Baja

Charlotte
(http://cdn.c.photoshelter.com/img-get/I0000P2Jr7iQA0CQ/s/750/750/Happy-dog-on-a-Baja-beach-Mexico-CD-900-MarkAJohnson.jpg)
This is where they've ended up.
Somewhere in Baja California, way down the coast. Well past the busier tourist areas. A tinyhouse on a wide and mostly deserted beach, with a surf shack and a ramshackle little café up by the winding, two lane road that cuts through the desert that encroaches on the sea.
The surf shack is run by a grizzled and hairy and hoary old Californian with white hair and skin the color of and texture of an old leather briefcase, left too long to the elements, gone cracked and stained. He is married (or 'married') to the round little mestizo woman who runs the café, which serves up warm handmade tortillas, fresh ceviché, and ice cold cerveza to anyone who wanders this far south.
Like these two blond-haired blue-eyed strangers, both of whom were born so far from this tropic paradise that it seems surreal, neither of whom were made for the water. Still, Charlotte takes to it like she was simply created to float on one of the old man's rented boards, bobbing gently like a cork in the serene blue ocean, watching over her shoulder, waiting for - if not the perfect wave, at least one she can ride, sometimes for no more than ten, fifteen, twenty seconds before it spills her back into the Pacific in a churning mass of breaking wave and churned up sand and pure aristocratic upended blood.
Charlotte stays out in the water until her fingers are wrinkled and her hair is stiff with salt and the black YELLOWSTONE t-shirt she wears over her bikini for modesty's sake is so thoroughly saturated with seawater it is hanging down to her knees and may come close to doubling her weight. Stays out there until she catches and rides just ahead of the crest of a wave as far as its crashing, dissipating energy will carry her, and is still standing at the end, her feet back, digging into the rear of the board just as the old man told her, watching the wave spill out ahead of her onto the sand. Feeling all triumphant and looking resplendent, like she had just laid out the throat of some dark enemy at the feet of her Queen.
She is constantly smiling. And if Erich's inland, lounging on the beach, or maybe even on the porch of the now-completed tinyhouse, Charlotte waves wildly to him and shouts something that's lost in the pounding of the surf.
She probably wants him to take another picture with her iPhone.
To show Melantha when they find her again.
When she calls them home.
---
They drove west from Nebraska through Wyoming, then up into Yellowstone. There is a Sept there, a large one, where they were welcomed. The duo offered chiminage of sorts by way of joining the Guardians' patrols up through the high country, running with the wolves and wolf-kin, hunting in the physical world, four-footed, elk and deer and bison and bighorn sheep with the Mary Mountain and 8 Mile packs.
Hunting other things, too. The darker things that constantly test the boundaries of that great and still-holy place, that throw themselves forward, always trying to steal another scant half-inch back from the Gaians for the darkness that surrounds and laps at them, whereever they still think to hold on.
Once, a fight at the 8 mile pack's territory's edge, quick and short and vicious, as all such battles are. The Guardian on patrol with them - a bluff, Fianna Ahroun with a wide face and strawberry-blond braids and a keen dislike for Shadow Lords, thank you very much - died and came back. Surged to life in a chaotic frenzy that spent itself on the slick, bleak, nucleated group of fallen Garou that dared to probe the boundaries of the Caern's wide and sacred and porous bawn.
Perhaps more by accident than design, given the way he gives himself to battle, Storm's Teeth stood over her when she fell again, this time not-quite-dead but assuredly unmoving, laying into their attackers with such viciousness that he sent them scattering, fleeing into the night, baying their threats to regroup and return and devour his intestines link-by-link and fuck a hole into his heart.
The two Ahrouns were so sore-wounded, the trio so far out that Charlotte-wolf called down her ancestors to help her heal them. And, under a bright and star-spangled sky, Storm's Teeth met, for the perhaps the first time, the austere priest Coeur d'Hiver who is closest to the surface of Charlotte's skin. Who had fine hands and clear eyes and a gentle, eerie smile, and a madness starkly different from Charlotte's own. Who spoke, once, with and for and by and too the dead, now slips into Charlotte, when she invites such company, lovely and ancient and rare.
They should have stayed for at least the moot, where Gravity Hurts would have uttered, for the first time in her young life, words in praise of a Shadow Lord. Except: when one of Erich's elders came to inspect the tinyhouse and the visiting Ahroun of his own tribe who had performed valiantly on the battlefield at the northern edge of the Caern's territory, he and Erich met another of Charlotte's ancestors, who lives just as close to the surface as the first and lacked her clear-eyed gaze.
In elaborated, arcane, and artful language, little Charlotte threw down a grand challenge at the feet of an Athro Shadow Lord to whom she had no right to speak, let alone offer challenge. Carried herself as if she were six feet tall and standing at the right hand of some hoary King, his seneschal, his Voice and started to articulate in no uncertain terms her (his? her physical body language was wide and masculine and she held herself as if she expected she should be carrying another fifty pounds of muscle to go alone with the extra seven inches in height) exact opinion of lesser tribes who think to exceed their stations and touch the artifacts and weapons given by Gaia to Falcon's own, and no others.
When he won the artifact back, he declared, he would have to find another worthy of carrying it. The creature the spirits had given him to inhabit was hardly worthy of her blood. Perhaps, he conceded, he might permit her to convey the klaive to its next rightful owner.--
So, that was awkward.
For Erich's sake, Blackadder's Smile forgave her. Laughed it off, really, because: seriously, little sparrow? Then there was the service Erich had done for the Caern and the service Charlotte had done for Erich. So he accepted the Rite of Contrition she offered him afterward, preferably somewhere where his klaive was not on display on his person, to draw out the madness of her ancestor again. But after that, there was no question of the pair staying, let alone staying for the moot. Had she offered such a dishonorable challenge publicly -
- well, few would have looked askance if he had had her throat.
And he would, assuredly, have had her throat.
--
Charlotte apologized to Erich, very very quietly, much much later, as they drove away from Yellowstone. She already missed the wolves. She wanted to run with them beneath the full moon. She tries to keep him down but sometimes he comes back and swallows her up, like he's just inhaling and she's in the background, paralyzed and unable to speak.
No wonder the Silver Fangs never let her out to play with other tribes.
--
From Yellowstone they continued north but mostly west, through Montana and Idaho, into western Washington, and then east and east and east. Somewhere near Astoria they found the 101 - two kids in a pick-up truck with a tinyhouse, now with ROOF! - that they'd work on finishing inside each night. They saw huge redwoods and a tree you can drive through, drove across the Golden Gate bridge and detoured out to Monterey then Carmel-by-the-Sea. Ate cheese crackers (Charlotte) and beef jerkey (Erich) and drank bottles of coconut water as a picnic in the shade of Library Park at noon, talking about where they'd been and where they might go next and what color curtains should the tinyhouse! have and where was she right now.
They never knew how close they came.
And if Charlotte marveled at San Francisco, she hated LA and kept her hands over her ears and/or her eyes the whole time they hurtled through its tangled web of overheated freeways, strangled to near-incoherence by the asserted presence of the Weaver. Hating the bundles of light and energy and brilliance down which they had to fling themselves to get through the gordian knot of the greater LA metro area.
Maybe Erich wanted to stop and sight-see or gawk at the Hollywood sign or search out some hand-and-footprints on the sidewalks or buy a map of the star's homes and drive around and peer at their mansions or take one of those double-decker bus-tours and pop into Universal Studios and check out the Chinese theate, but Charlotte, oh Charlotte was so tight and rigid and stiff that she could hardly move.
So they kept going south. South and south and south and south. Across the border and onward, leaving behind all the people, the tourists, the narco lords, the sex shows, the strip clubs. Letting it all peel away from their skins until they found this place.
With the ceviché and the cerveza and the surf lessons.
Charlotte bought a white bikini for $10 from a roadside vendor somewhere south of Tijuana. She wanted one of those old-fashioned swimming costumes with the ruffles and bloomers but all they had were two-pieces. So: white bikini plus oversized Yellowstone t-shirt with a picture of a grizzly bear roaring is her beachwear, and they're renting their boards from grizzled old man essentially in exchange for the pleasure it gives him to see them learning to surf and the cash they spend on food and beer they buy from his wife, daily.
And the way they keep those creeps from town away. There's that, too.
Erich
The ocean is a deep, unbelievable blue. The sand is golden. The foam is white. Erich
is lobster red.
At least for the first few days. At least through those days when he burns and peels and burns again. Then gradually, slowly, little by little-y, even Erich's north-bred skin grudgingly begins to generate melanin. He tans. He learns to surf. He swims like a fish, he lays out in the sun with the sand clinging to his wet skin and then falling off as it dries. He wears sunglasses; he squints into the horizon. He eats burritos and burrito-bowls; tostadas, tacos, quesadillas, sopas, tamales, tortas, moles. He puts the finishing touches on that tiny little portable house of his, which is hitched to the back of his absurd bumble-bee yellow truck; which sits on its two wheels with its teeny little porch and its teeny little windows and its teeny little rooms.
