or her. Or what you two mean to one another or how much you both need that and trust me, you do..." Nodding. Slowly.


"...between the ages of One and Fifteen...how many times did you ever talk to or interact with the True?" It is a serious question. The smile is gone and the brow is slightly furrowed. Curious scrutiny.


[Trent Brumby] The question throws him, making his brow furrow in thought and wondering where this is leading to, but searches for his memory and an accurate number. He really can't come up with one. "A handful, mostly brief." He doesn't go on to explain the complications of being male Kinfolk in a female tribe, that is always mistaken by anyone outside of the said Tribe - wait, he's outside of it now too.


So for the most part, he's left looking at Linus directly, waiting to see where this goes. If this is going to be a don't cuss at Garou deal or something else out of the left field, like this Fenrir's rapidly changed demeanor.


[Linus] "Brief, momentary meet and greets. Distant relatives that come for a visit and you get shoo'ed off into a room or corner and told to be quiet."


Pause.


"Angry aunts and old grandmothers with the sort of stares that strip skin and shit."


Pause.


"Blood stains in the laundry or sudden disappearances and...well...let's not forget that feeling you get..."


He meets Trent's eyes, head tilting forward slightly. They both know the sensation Linus is talking about. The spine shakes. The eyes dart. The room is too small. The air is too full and you're breathing deeper while standing still.


"...And you're a full grown man with an understanding of how that all works. Why it works the way it does. Maybe you even know why we're doing it." A smile. Not unpleasant. Not sad or grieving or ugly. He's smiling and nodding like a friend, waiting for you to catch up to them on the street corner. No rush. No hurry. There's plenty of time.


"...Next time we talk, you're gonna ask me a question and I...am...probably going to answer it." The chair scrapes on the stone floor and he stretches, patting his stomach. The beer is left on the table, unopened. He sniffs and wipes his nose, before re-typing the scarf around his neck and shoulders.


"Until then, you keep bringing the booze 'n food. You'll learn. Trust me." Not a threat or a promise.


Just the Facts.


The Godi is there one moment and the next there is a Pop


And he's gone.

His Tribe

[Imogen] Her phone vibrates slowly making its way off the balcony chair's armrest. She is seated there, her hair damp from a shower, her body hidden by a terry cloth robe, her skin chilled by the outdoors, her stomach warmed by a fresh swallow of scotch.

She looks down at it a moment, before leaning forward to set down her cigarette, her tumbler still in hand as she pushes a button to activate the receiver.

"Slaughter," she says, answering an unfamiliar number with a professional reply. Her eyes trial to the view from her balcony, bright city lights, Chicago's familiar buildings.

[Cell] "Imogen - " first his voice is far away, speaker phone. Then, abruptly, it is as close as if his mouth were against her ear. In between, she will hear the clatter plastic against metal or god knows what as he reaches for the handset and tucks it against his shoulder. " - hey. It's JB. Question."

There's music in the background, which fades when he picks up the phone.

"I had some visitors tonight. Want to know if one of them is what they said she is." There's a certain tension in his voice, a hint of irritation, though that is thinned by wires and distance. "Though you might be able to help."

[Imogen] There is a pause on the other side of the phone, filled with ambient sounds. He can hear the air whistle, the far away sounds of traffic. He knows she is outside.

Imogen's jaw draws briefly tight, then loosens as she lifts a hand to her hair, pushing the heavy, damp weight back from her face, over her shoulders.

"Alright," she says. "Go ahead."

[Cell] "A girl named Rory. Red hair, pale skin." He begins, then closes his eyes. The fucking music box is on is desk, the note somewhere. "Something's wrong with her, too. Some mental thing."

"I don't know any other names for her. After, though, I got a note. From The Bogeymen., right?"

There's a hint of disbelief there. Gods only know what leads Garou to pick such bizarre names for themselves. Somewhere in the background, a door clicks shut.

[Imogen] A pause. "Spoonerism," she says, "She speaks in spoonerisms. Tends t'mix up sounds right? Says 'I'm hery vappy' not 'I'm very happy', fer example.

"She's Garou," she says, "Fianna, I believe, though I'm not familiar wi' what the 'Bogeymen' are. I don't much mind pack names.

"Why?"

[Cell] "Yeah, that's it - " he confirm, distant before his voice shifts back to the receiver, his tone quiet, confidential. Even with the pantry door shut, the sounds of the kitchen. "Feels like a - like a serial killer, acts like a Catholic school-girl in a - well, in a movie." He tells he, thinking better of saying in a fucking porno to Imogen, even over the phone. "And acts like Rain Man - or like she's austic or schizophrenic or something. Just sat there half-hiding all night. Kept insisting she would work for me. Then snuck into the kitchen last night and left a fucking music box sitting on my counter with a goddamn note for my - " Maybe his resolution not to curse has deserted him.

Maybe he just wanted to vent. " - baker to find, bright and early this morning. I just - " he stops, pauses, arrests the deluge. "Listen, sorry. I didn't mean to unload. Just wanted to make sure she was who they said she was. Not something - else.

"Given the rest."

[Imogen] JB unloads, as he puts it, and Imogen is silent through it, listening, though it is hard to say if it is with empathy or simply absorption.

"For better or worse," she says when he's finished and redirected his purpose, he can hear the shift in her breathing over invisible lines as she fills her lungs with cigarette smoke, speaking with words choked in poison, "she's exactly what she says she is.

"Last I checked, she's also the only full-blooded representative o' yer tribe." Her exhale, emptying her lungs of the last coils of smoke punctuates her words. There is something in her tone that intimates what she does not say aloud - that is: Unfortunately.

[Cell] There's a silence on the other end of the line, then this eruption of air. It sounds like a fan being supercharged into the receiver, but he's really just breathing open. Someone on the other end interrupts - a door opens, and half-a-conversation is held off-screen. One of those three or four sentence things that suggests the familiar rhythm of an ordinary question, the movement of a workday.

Then his voice is back, deep, right against the receiver. " - my tribe?"

[Imogen] There is a pause.

"Fianna," she clarifies, though it may well not be what he's asking.

[Cell] That earns her a brief, sharp retort of a laugh, the sort that sounds like a gunshot and has very little humor in the substrates of the sound, underneath. It's just an exclamation, a sort of give-in that opens out. "I know the name," he says, with an irony that is anything but subtle.

It's quiet, though. The irony in his voice, the tone, the volume - they have this baritone resonance he never had as a younger man. He takes another breath, one of those long inhales that sounds like a sigh, whistling through the nostrils, just filling his long, followed by a brief, bullish burst of air, another sharp sound of dry humor.

"Imogen," he says. A moment's pause follows. Then, "Thanks for the ear."

[Imogen] There's a brief pause.

"This may sound like a foolish suggestion," she says, "but yeh may want t'ask her not to do it again. The Garou 'ere - a lot o' them are, shall we say, non-traditional. Whether she'll listen t'yeh or not, yeh'll get away with it here."

A beat.

"Goodnight, JB."

[Cell] "I'll keep that in mind." Another pause, not entirely empty. The ring of something metal against metal in the background. "We've got the beer and wine license, now. Come by sometime."

Then, a shout in the background, the noises yawning open as a door moves somewhere. "'Night."

Click!