Charlotte has her own room. It's downstairs from the sleeping loft, and it even has a skinny little door that closes and locks. The bed inside is full-sized, wedged-in, and fills almost all the space. There's storage beneath it -- big drawers that slide out, though only as far as the wall. There's some storage along the walls, too. Plenty of space for a Theurge to tuck whatever Theurgely little things she has.
Then there's the cramped little bathroom, which miraculously manages to fit a toilet and a sink and a shower. There's the kitchen built along one wall, which also sort of doubles as storage space. There's a couch along the other wall, as well as a small sitting area that turns into a dining area when the 'table' folds out from the wall. Above it all is the loft where Erich sleeps, where he's hung a drape for ostensible privacy just in case Melantha visits him here someday, though for the most part that drape remains pulled back to let air and light circulate.
There are windows everywhere. And a ceiling fan. And every bit of spare space imaginable is some sort of storage; hides unbreakable plastic dishware or a toaster or a microwave or a broom or a stick-vacuum or a Clue board game. Everything has its place, chaotic and rule-less as it may seem; everything is bolted down or lashed down or tucked away or pinned back because
after all
they're sort of like gypsies. They're on the move, even when they stay in one place.
Like right now. They've been here in Baja for a week, maybe two. They like it here; it's open and the seagull arc white against the sky. Charlotte is out on the water, and Erich is sunning himself with a battered old book casting a shadow over his face. They are tanned now, but still so very White Kids: with their blond hair and their names and their music, which sometimes plays out of the cab of Erich's truck. The sun is beginning to dip toward that endless, limitless western horizon. It raises moisture out of the ocean, casts the horizon into a blinding white haze. The waves seem born out of that light itself: rolling white out of nothing, ex nihilo, de novo, ab initio.
Erich yawns. He raises his head and looks down his body, past his feet, down the beach, out to sea. There's Charlotte. There's his packmate, bobbing like a cork, waiting for the next riser.
Charlotte
They've been in Baja for a week or two on this beach. It's a lovely one, far from the maddening crowd, the sun starting to puddle on the horizon now, the strand long and nearly deserted. The surf shop is closed by the little beach bar / taqueria stays open late and locals will start wandering out from the two a mile or two inland. Hard to call it a town when it's little more than a cluster of shacks and adobe houses, squat and spare, with dusty roads and stray dogs and the odd guest house, but none of the development you find closer to civilization.
Not yet.Not here.
There are dark things everywhere and the townspeople come out here to escape them. Maybe they give Erich a wider berth than Charlotte but somehow they sense that the anger that radiates from him feels brighter and cleaner than - well, it does coming from the whoever it is they're avoiding.
So the pier lights up and there's dancing and there's laughter and the taqueria fills up and music opens up bright from the tiny speakers of the radio. It's all in Spanish, which Charlotte could perhaps puzzle out with the help of her ancestors, but she does not go looking for them and out here, they do not come seeking her.
The theurge spills into the beach on the last wave with the last sinking rays of the setting sun brilliant and huge and orange behind her. Party's in full swing up on the pier and she's dragging her board up onto the beach, wrinkled and salty and happy, t-shirt hanging down to an inch about her knees, soaked and dark, sand coating her stick-thin legs, her blue eyes bloodshot from the salt and spray.
She stows the board like she was taught and bounds up the three tinysteps to some cash for their dinner, then jogs back to where Erich has been soaking in the sun and is now soaking in the sunset. Sinks to the sand, holding her owl-shaped coin purse carefully weighing the feel of the pesos inside. Glances at the pier and then back at Erich, lazy, with a battered old book whose text it is now too dark to see.
"Whatcha want for dinner?"
When it's crowded, Charlotte always grabs there meals. No reason to scare people before they've had enough cerveza to mellow them enough to bear Erich's presence in close quarters.
"I'll go pick it up!"
Erich
The first couple days on the board, they rarely made it in to shore. They toppled off, they nosedived off, they slid off sideways, they stepped on the board wrong and it squirted out from underfoot like a peeled grape. Now, looking at Charlotte, you'd hardly know it. The waves bear her into shore. The board grounds, she jump-jogs off, then hauls it up by the leash and takes it in.
Erich levers up on his elbows. He uses the book as a sunshade, blocking the direct light of the sunset as he squints at the crescent-born. "Meat," he says, and smiles, and sits up -- sand sheafing off his back, trickling, tickling, bouncing gently on the beach. "Barbacoa? A pound of barbacoa. Annnnnnd one of those orange sodas they have in the glass bottles."
Over on that old, sunbleached pier with its cracked boards and askew pillars: the people coming out from inland, the distant music, the music of distant languages, the laughter that rises and ebbs; the clink of glass, the flap of the tarp that shades the small cluster of benches and tables. The little hut isn't so much a building as it is a shanty teetering over the ocean, its walls seemingly made of driftwood, palm, and tiki-torches, all of it poised to collapse or catch fire at any moment. Even from out here, half a beach away, Erich can see the glow of the cooking fires, smell the smoke and charred meat.
"Maybe a couple beers too," he adds, "but only if you're gonna have one."
Erich
[I'M NOT THAT SHARP OKAY. percep+alert]
Dice: 4 d10 TN6 (1, 9, 10, 10) ( success x 3 )
Ingrid
Somewhere in Baja a pair of wolves are relaxing, having fun, getting away from it all if only for a while. They've wandered all over the country. They've had adventures. And now they're relaxing. They surf, they eat, they drink...they got sunburns and now they have tans. They've built a tiny little house. They're living a life, THE life. The life of drifters. They are gypsies, and the worries they have are the usual kind. But there is one worry of which they are currently unaware.
They're being hunted.
There is a particular kind of animal that is stalking them. She's been hunting them since they left San Francisco, though she's never set foot in that city herself. Her car had been pointed in that direction, though, until the stone - a smooth, beautiful thing hanging from a lovely chain because of course it is - hanging from the rearview mirror shifted, pointing vaguely south. So, breezing past the Gateway Arch, she turned her car onto I-44 and drove and drove and drove.
Days, five in fact, pass between Saint Louis and Mexicali. She's not in a hurry to catch her prey, and she has some adventures of her own. Quiet ones, the kind that no one talks about and no one recognizes her for but she has them anyway because it's what it's fun.
Eventually she gets to the area with the ocean of endless deep blue and the golden sand. She gets closer. She's almost there. And then she parks her tiny little black car, puts the top up, and she continues on foot.
Charlotte
Charlotte: Per + Alertness:
Dice: 6 d10 TN6 (3, 4, 6, 6, 8, 10) ( success x 4 )
Charlotte
"'Course I am," Charlotte declares, free out here and as bright and as sure and as assured as he has seen her in all the time he has known her. There's something almost smug about her assurance, there. She can do whatever she wants and the sun will still rise over those spare ridges to the east and then sink down beneath the endless curve of the dark blue ocean and then the stars will come out, one by one by one, and waves will roll in, endless and unceasing, a rhythm as close to perfect as the tidal wash of the womb.
--
She darks off, all salt-stiff and sand-stained and small, kicking up sand as she goes through the gloaming. He can follow the glow of her blond hair in the darkness. She's been out of pink dye for weeks and only the last third of her lengthening hair retains a hint of the color. Now it is pulled back in a ponytail and sticks out at all angles like straw, stiff from the salt and sun. He can see her until she disappears into that laughing, shifting, oh-so-human crowd, locals all it always seems. As the horizon darkens and the stars begin to come out the music is turned up and some people start dancing. Bottles of beer or even tequila in hand, welcoming the release from a long day's work, refusing to leave yet - to return to their, dim homes on their narrow, dusty streets with the prospect of another long day in the heat and sun looming in front.
At this hour, on these nights, it takes forever. Erich's left to nap on the beach, with the excuse of the book put aside because it is too dark to read unless he retrieves a torch or booklight from the tinyhouse! parked on the strand. So he watches the changing and changeling light and the shifting crowd, listens to the open peal of laughter up there, on the pier, half a beach away, and listens to the way it alters and changes and closes up, too.
That's enough to pull his attention back to the pier. He marks the shift in the crowd's enjoyment of the moment, the way they grow quiet. This has happened before - a handful of guys from town, though mostly they stay away since Charlotte and Erich landed out here on the beach.
---
It's just fifteen minutes before the crowd noise starts to open up again, all bright against the night, and that's when Charlotte comes trudging back along the beach, kicking up sand with every step. She has a six-pack in one hand, packed with two orange sodas and four cervezas, and two big white bags of food. Meat and meat and barbacoa for Erich, chips and salsa and tacos and ceviche for Charlotte.
They sit down to their quiet meal on the beach and as she starts unpacking her bounty, she wrinkles her nose and remarks, all quiet. "Those guys were there again."
---
That's all though. The dinner hour will pass in peace and quiet and the party on the pier will continue well into the gloaming, before it begins to die out as quietly as it does on nights like these, as the patrons slip back to their dusty homes in that dusty and nameless town.
Charlotte
Erich also has a sense of movement closer to him; catches a view of one of the guys on the dunes closer to the tinyhouse and truck than the pier, watching him with a pair of binoculars raised, though he's trying to be stealthy in the darkness, it is clear that the guy was studying Erich on the beach.
Erich
By the time Charlotte comes back, Erich is dozing on the beach with the book over his face. Farther north -- San Francisco, even San Diego -- a chill comes every afternoon as the winds shift, as they rush away from the setting sun, as the marine layer rolls in from the west. They're far enough south here, though, that the ocean itself is warm. Warm to the west and warm to the east, just as the land between, this narrow strip of Baja, is warm. It's not chilly to nap like this. He doesn't ever wake with his belly knotted from the cold, seeking shelter and warmth.
He wakes, often, just like this: because someone's come close. Usually it's Charlotte. Sometimes it's the old man who owns the hut, who rented them the boards. Sometimes it's his wife. Sometimes it's one of the kids from the village, wide-eyed and wary, but so far it has not been one of those guys.
Erich's brow knots when Charlotte mentions they were there again. He makes this noise, this little grunt of acknowledgment and displeasure, as he reaches up to help her with the bags and the food.
They have a little picnic sitting on the steps of the tinyhouse. The last of the glow goes out of the west. Erich eats his barbacoa, which is spicy and tender and probably not the best cuts of meat but it doesn't matter; it tastes good. He washes it down with a bottle of beer, which he clinks against Charlotte's once in a while. She's more sure of herself here. She's grown more sure of herself, he thinks, with every step away from the cities, her brother, all those loud and opinionated and too-certain people whose will she so easily comes to accept as her own.
Then it's dark. The music stops. The cooking fires go out, and the old man closes up shop -- leaves all those sunbeaten benches and tables out under the rack and the awning; buttons down the latticed grate that seals off the front of that little hut. The last of the villagers drift back home, away from the sand, across the scrub, down those bare straight roads into the subtropical inlands.
Erich, who has devoured almost that entire pound of barbacoa (except for the bite he gave to Charlotte to try), is crunching his box between his hands, preparing to pack it into the trash bags. He's getting to his feet and something about that shift in viewpoint is just right that something catches the corner of his attention and tugs. His head turns. He looks
(unsubtle creature that he is)
straight into the binoculars looking back at him. Through the 'nocs, his secret admirer gets a perfect look at Erich's surprised expression. Then the turn of his head. The movement of his lips as he says to the blonde girl who surfs in a big baggy t-shirt:
"Dude, Charlotte, I've got a stalker."
Charlotte
Sense Wyrm: Perception + Occult
Dice: 5 d10 TN7 (1, 2, 4, 5, 9) ( success x 1 )
Ingrid
[percept+alert]
Dice: 7 d10 TN6 (1, 2, 3, 6, 8, 8, 10) ( success x 4 )
Charlotte
Charlotte stands up, all abrupt and upright too. In these matters, she is precisely as subtle as the Ahroun, which is to say: not at all. Sometime in the evening she washed the sand off her calves and retreated into the tinyhouse! and changed out of her bathing suit into a different baggy t-shirt and shorts, washed her hair maybe too and now, hours later, it is dry and shaggy and a bit flyaway and entirely unstyled. She has not eaten all of her meal (she never does) but she has consumed far more than a girl of her size might be expected too and her trash is being stowed with Erich's though she'll save some of the ceviche for the gulls and tortillas for the shorebirds that might be tempted close enough to dart in and steal the torn-up piece of hand-made corn tortilla from where she's tossed them all around her the next morning.
Now though: one girl, half-empty beer bottle in hand, standing up beside one tall boy, frowning at the faint glint of the binoculars in amongst the dunes.
Moonlight against those lenses, gibbous and waxing. Brilliant in the dark fastness of the night sky.
"Erich," the girl reaches up to tug on the tail of his t-shirt. "He smells."
--
Meanwhile, Ingrid wanders down a moonlit, twolane road, bevvied between the dry hills and the sea. Her small black car is parked in that small dusty town. One hour after sunset, the town was virtually deserted. Three hours after sunset, the townspeople have all returned to their homes and closed up for the night, so the streets are nearly as dark as the ocean. Darker, as the waves reflect all the light in the sky, while the adobe and asphalt merely absorbs the light.
She follows the urge of the rite or her gift forward on foot then, the mile or two from town, out towards the beach. As she's getting close and closer, close enough that she can smell and hear the ocean, can see perhaps the distant glassine glimmer of the moon on dark waters near the horizon, can see the walkway groomed through the dunes to the now-quiet pier with its shuttered cafe and surf shop, there's this: a dark pick-up truck and cheap old hatchback parked on the shoulder of the two-lane road, far enough back from the dunes. Three men, no - four - mostly hidden behind the dunes, though one's climbed up the crumbling sand and appears to have a pair of binoculars in hand, watching something on the beach.
They are armed. Quietly checking their weapons and chatting between themselves. All three - no, four - look normal until one of them turns.
Half the skin on his face has sloughed off, leaving behind this charnal house mess like hamburger meat, skin and muscle bubbling and gross, eroded through here and there to the bone.
He appears to be molting.
Erich
He smells does not, not for a single minute, make Erich think Charlotte is referring to his secret admirer's body odor. Well; secret admirer might in fact stink, but -- what Charlotte's talking about runs deeper than the skin. Right down to the bone.
By his side, Erich's hand curls into a fist tight enough to pop his knuckles. His grin comes suddenly and savagely. "Kay," he says, "just a sec."
And he turns and goes into the tinyhouse. It is so tiny that if they moved the dining chairs out onto the porch, each chair would pretty much take up one side of the porch. It is so tiny that when the Ahroun goes in, his shoulders pretty much fill up the door.
Which stays ajar. Charlotte can hear some banging around, some rustling and stuff. Erich reappears; he has a hammer in hand, a jaunty blue-handled thing that saw quite a bit of use when he was building their den. He pulls the door shut behind him, and then -- without any warning whatsoever -- cocks his arm back, takes a long, light-footed, skipping step forward to add the momentum of his entire body to the motion,
and whips that hammer at secret admirer binocular man.
Ingrid
Ingrid is indeed walking down the twolane road. In heels, cork wedges in fact, the kind with straps that look like they lace all over the tops of her feet but which, in fact, fasten by way of a single clasp on the outside of her ankles. And shorts, too, and a halterneck shirt, both which probably cost singly more than that tinyhouse cost altogether. It's not proper walking-for-ages-along-barren-roads wear, but when has she ever been seen in something practical? She follows the tug of the stone, the chain now wrapped around her fist, that points in the direction of the Ahroun.
When she's a little closer, she sees she's not the only one who is hunting that particular Shadow Lord. She stops on the road, lowering her hand to her side, and watches them for a moment. Sees that they're milling about with a purpose. Sees that one of them has the audacity to spy on her own prey.
Quietly, she slips the necklace into her pocket with one hand, bending the other way to unclasp one of those shoes and then the other. Her feet freed she straightens, holds her hands out before her, and moves her fingers like she's a puppeteer making invisble puppets dance. And, in a way, that's exactly what she is. Tugging just so this way and that, she pulls the shadows around her like a cloak.
[probs unnecessary 'cause dark but I wanna use this new gift!-1G Shadow Weaving: dex+occult, diff 7]
Dice: 5 d10 TN7 (2, 3, 5, 6, 10) ( success x 1 )
Ingrid
[and a blur]
Dice: 7 d10 TN8 (1, 1, 5, 7, 7, 7, 10) ( success x 1 )
Ingrid
[and a stealth!, diff -1 for shadow weaving]
Dice: 8 d10 TN5 (1, 3, 5, 5, 8, 8, 10, 10) ( success x 6 )
Erich
[HAMMER TIME! dex specialty is "quick" - lemme know if i should reroll!]
Dice: 6 d10 TN6 (1, 2, 4, 7, 9, 10) ( success x 3 )
Ingrid
[I should probably also note that once Ingrid is invisible she unsheathes the chest sword]
Erich
[reroll!]
Dice: 1 d10 TN6 (6) ( success x 1 )
Erich
[CAN'T TOUCH THIS, DA-NANANA.]
Dice: 7 d10 TN6 (1, 1, 2, 3, 4, 5, 7) ( success x 1 )
Erich
[+7 cuz homid...FOR NOW!]
Dice: 1 d10 TN6 (9) ( success x 1 )
Ingrid
[-1R snapshift to Crinos 'cause guns, how unclassy *smh*: +9]
Dice: 1 d10 TN6 (4) ( fail )
Ingrid
[1: Run up behind Dude the Second
R: Hi! Slash 'im!
R: And again!]
Erich
Reflexive: WELP I GUESS I'M GOING HISPO
1. running!
R1. UGH something's wrong with you and that's no bueno. Spur Claws on Meathead!
R2. DON'T SPIT ON ME BINOC DUDE THAT'S RUDE. BITE!
R3. SRSLY I'M VERY CROSS WITH YOU. BITE!
Erich
[spur claws!]
Dice: 10 d10 TN6 (1, 1, 2, 5, 6, 6, 7, 7, 7, 8, 10) ( success x 7 ) Re-rolls: 1
Erich
[damage! 4(base str)+3(hispo)+2(claws)+6(succ)]
Dice: 15 d10 TN6 (1, 1, 1, 1, 2, 2, 3, 4, 4, 5, 5, 7, 8, 8, 10) ( success x 4 )
Ingrid
[R: Slice!: dex+melee, diff -2 (behind)]
Dice: 8 d10 TN4 (1, 3, 3, 4, 5, 7, 9, 10) ( success x 5 )
Ingrid
[dam: str+4(crinos)+2(sword)+5-1][L]
Dice: 12 d10 TN6 (2, 3, 4, 4, 6, 7, 7, 8, 8, 9, 10, 10) ( success x 8 )
Erich
There's a blur in the dark -- Erich-wolf, one forepaw now denuded of claws, snarl-yelps in surprise. Then: he whips around and BITES that eyebally motherfucker.
Cuz seriously. Rudity!
[dex 4 + hispo 2 + brawl 4!]
Dice: 10 d10 TN5 (2, 3, 4, 5, 5, 6, 7, 8, 9, 9, 10) ( success x 8 ) Re-rolls: 1
Erich
[damage str 4+hispo 3+teeth 2 = base 9, +7 succ. DON'T YOU DARE PWINK ME AGAIN KAHSEENO.]
Dice: 16 d10 TN6 (1, 3, 3, 4, 4, 5, 5, 6, 6, 7, 9, 9, 10, 10, 10, 10) ( success x 9 )
Ingrid
[R: DIE DIE DIE]
Dice: 8 d10 TN4 (2, 2, 5, 6, 6, 7, 8, 10) ( success x 6 )
Ingrid
[dam: +5][L]
Dice: 13 d10 TN6 (1, 1, 2, 2, 3, 3, 4, 5, 6, 7, 9, 10, 10) ( success x 5 )
Erich
[hi molting dude! i probably shouldn't bite you but i'm not too smart so: BITE. +1diff.]
Dice: 10 d10 TN6 (1, 3, 4, 4, 5, 5, 7, 8, 9, 9) ( success x 4 )
Erich
[dam base 9 +3]
Dice: 12 d10 TN6 (2, 3, 5, 5, 5, 6, 6, 6, 8, 8, 8, 8) ( success x 7 )
Erich
[OW I KNEW IT.]
Dice: 6 d10 TN6 (2, 4, 6, 7, 7, 8) ( success x 4 )
Ingrid
[1a/b: Slice/slice on molting dude?]
Erich
Ingrid can see Erich hasn't changed a bit. He still throws himself headlong into danger, unconsidering and unconsidered, savage, joyful. Overhead some tiny missile soars and detonates and he roar-barks, a great gleeful noise as he gains the low sandy hill and
springs.
His teeth snap: like a steel trap, one might say if one were being cliche, which is perfectly fine because Erich does not mind being cliche so long as bad things die, yes they do. There's a honed gleam in the night, a whistle of a blade that lays Erich's ears flat, makes him growl-yelp in startlement, but in the heat of the moment there's hardly time to process anything beyond friend, foe. This one doesn't cut his spine out, so: it must be a friend! He turns his attention elsewhere, tearing, ripping, down that first spitting admirer goes.
And: okay. Maybe he has learned a little. Because he doesn't just keep chewing on that one target! He turns, he snaps for the next, the one his claws are hanging out of. His teeth close. Blood everywhere. Blood in his mouth, burning his throat, bringing a rough retching cough to his throat: no bueno AT ALL.
And still -- undeterred, singleminded, and too damn bite-happy to even consider another approach -- he goes in teeth-first again.
[1a. BITE IT! IT'S GROSS BUT OH WELL!
b. Another bite!
c. Another!
R1. Bite!]
Erich
[1a CHOMPITY. 10-3]
Dice: 7 d10 TN5 (2, 3, 3, 4, 4, 6, 6) ( success x 2 )
Erich
[dam +1]
Dice: 10 d10 TN6 (1, 1, 2, 2, 5, 7, 7, 7, 8, 10) ( success x 5 )
Erich
[HACK, COUGH.]
Dice: 6 d10 TN6 (3, 4, 4, 4, 7, 10) ( success x 2 )
Erich
[b BITE ME BABY ONE MORE TIME. 10-4]
Dice: 6 d10 TN5 (1, 2, 4, 6, 6, 9, 10, 10, 10, 10) ( success x 7 ) Re-rolls: 4
Erich
[dam +6]
Dice: 15 d10 TN6 (1, 2, 3, 3, 4, 4, 5, 6, 6, 7, 8, 8, 8, 9, 9) ( success x 8 )
Erich
[BLEEHHHCHHH]
Dice: 6 d10 TN6 (1, 2, 9, 9, 10, 10) ( success x 4 )
Ingrid
soak!
Dice: 5 d10 TN6 (1, 1, 1, 2, 3) ( fail )
Erich
[OH GOD WHY MOMMY]
Dice: 6 d10 TN6 (1, 1, 7, 9, 9, 9) ( success x 4 )
Erich
[OH YAY I LOVE CHASE GAMES!
harry him toward charlotte + ingrid!]
Erich
[dex 6+primal urge 3 - 5(third split)]
Dice: 4 d10 TN6 (3, 5, 5, 8) ( success x 1 )
Erich
[that should've been diff 7, but it would've slid by!]
Ingrid
[1a: 8-2(split)-2(ow!)]
Dice: 4 d10 TN6 (1, 4, 7, 10) ( success x 2 )
Ingrid
[dam: +1][L]
Dice: 9 d10 TN6 (5, 5, 6, 6, 6, 6, 6, 6, 9) ( success x 7 )
Erich
[rage action:
o_o
o_o
O_O!
POUNCE ON INGRID.]
Ingrid
Ingrid: -_-
Charlotte @ 10:07PM
Ingrid: 4 aggravated
Glock dude:  2 aggravated
Erich: IS FINE
Charlotte: 2 aggravated
Charlotte @ 10:17PM
...was that ten seconds or fifteen?  The explosion of flesh is soundless, just more grotesque sloughing, this great unbinding as whatever held the most grotesque of the quarter is just... loosened and then bursts free of its confines, showering all in his vicinity with gore.  His skin, flesh, muscles, blood all sizzle like acid against the skin, eating through layers until what you see beneath is: just more meat, like he was.
They are left in the quiet aftermath, the ocean rolling ashore, the quiet sea.  The pier beneath the gibbous moon, the dune dotting by sizzling hunks of slow-dissolving acidic skin.
Charlotte @ 10:21PM
Mother's Touch on Ingrid -1 (ouch) ??? dif is her rage,
Roll: 5 d10 TN4 (2, 4, 5, 8, 8) ( success x 4 ) VALID
Charlotte @ 10:21PM
Gnosis for summoning
Roll: 6 d10 TN7 (4, 4, 7, 7, 7, 8) ( success x 5 ) [WP] VALID
Erich
In the aftermath, Erich-wolf, sides moving with his breath, stares for a moment. Two.
Then he bursts into exuberant, gleeful little yelps that Charlotte can clearly hear over by the tinyhouse. And he appears to more or less jump on the shadowy, sword-wielding creature that's come mysteriously to their aid. By the time Charlotte gets to the blood-splattered dune, Erich-wolf has one forepaw slung over the shadowy creature's back. He's so beside himself that he is
actually
nomming her ear, grinning with his sharp teeth up at Charlotte.
Ingrid! he chuffs. Ingrid! Charlotte! Ingrid!
Ingrid
She'd left her shoes behind, drawn the shadows around her to cloak her presence, and moved forward quietly, but confidently. She made no sound, not in the sand, not when she withdrew her sword from the sheathe of her own body...not even when she exploded upwards, becoming a hulking beast made of pure shadow. Unseen, unsmelled, unnoticed.
Erich hasn't changed much, is her first thought as she sees him become a beast on four paws and launch himself full tilt into the heat of battle. There's no time for hellos, however. Ingrid pulls free of the shadows, in time to slash through her enemies, unabashedly cutting one to pieces from behind. When the one thing exploded, she was too close. Its guts and acidic blood washed over her, but it doesn't slow her down, not even a little. Erich harries the last thing toward her and Dances With the Hurricane lifts her blade one final time, slides one foot forward, and neatly separates the thing's head from its shoulders.
There's quiet then, in the aftermath. For two seconds, anyway. Before Ingrid can even begin the task of cleaning her weapon, before she can grab a talen and heal the damage to her body, there's a hispo wolf jumping onto her, almost knocking her down. She sucks in a breath against a blossoming of pain, but she keeps her feet.
One heavy hand-paw moves to shove at his face, her own head tilting and one golden eye squeezing shut against the shredding of her ear, but the pressure is half-hearted.
Charlotte @ 10:34PM
And Charlotte: well, there's no mistaking her.  In crinos or homid or any other form: particularly in crinos, small for a Garou but still - warformed and whitefurred and bathed brilliantly in the light of the gibbous moon - charging up the dune just in time to be spattered herself with remnants of the dissolving man.  She gains the crest of the dune and chuffs a laugh at Erich - actually - nomming Ingrid's ear.
The Silver Fang pauses at the top of the hill.  Sniffs the shadowed beast whom Erich is nomming - and then, satisfied, lays on hands heals the damage done to the Shadow Lord.  Leaving them to their reunion while she crosses the gauntlet to summon and negotiate with a spirit to cleanse the filth that befouls the beach.  Hopefully sometime before morning.
Erich
For his part, Erich seems to want all three of them to just ... dogpile together. He lets Ingrid go as Charlotte approaches, laughing -- he laughs too, or seems to, his great bloody tongue lolling, tail wagging, paws smushing huge prints into the soft sand as he dances tight circles around the females.
Eventually, though, Charlotte -- shy, fae, feral daughter of Falcon that she is -- excuses herself to tend to her duties. Erich nudges her as she begins to dissolve across the Gauntlet, a questioning whine in his throat. Then she's gone, and he's turning back to the so-mysteriously-resurfaced Ingrid. His tail wags again. He stamps his paws. He playbows, he runs around the beach, he comes back and picks up one of the horrid carcasses and tosses it into the air like a stick, catches it, razzles it, rolls with it on the ground and finally
finally
comes to a stop, sprawled in the sand, dropping his grisly toy.
A moment later he's human again. Human-ish. All the more horrific in this form, really: red on his face, red down his neck, red on his hands and the nails of one growing back at a surreal speed. He spits a bit of blood and sand out of his mouth, sets palms to the ground, and pushes himself agilely to his feet.
"They kicked you out of New York, didn't they," is the first thing out of his mouth. His smirk keeps wanting to be a grin.
Ingrid
The Silver Fang approaches shyly while the Shadow Lords reunite. Either Ingrid doesn't notice her (unlikely) or she doesn't mind when the Theurge sinks her hands into her dark fur and she heals her. And for a moment while Erich chews her ear and the light of healing washes over her wounds, Ingrid remembers something. Or thinks she does. For a moment she's back in New York and everything is old, faded, perpetually grimy no matter how much they clean. But a pair of warm soft arms wrap around her and then
it's gone. The healing ends, the images fade, and the Ragabash is back in the present, back on the sand with carnage all around her.
She watches the others interact. Charlotte quiet and shy in her presence. Erich concerned, letting out that whine. While they are distracted with each other Ingrid takes a moment to swipe her sword over her fur, cleaning it before returning it to her body.
A moment later and they're both human shaped again, though Ingrid never looks entirely human. None of them do, really, but her difference is a different flavor of off. The Ragabash wears the skin of a human, she wears the fine trappings of humans, but she always looks hungry, like she's going to pounce on and bite the jugular of whoever happens to be closest. Erich looks like a monster, a very happy, very smiley, bloody monster.
He mentions New York and her smile turns sly, and it's almost like no time has passed. Except it's not winter, and her hair is much, much shorter.
"Yes," she says, and the way she says it, it's hard to tell if she's telling the truth or not.
Erich
"Hmph." He's the one teasing her about it, and he's the one to one-eighty around and grump about it. "Well, if they did, that's their loss. Or your plan all along, anyway."
Erich swoops down, grabbing a double handful of sand, scrubbing it between his fingers and over his palms as he rises. There's an ocean just a stone's throw away, and a shower in that absurd little house-thing hitched to that equally absurd black-striped yellow truck, but this: this is the method of cleaning Erich chooses for the moment. A sand-bath, scrubbing until the grains fall in moist clumps, taking with them the worst of the blood and gore. He shakes his hands clean, pale eyes flicking over the Ragabash.
"Not sure about the haircut," he opines, grinning, "but you don't see much worse for wear. What the hell are you doing here?"
Erich
[seem* much worse for wear!]
Ingrid
As if in defiance of his comment, she gives a flick of her head, sending the short-ish strands that try to fall across her face back to the side. They fall again almost immediately, but they stay there this time.
He scrubs away the blood and bits with handfuls of sand, and she rests her hands on her hips and watches. She doesn't clarify if that was her plan all along, to go and come back, or not back but to go and leave again. She doesn't tell him what she did or didn't do while she was away. He might think she was possessed if she did.
"It's summer, summer is for the beach," she says, with the slightest of accents, and the slightest of grins. "I missed this." She surveys the sandy battlefield, pleased. "So I came looking for you."
Erich
Summer is for the beach makes him snort, casting her a sidelong smirk while he bends to scrub his hands again. Straightening, that smirk softens into that irrepressible grin.
"Yeah, I missed you too," he says, deliberately mishearing her.
"Charlotte and I left DC not too long after you did," he adds. It's not her style to tell him what she's been up to, but the same can't be said for Erich. "We've been kinda just wandering around ever since, waiting for our friend Melantha to tell us where she's gone. When she does, I think we'll probably go find her. Maybe even put down some roots. Little ones.
"If you want," Erich adds carefully, "you could totally come with. I've got a spare couch in my house you can crash on." And he hikes a thumb over his shoulder. His house, he calls it.
Ingrid
[i haz a empatchee! i'ma use it!]
Dice: 4 d10 TN6 (1, 2, 4, 7) ( success x 1 )
Ingrid
[seems legit]
Erich
[he'd like her to come along! but he doesn't want to badger her into it only to have her go UGH and vanish later.]
Ingrid
He pretends to mishear her, but doesn't misunderstand her. It's been months since the saw each other, feels like longer since they spent time together, but that was always sort of the nature of the thing. They were always bumping into each other at random, two loners who occasionally were alone together.
Now Erich isn't alone at all, but Ingrid is. Or seems to be. Her gaze doesn't glaze like she's hearing someone else's voice inside her head, and no other wolves crested that dune with her to aid her comrades.
He's careful with his offer to her, which in itself is strange. Erich? Not barreling headlong into something? She leans a little, stretching up to peer over his massive shoulder and see...a tiny, tiny little...structure. Ingrid looks at it, and she looks at him, and her look is disbelieving. As disbelieving as the usually cool and aloof Ragabash can look, anyway.
"You have a...spare...couch?"
Erich
Erich grins suddenly. "Well, no. I have one couch. Sort of. It's more like a bench with padding. But it's pretty awesome. Wanna see it?"
Ingrid
She looks at him with her eyes narrowed oh-so-slightly, like there's something that's getting lost in translation here, there must be. She doesn't answer, not with words. Instead she starts off in that direction, curious.
Erich
So Erich follows her, trotting to catch up, then falling in beside her with his rangy stride. He could take the step up to the porch in a single lope, but he stubborn insists on going up those three tiny steps. He built them. He'll use them.
And up on that porch, there's really ... only room for one of them in front of the door. She can either wait behind him or squeeze to the side. If she does the latter, she can look in through the window to get a glimpse of the inside. Soon enough, though, he sweeps the door open with a flourish, stepping aside to let her have her first look of the incredibly cramped little dwelling that Erich and Charlotte share.
It still smells like fresh-sawn wood in there. Everything's sparse and spare. There are layers of weatherproof clear-coat on the outside, but the inside is mostly bare wood, bare metal, clear glass. Charlotte's door is closed, and the bathroom door is slightly ajar. She can't see into the sleeping loft from here, but she can see the foot of his mattress. Erich comes in behind her, and together the two of them seem to just about fill the whole thing up. If Charlotte was in here too, they'd literally have to shuffle around each other to move.
"Isn't it awesome?" Erich says. "See, that's the bathroom, and that's Charlotte's room, and I sleep up there, and we keep the toaster down here, and here's the microwave, and here's the sink, and I'm thinking about putting an oven in here, and dishes are here. Oh, and my vacuum." Doors and shelves are opening, closing as he shows her everything.
"And this," he stops by the couch, which is indeed a padded bench along the wall, "is the couch. See, it folds out," and he lifts the seat, tugs, the back slides down, everything flattens out. Now there's almost no room between the couch and the kitchen cabinets. "So it's sort of a cot, too. If you want more privacy we can probably hang a curtain up around it." He frowns at the ceiling. "Though it'd really clutter the place up."
Because it's just so open and airy right now.
Ingrid
[okay Ing don't be a dick to your friend who is so proud of his little house: subterfuge!]
Dice: 6 d10 TN6 (3, 5, 5, 6, 10, 10) ( success x 3 )
Ingrid
Ingrid, though she belongs to a camp that prides themselves on their (seemingly) loyal subservience, isn't the type to stand meekly aside and follow Erich in, not if there's room for the both of them. No matter how small that room might be. It's a good thing she's small, more than half a foot shorter than Erich and carrying a fraction of his muscle. She goes up the three steps, her bare feet making no sound, and she slips to the side to peer in through that window. What she sees makes her eyes almost narrow, but she catches herself. Slanting a glance at Erich, that big, burly puppy of an Ahroun, she takes one last look then lifts her chin and schools her features into their usual mask of superiority.
Isn't it awesome? he says as she enters and gets her first look at the interior. It's barely big enough for the both of them. A part of her is put off by the cramped space. Another part of her remembers that time they traded cars. All of his belongings had been in that car, because that car was his home. And now he has a "house." The corner of her mouth quirks, the start of something genuine cracking through that mask as he gives her the tour from where she stands in the...is this the living room? From the common space.
Erich
"Oh, and check it out." Since he's looking up at the ceiling, he sees, of course, the dormers with their windows, and! The ceiling fan. Which he reaches up to now -- grabbing the cord and yanking it to turn it on. "I might put an air conditioner in if we end up in like... Arizona or something," he says. "But right now, the fan's enough. Especially if we open all the windows."
He drops his hand, looks rather earnestly and eagerly at Ingrid. "So what do you think? Wanna live the wandering life with us?"
Ingrid
Check it out, he says, so happy and so proud, and she feels a touch of that resonating, echoing through her. It's strange and unfamiliar. She's not used to feeling...fondness...for people. She's not used to treating people like people. And yet here she is, covering up her horror at the size of this place - if she stretched out her hands she could probably touch the counter and the edge of the couch-cot at the same time.
She looks up at the fan, and she mutters, "Jagi dangsin-eun michyeoss-eo." Then the grin grows a little more and her dark eyes slide over to him.
"What about Charlotte?"
Erich
"Did you just curse my fan?" Erich asks in mock horror.
Then, a little more gravity. For the first time since running into her again, Erich doesn't seem to be constantly fighting a grin. "Charlotte's cool," he says, and since there really isn't that much room and him standing around made everything seem all the busier, the more crowded, the more claustrophobic -- he sits on the couch-turned-cot. "She's one of the nicest, smartest, biggest-hearted people I know.
"She's really shy, though," he adds. "She's a Silver Fang," as if Ingrid couldn't tell, "but I think she kinda had a hard time growing up. She's still kinda learning to be her own person. She is learning, though.
"I think you intimidate her," Erich says frankly. "But I remember she was really sad for me when I told her you weren't coming along when we left DC. I think maybe you guys should meet for-real, though. She's umbraside right now, doing some Cleansings." He thinks a minute, shrugs. "I can go with you if you want. But maybe it'd be better if you guys talked first without me, 'cause I don't want you guys to feel like you gotta like each other for my sake or something."
Ingrid
Hearing that she intimidates the younger Garou doesn't cause much of a reaction in the Ragabash. It's as if he's made some other statement of the universe, like the sun rises in the east, or there's blood all over the sand and someone should clean that up or the mortals will notice. For a Cliath, for a Ragabash, and for a slender, slip of an Asian woman, Ingrid tends to intimidate most people. She doesn't usually get that reaction from other Garou, though.
But, then again, the only times Charlotte has ever seen Ingrid, it's been in the heat of battle or in its aftermath. And even then their meetings were brief.
The suggestion that he go with her, though, to talk to the girl and have a real, honest to goodness meeting, maybe even a...chat...gets a raise of a brow.
Her eyes rise up to the ceiling fan. "This may come as a surprise, Erich," her gaze falls back to him, sitting there on what might be her bed for a time, frank and serious. "But I am not in the habit of liking someone for someone else's sake."
She lifts her chin then, glancing about for the nearest reflective surface. Whether she finds one or not, a moment later there's a pop!
And she's gone.

On the Road


Charlotte

It is six-thirty, nearly seven p.m., and clouds are streaming in from the southwest. Charlotte secures her seatbelt because Erich tells her to, and not before. She does not like the seatbelt; if feels like being bound. The sunlight cuts through them in blinding patches, setting aflame the windshields of all the westward bound commuters. The interstates, the expressways, the beltways, the feeder roads are all jammed. The evening commute is underway, and so too is the ritual weekend retreat from the city. Well to the north, two and three hours away, cars with Virginia and Maryland and DC plates will be stacked to a standstill on I-70 in what are otherwise the wilds of rural western Maryland.

It takes them two, two and a half hours to go thirty miles, and Charlotte is tense the whole time, her nose pressed against the window of the Mustang, her reflection ghostly against the stacked taillights of half-a-million commuters.

They have no place to go, and there is no map to follow. Erich takes I-66 all the way to I-81. They are in the mountains now; the interstate parallels long ridges and valleys of Western Virginia, shoulders the Allegheny front to the west.

Somewhere south of Strasbourg, Erich pulls off the interstate, finds a road plunging west, right into that rising ridge and valley wall, and heads out of the Shenandoah Valley into the highlands.

The sun has set by now, and that brief taste of summer is long gone. A wintry front pushes across the Appalachian plateau, and there will be a dusting of snow on the ridgetops tonight. Choked as DC and its many crawling feeder-roads were with fleeing urbanites, these roads are virtually deserted, crooked and crawling, climbing the spines of the mountains like switchbacks, illuminated only by the shine of the moon and the flash of the Mustang's headlights over the marching trunks of the dark trees.

The forests around them are still winter-bare, though the shocking violet of blooming redbuds dot the understory. The road just climbs and climbs and climbs. There are no more signs, and no signs of civilization. Near midnight, Erich pulls into the first open gas station they've seen in the past hour. The pumps are old-fashioned, a sign on the door says CASH ONLY. Inside, two old men sit playing cards, listening to the drone of a country station. One of them has a lump of chewing tobacco tucked heavily beneath his front lip and spits foul-looking fluid into a used Mountain Dew bottles. They are not discussing the latest scandal out of Washington, which broke perfectly that Friday afternoon. In time for the writers at SNL to change the cold open to cover it, soon enough that everyone heard it before fleeing the city, so that they could talk about it all weekend long and be ready for fresh gossip come Monday morning.

These guys, though. Spring hunting season's on their mind. It opens Monday. There's some grumbling about the trout-stocking schedule for local streams, too.

They eye Erich and Charlotte; assume that the two are brother and sister. Blond and blue-eyed and familiar as they are.

"Y'all goin' fishin'?" says the one with the mouthful of chewing tobacco, grinning a stained smile while Erich pays for gas and a bag of beef jerky. "Ain't stocked none of the lakes 'round here 'cept Spirit Lake. Cain't even get in ta Holly River."

Later, Erich will understand the question. Charlotte emerges from the small quick-mart not with the milk and eggs she meant to buy, but with the shops entire stock of NIGHTCRAWLERS, which are prominently advertised in a handwritten sign on the marquee below the price of gas.

It will be another hour, another hour and a half before they find a place that seems safe to pull off, set the parking break, and sleep. Snow is falling by now, fat, gray flakes that melt on the warm hood, but begin to accumulate on the rapidly cooling trunk.

"Where do you think she is, now?" Charlotte asks, watching the snow spiral downwards from a dark gray night sky. The question is rhetorical, but there is a plaintive shine to her voice. Before she can sleep, Charlotte has to set all the worms free first. Dash out into the woods, her teeth chattering, and dig little shallow holes for them with her toes and hands, upending the plastic contains into the cold earth, again and again and again until she has freed every last worm from its plastic prison. When she returns, she is shivering visible, her fingers bright red with cold, her cheeks flushed and eyes bright. She shifts gratefully into lupus, a small wolf the color of untouched snow glazed by moonlight, curls up in the back of the car, and sleeps.

Erich

Erich, of course, doesn't discourage the liberation of the earthworms. He personally thinks it's a little silly, but then so is sharing your birthday with one of your two bestest best friends in the whole world. He doesn't blame her for being silly. He imagines, despite being young and wild, Charlotte has had very little time to be silly.

So she frees the earthworms. And he helps, digging with his paws in his wolf-form, grinning up at her as she dumps them container by little container into the ground. He wonders if they'll survive this weather. He decides they will, because they must have come up out of this weather. When they're done they go back to the car, which is very small with two wolves and all their belongings inside. It's not worth it to juggle things from the back to the front to make more room, not when they'll be driving again come morning, and so

they both curl up in lupus. He is quite a bit larger than she is, with shaggy, thick, dappled grey-and-white fur that speaks of Fenrir breeding, but nothing that would really even ping a Silver Fang's radar. They sleep curled in opposite directions, but with their sides pressed together for security and warmth. It has been a very long time since Erich has slept with a packmate like this, and he is grateful for it.

In the morning the windows are fogged over, and there's ice on the windshield. Erich paws the doorhandle open, bounds out, and hikes a leg against the nearest tree trunk. When he comes back they dig around in that bag of snacks and find something that passes as food. A little later it's time to go again. She doesn't know how to drive, he's discovered. He promises he'll let her try when they hit the Great Plains. Has she ever seen the Great Plains? They're pretty ... flat, he says. Especially in Nebraska,

but then he changes the subject and starts telling her how they're actually pretty close to where he and Melantha went camping. A lot of rabbits in these woods, he says, sounding hungry. And so they pull over again, and wade into the woods, and snap into their wolf-forms.

It's the first time they hunt as a pack. It seems sweet and right, somehow, that they hunt food instead of wyrm. She harries and he intercepts, he chases and she cuts off, a snap of teeth, the kill. They feed together, gorging themselves hungrily on a small mammal that, in truth, barely qualifies as a midday snack for them. Afterward he's licking blood off his muzzle as he trots back to the car.

By midafternoon they're on the western slope of the Appalachians. The scenery is beautiful, so they stay off the interstates, veer close to the mountains. They ask each other where they think their friend is now, and they make up stories of the glamourous spy-movie escape Melantha must have made. They try not to think of those lurid, awful photos, the lurid, awful headlines. Blood on the tooth of the hunter, Erich thinks to himself. That's something he can understand.

Eventually they find the interstate again. It's the I-64, passing through Charleston. A different one from the one Charlotte must have seen at some point over her nineteen years. Erich asks her if she had a debutante ball, and he's only half-joking. They're starving again by then, though, so they find a little diner just west of town and pull over.

The waitress looks at him strangely when he makes his order: meat, meat, more meat. And ice cream. Charlotte's may or may not be any better. Tired from the drive, Erich stretches his legs out onto the opposite bench in their booth, leans back, and looks out the window at his Mustang.

"I'm thinking about getting a trailer or something," he reveals. "Like one of those classic Airstreams, you know? Let's stop by a library tomorrow or something and google it. Or maybe we can even find like a used RV salesman and look at a couple."

Charlotte

A lot of rabbits in these woods. Wild little things, tucked up in their burrows. Opossoms, shrews and voles, groundhogs and squirrels, muskrats, maybe too, pushing up their muddy-little mounds at the edge of forest pools. The pair catch the scent of a black bear that rumbled through the little valley two days before them. The spoor is old but still sharp with musk in the cold, bright morning air. Deer and badgers and field mice and squirrels and hawks, high up in the clear blue sky, circling on thermals. Once, the shadow of a bald eagle sweeps across the dappled valley floor as they harry out their prey. Vultures will come for what they leave behind; and coyote, too.

In another of the long north-south valleys on the western edge of the Appalachian front: wild turkeys, just visible in the verge, nesting in the thick tangle of mountain laurel at the forest's edge. The laurels are just coming into leaf, not yet into bud and bloom. They think about pulling off into the graveled shoulder and hunting again, but this road is a full two lanes, paved, curving off into the long morning shadows that edge the sweep of the valley. The field in almost full view of the road, the risk of exposure is far too high. So it's rumbling bellies and what remains of the dry food from the snack bag. Beef jerky for Erich, Reese's Puffs for Charlotte as the ridges of the Allegheny front descend into the deeply folded hills of the central Appalachian plateau.

Here the hills are so steep and narrow that - mid-fucking-summer - the valley floor might get direct sunlight from 10 a.m. to 3 p.m. Each one seems defined by a narrow creek, running silver through the tangle of opportunistic trees and scrub, and an equally narrow road, blacktopped but otherwise undefined. Here and there, make-shift suspension bridges cross the creek to the bottom land on the other side, where a cluster of rusting trailers blooming with plywood-and-siding additions sit, right in the floodplain. Everywhere green is beginning to intrude. Locals call these places hollers. Outsiders have no idea what the fuck the locals mean, but each one just seems too mean a place to be called anything so fanciful as a hollow.

The hills seem primeval, but the forests in which they hunt in the highlands, and through which they pass as they descend the western slopes are no more than a hundred or a hundred fifty years old. The pockets of old-growth Eastern hardwood forest are so few and far between - no more than a few hundred acres across the entirety of the Eastern seaboard. Even the most remote, serene shoulders of the most remote, serene Appalachian mountains were clear-cut in the 19th century. This is what comes, after.

Timberwolves used to roam here. And mountain lions, and great herds of elk. There were woodland bison lumbering through the folded valleys, mink and otters in the shallows of the swift-running rivers. All gone: left behind only as names: Panther Ridge. Elk River. Mink Shoals. Big Otter. Half-a-dozen towns named Buffalo.

No, Charlotte has never been to the Great Plains. Erich will let her drive when they get to flat land, where crashing means merely mowing down a line of winter wheat. Charlotte lifts both her blond eyebrows, flashing him a doubtful look. Unlike virtually every other teenager in history, she is perfectly okay with other people driving her around. A-okay. Hell, Erich has to show her how to answer her iPhone when it rings mid-afternoon. Then she holds it three or four inches away from her ear and sort of shouts into it, like an old woman who has to be careful about feedback from her hearing aid.

And she notices but does not remark upon the cleft in the conversation - the jump-shift from the plains of Nebraska to the night Erich and Melantha camped in the Appalachian mountains, somewhere nearby. There's more speculation, then. Where she might be, and what she might be doing. Right now. How strange the world is, that it goes on when our eyes aren't on it. All of these things happening in the lives of people we love, that we can never see.

--

And no, Charlotte never had a debutante ball. She gets that stiff, wary posture when he (half-joking) asks her about it, too. Her shoulders are forward, her head canted and still - posture just at the edge of songbird / raptor. Whatever she is, in that moment, she is hollow-boned and fragile.

It wasn't - , she starts to tell him, frown edging itself way between her pale brows. Then stops, and says, No. She hates balls, remember? They're stiff and stupid, full of false faces. People smiling when they want to show teeth. People showing teeth when they mean to smile, until it is impossible to know what is a threat and what an invitation. Cordelia and Theodosia will have one, but they're kin anyway. Charlotte, she's a wolf. Wolves aren't debutantes, Erich.

--

Maybe it's nothing. Maybe she was on edge from hunger, then. She's more pleasant after they've eaten, and gods she can eat, especially for such a skinny little thing.

Charleston just strings itself along, and endless parade of dumpy little weirdly-named town after dumpy-little weirdly-named town, which have grown together, merged into a chemical conglomerate. They're in a town called Nitro, which used to be so poisoned that a chemical scent enveloped you as you drove across the Kanawha River. That's mostly gone, but maybe Erich can still sense the irritation of it against his skin. The diner is local, serves down-home food and Coke products in waxed paper cups. The walls are plastered in kitchy, hillbilly themed merchandise. Charlotte eats biscuits and cornbread and home fries, but refuses foods-masquerading-as-other-foods, like chicken-fried-steak. Is it steak or chicken? Why is there that WHITE STUFF on it. For dessert, she has peanut butter pie, which has enough sugar in it to keep her going for hours. The hosts bring out something called the HOMEWRECKER for Erich. Which is a giant hamburger topped with a giant rasher of bacon and slices of giant hotdog and a giant slab of ham.

So Erich gets the homewrecker, minus the bun, the ketchup, the mustard, the cheese, the lettuce, and the onions, followed by ice cream.

Then leans back, says he's thinking about a trailer where they would have more room.

Charlotte, of course, has no idea what a classic airstream is. Maybe Erich shows her a picture of one on his phone, or hers. Like a magpie, she admires it, so sleek and gleaming, so neatly compact, a half-human den-on-wheels.

When they're leaving the diner Charlotte remembers something with an Oh! I forgot! and digs something out of the mysterious layers of her little messenger bag: an Amex card, in Eric (NO ATCH) 's name. Charles told her to give it to him. For emergencies. She forgot last night, she says with a little shrug. Erich is left to do with it as he pleases.

The next fifty or sixty miles are too populated, too developed for them to just pull off the road and find someplace to park the car and sleep in lupus, so they stop at twilight in some overbuilt suburb full of McMansions and fast-food places and rent a cheap motel room. The parking lot full of tractor trailers, the rooms full of all the oddments of the American highways. Sometimes whole families renting a single room, not by the day but by the week. Their doors open, children scampering up and down the concrete tarmac, laughing and barefoot despite the cold and the broken glass glittering everywhere. Laundry drying on the scrubby boxwoods that serve as landscaping, a prostitute leaning against one of the wood columns supporting the second story walkway, eyeing the trucks as they turn into the parking lot, the flare of their headlights brilliant against the scratched and fogged over windows.

Charlotte is delighted only by the MAGIC FINGERS on the doublebeds in the room. The mattress is lumpy and gross and she fusses, doesn't want to bring in her pillow to touch the mattress and in the end she sleeps in the middle of the sheets in lupus, nose tucked under her tail, the curtains drawn tightly across the windows. Maybe they should've gone to the Greenbrier, instead.

Somewhere at the heart of that ugly suburban landscape is a charming little town bisected by train tracks. The next day, they find the Hurricane town library and Erich shows Charlotte what 'google' is and that 'google' lives on her phone, too, when she has bars or Wifi. When there are invisible waves spreading google stuff through the air. Charlotte gets a shivering, spidery feeling when she thinks about the invisible waves and comes to the conclusion that perhaps her mother - who swallows her paranoia about modern technology beneath an icy sea of propriety, but ruthlessly excises as much of it as she can from the lives of her children and family - isn't crazy after all. It makes her think about Melantha, who told Charlotte that crazy isn't necessarily crazy. It just is.

So Charlotte asks Erich where he thinks Melantha is now and they make up someplace lovely and wild and they look for an RV place on their way out of town.

This time they go south rather than west. Down into the southern Appalachians, where the roads disappear again among the thick hills and they can 'camp' the next night in the Mustang on some deserted road, without much fear of discovery.

They're deep in the coalfields, now. The few towns they pass through are old and brick and gutted from population loss. By afternoon, they cross the Big Sandy River into Kentucky. The hills and landscape don't really change. These are still the coalfields. That night, they camp again. Some deserted road up a holler, which dead-ends at an abandoned clapboard home, the windows gone, weeds grown up all around it. This time dinner is a campfire and hot dogs roasted on sticks over it. Erich picked up marshmallows at the little grocery, just so Charlotte could try them burnt crispy and oozing. She's never had Smores, but the store didn't have graham crackers so marshmallows will do.

The cold creeps in with the darkness, so they sleep in the car, the same way they did the first night. This time, though, the night is not uninterrupted. The holler is too narrow to track the progress of the moon across more than a sliver of the sky, but it is sometime after midnight, in the hollow part of the night when the nightthings have slunk back to their burrows, before the earliest of early birds have started to sing.

Erich wakes first, something in the underbrush pulling him to consciousness. The sweep of a flashlight in the woods outside the Mustang, the low, tidal rhythm of hushed conversation. Maybe he wakes Charlotte with a nip or a low warning growl, and the first thing on his mind is discovery, the Veil, ready to snapshift back to humanskin, but Charlotte wakes, huffs a breath in, thumps her tail quietly against him and snaps a quiet, one-word warning.
Wyrm.


Erich

RV "shopping" takes them the entire morning. They're all so awesome. Erich is all but running from one to the next, climbing into the sleeping lofts of the smaller, van-chassis ones; pushing out the sides and unrolling the sunshades on the big, bus-chassis ones. They marvel over the satellite dishes, the TVs, the showers and the kitchenettes and the big, comfortable, infinitely adjustable captain's chairs. They spend so long there that none of the salesmen have even the faintest illusion of their ever meaning to buy anything, though no one tells them to get lost, either. No one, frankly, dares.

They do leave, eventually. It's nearly one in the afternoon then, and as they're driving away from that magical lot full of magical transforming house-cars, Erich bats his sunshade down against the glare and says,

Well, that was fun, but totally unaffordable.

So it's back to the drawing board on that idea. And the truth is over the next several days he'll mull over cranky, falling-apart old RVs; he'll look at ancient ratty conversion vans; he'll look at the iconic VW campers; he'll consider some sort of large tent; he'll even consider buying some sort of hitch-trailer and sawing windows into the sides before he'll finally stumble onto a website full of the most awesome tiny houses-on-wheels ever.


But that's in the future. Tonight, they're still sleeping the way they did that first night: curled up in the back of the Mustang, noses tucked into thick tails, like sled dogs in the snow. Or well. That's how they started. By now Erich has entirely stretched out -- is sprawling on his side crosswise in the back, his head wedged against the side of one of his dufflebags. Something, some sweep of a flashlight or crack of a footstep just out-of-the-norm enough to ping on his subconscious, pulls him out of sleep. He lifts his head, eyes gleaming in the darkness, ears up and swiveling. The warning growl doesn't make it out of his throat; it's a rumble in his ribcage where he's pressed against his packmate. He's turning onto all fours, preparing to shift, when her tail thumps him and she warns him back:

Wyrm.

His ears fold back. This time the growl is low but audible, raising the hackles on his back. He wiggles past her, all the way to the very cramped back of the Mustang, his paws scratching at the hull several clumsy times before two claws manage to catch on the mandatory safety-release handle on the inside. This more than anything tells Charlotte just how long he's been alone and how used to it he's grown: he doesn't so much as whuff to see if she's ready before he simply yanks the catch, rises smoothly and suddenly to all fours, pushes the hatch open on his back and

leaps out of it, hitting the ground one shape and several sizes larger, snarling.


Charlotte

The muffled conversation is more immediate and more distinct as soon as the the hatch sweeps open. The night noises are few at this hour; and more than that, whatever animals might have been discovered in the darkness have deserted this particular stretch of woods by now. Even the insects are silent. There's just the call of a Chuck Will's Widow haunting the air and the snap of uncareful feet in the brush.

Which stops as soon as the hatch pops open, and the wolf emerges, growing into something monstrous and prehistoric and full of inherent, immediate threat. Erich has the impression of three or four men as indistinct shapes in the darkness. He catches their scents - the sourness of their body odor, stale clothes, acrid tobacco spit out in a long stream, cheap bear and cheaper meat, gristle and blood. The dull, oiled immediacy of a well-cared for weapon.

(Behind him, too: the scuff of movement. Charlotte worming about through the car, finding the strap of her messenger bag, nosing her way through the path he made, a dull thump-thump as she drags her little bag-o-tricks behind her. It's dedicated, but she doesn't sleep with it tattooed into her skin.)

If these were ordinary rednecks, out in the woods beneath a waxing moon, with booze and guns, hoping to roust a couple of strangers, lovebirds maybe, from the den of their car parked way up this hollowed, tainted only tangentially by the deep thrust of the mines snaking underneath the slattern mountains, by the acid drainage from the mines, the seep of taint into their drinking water, their fast foods, their cheap tobacco, they would turn, right now.

Turn and break and run. They'd have stories in the morning about a frickin' cougar in the woods up above Scarey Creek, a lion escaped from some hippie fuckin' sanctuary. Like that damned weirdo in Steubenville who kept a menagarie, then killed hisself and loosed all these exotic predators on the woods around him.

They are not, though. Taint grows like cancer cells, metasticizes, crowds out whatever remained that was human, that remembered anything but a sort of virulent hunger to spread their sickness to the world.

The biggest one steps forward, into the clearing, just to the left of the ivy-colored ruins of an outbuilding. He is huge, fat, greasy jeans sliding down a hair beer-belly, smiling a sudden, viscious kind of smile, which is missing at least half of its teeth. Shotgun in one hand.

Can of beer in the other.

And a third hand, empty, growing flaccid and useless out of the middle of his chest.

There's a weird growth on his neck, too, bulging like a goiter gone untreated. Another step or two, he cracks his head, side to side, loosening the joints of his spine and that - bulge - reveals itself as a second, vestigal head. The second mouth a dark slash, full of needle teeth and a fat, lolling tongue he does not bother to try to hide.

Erich-wolf's eyes are gleaming, adjusting to the darkness. He senses the others spreading out, a bit behind the big one, a sort of semi-circle. One of them curses, shit, low. Taken aback. Hisses to the others that they oughta git back, go git - and there's a sort of murmuring hesitation to the rest of the group as the snarl, the size, the immediacy of what is before them registers fully.

But Tiny's already ambling forward another step, grinning that crazy grin. "The fuck do we have here." With both mouths.

Erich

The fuck do we have here indeed. Erich-wolf's teeth are bared, and they are huge and curving as daggers. His growl explodes into a short, coughing bark, a sort of retort to that taunt. He keeps his back to the car, his tail waving low and tense, side to side, side to side. His ears flick. Swivel. Hunt for sounds in the night, for numbers, for positions, for morale amongst the enemy. Which ones were swaggering. Which ones were flagging.

His eyes stay on the big one, though -- the clear Alpha of this twisted little pack. Those eyes are pale and clear in the night, almost colorless, glaring. And the truth is, he's never hunted with Charlotte before. Not just the two of them. He doesn't have her measure, doesn't know her capabilities; doesn't know how much he'll have to protect her, or what she'll throw into the mix. He wants to glance over his shoulder at the much smaller wolf, but

he doesn't dare take his eyes from Tiny.

A low chuff will have to do. A communication: We stay close to car. Together. Let them come to us. Not be surrounded.

Charlotte

The movement in the trees stops cold as the growl explodes into that coughing bark. The sudden eruption of sound freezes the group, disrupts that knit-and-honed familiarity of movement. The two stragglers of the group remain in the woods, behind the treeline. Uneasy and unsure. The rest pause in their spreading half-circle. Three more figures visible now at the edge of the wood. One more with a shotgun to match Tiny's - the most normal looking of the group. Another has a hunched back and yellowing skin and a machete in hand. The third carries a compound bow. The left side of his face is normal. The right side has been melted into a slagpile of concentric rings of ruined flesh, a topographical map made of human skin.

The dull wuff of breath from Charlotte-wolf's lungs as she hits the soft, trampled grass beside him. Then a thud. The fucking bag pulled off the tailgate behind her, hitting the ground.

Tiny opens both mouths. "Now that," he says, all posturing swagger, the sort that can put some backbone into his followers. Remind them that they are on their own ground. That they outnumber these wolves. That one of the damned wolves is dragging around its luggage. " - is fuckin' comical."

His voice rises, seems now to come more from the vestigial head than from his own mouth. They are moving out of time, the mouths. "Y'see that Cooter?" says the one mouth. Something in the reaction of the followers suggests that Cooter is one of the men in the woods, not yet committed to the fight. The bowman glances at machete, then cuts a look over his right shoulder, something moving in his ruined eye socket as does so. "Ain't that some comical shit right there!"

They are too far away, it is too dark, and they are too lupine to lip-read human language. But the other mouth, the real mouth, is now saying, again and again and again a single word. Run. Impossible to tell whether it is a plea or a prayer.


He chuffs instructions to Charlotte-wolf as she hits the ground beside him. Can sense her changing, too. Her tail hits his shank, just once, acknowledgment of her awareness of his instructions. They don't have the luxury of more.

Her shadow lengthens beside him. She goes upright - two legged, warformed. The posturing exchange buys her time to reach Crinos.

"The bitch brought its purse!" Crows Tiny's second mouth, spraying bloody spittle into the air, laughing in a high-pitched, hyena bray that pulls an uneasy chorus of laughter from the group behind him.

Erich-wolf's instincts are right. Tiny is the key; if he took his eyes off the big, twisted, greasy bastard for a split second Tiny'd raise that shotgun and spray them with buckshot. Or charge, all slavering swagger, drawing the rest after him like an inexorable tide. And Tiny is the only one so twisted, or foolish, or badass to think that wolves are his prey. That's the purpose of this display, this back and forth, this show of bravado. To strengthen the spines of the things behind him. To pull them forward, to call out their arrogance, their hunger, their bloodlust.

"And a fuckin' slingshot." Both mouths are moving in concert again. The resonance of Tiny's voice deepens with the re-union. His real mouth twists in a pulled smirk, but no matter how non-threatening he finds the slingshot, he's hitching the shotgun up to his side. Dropping the can of beer to free up a hand. Now that, that pisses him off. "I'm real fuckin' scared."

Erich-wolf cannot see what his packmate is doing beside him. Thank god Tiny is the vocal sort. There is a seized, hazy moment as Tiny is lifting the shotgun and the bowman is coming back to his bow and the pistol-guy looks uncertainly sideways at Tiny, back into the woods. The machete guy opens his mouth so wide he could swallow a yearling lamb whole. Flicks a forked tongue.

The faintest ping, as the Crinos launches something small into the air. It goes flying over Tiny's head. Lands, harmlessly, a foot to two behind him, close to the loose center of the group.

"Badasses my - " Tiny is scoffing now, as he levels his shotgun and blasts both barrels. The bowman has already loosed his first arrow at the Crinos, and is reaching for a second when -

that harmless little missle nestled in the grass in the midst of the group explodes. And the world goes red.


Erich

The twisted men aren't the only ones caught by surprise when Charlotte's harmless little missile Hiroshimas the fuck out. Erich-wolf -- whose forepaws were lifting from the ground, whose hindpaws were launching him into a leap right in the face of that shotgun blast to rip that fucker's face off, both of them --

lets out an undignified, startled yelp as the world quite literally blows up in his face. A livid fireball belches out from that previously miniscule pebble. It singes the tips of his fur, stings his eyes, blows him back against the open trunk of the Mustang. It does much worse than that to the fomori: the guy with the machete is on fire, shrieking, rolling on the ground, while the bowman's arrow goes wide because he

is also on the ground, flat on his face, his hands over his head like maybe once upon a time he was in some war, he was shellshocked, he came home and then there was a recession and there were no jobs and things just spiraled down until

he ended

here.


They all have sob stories, don't they? Even Tiny, with his real mouth silently sobbing runrunrun while that second, twisted mouth leers and jeers and eggs them all on. They all have sob stories, and maybe there are times when Erich cares and Erich feels bad, but that time is not now. There is no room for pity in battle, not for an Ahroun, to whom pity is akin to mercy, and therefore weakness. He is not weak. No.

He hits the Mustang with his side. Then he hits the ground on all fours, and the moment his paws touch he's wheeling about. That blast from Tiny's shotgun caught him in the chest, but his fur is thick and his hide is thick and the truth is he barely felt it in the wake of that explosion. There's no room for cataloging damage in battle, either. That comes later. Now: now, he wheels, he leaps, he's snarling horribly when he lands square on Tiny's chest, knocks the big man backwards. He's clearly forgotten his own suggestion: stay together, let them come. He's forgotten and he's fells his prey and he's savaging him now, snarling, roaring, biting and grabbing and shaking until things tear and snap loose.

Machete man has stopped moving. He's a charred mess. The other guy with the shotgun wavers, unsure, wanting to run, but then the bowman whips an arrow from his quiver, nocks it, pulls it back in the same motion. He's standing so close to Erich-wolf that when he looses the arrow

the impact knocks even that enormous direwolf into a sideways stumble. The shaft buries itself almost to the feathers. Erich-wolf roars in pain and outrage, and encouraged, the other shotgun-toting fellow raises his barrels and: BLAM, this one knocks Erich-wolf entirely off his feet, sideways.

Tiny's not quite dead. He's mangled, he's spurting blood and coughing it up, but he somehow sits up and that second mouth is still talking: "GIT EM, GIT EM, GIT EM." His friend pumps his shotgun, stomping after Erich-wolf who's limping back to his feet, and the bowman is nocking another arrow when --

Charlotte-wolf, forgotten by the others; Charlotte-wolf, who does have savagery in her after all, does have wildness and rage in her after all -- lunges, swipes, claws the slagpile half of his face off. The bowman shrieks. He whips around and he looses the arrow and it punches through her left lung, but she's whipping out with her other claws. There goes his bow, smashed to smithereens. There goes his quiver. There goes the other half of his face. He drops.

The shotgun BLAMs again. Shot pings off asphalt, trees. Erich-wolf rolls on instinct, avoids the worst of the blast. He comes up snarling. Tiny is wavering, one hand pressed to the ground, one hand flopping uselessly, one hand lifting the wavering muzzle of his shotgun, going for another shot. The Ahroun corners hard, his claws grappling for purchase. When he leaps, he leaves a spatter of blood behind him, but his aim is true, and the second gunman is still pumping the action when Erich-wolf

basically

eats his head.


Then there's just Tiny. An epilogue of sorts. Who is still screaming, cursing, calling them all manner of horrible names. The shotgun tries to point. Erich-wolf, advancing on heavy paws, bats it aside with a short, impatient growl. Tiny tries to punch him -- last ditch efforts now, points for not giving up -- but Erich intercepts that, too. With his teeth. Tiny howls: Erich-wolf bites down, digs his paws in for purchase, those heavy muscles in his neck and shoulders bunch, he tears, it's brutal and it's hard to watch and half of Tiny's shoulder comes off with the arm. There's blood everywhere. The Ahroun drops the mangled limb and plants a paw on Tiny's chest, pushing him down.

The one mouth -- not the cursing, spitting one but the other one -- whispers something. Might be thank you. Might be please stop. Erich doesn't see it: he tears Tiny's throat out.


Quiet then. Erich-wolf's tongue lapping at his bloody muzzle, his eyes gleaming in the dark. They need to clean up, but he's not very good at this, and there are no convenient dumpsters to dump into, no convenient lakes to fill. He sniffs in Charlotte-wolf's direction.

"Fire-talen?"




Charlotte

Charlotte-wolf is still standing tall, resplendent in Crinos - white furred, silver limned when the fickle waxing moon deigns to shine down upon them. The glory of her fine breeding in perfect display. There's still an arrow punched through her chest, crimson spatter her lovely white fur, scrap of viscera clinging to her claws which she shakes off with the comic intensity of a cat trying to rid itself of an offending piece of scotch tape. Her chest rattles with every breath she takes, and a tinge of bloodied froth dampens her muzzle from the collapsed lung, but she does not seem to notice or feel her wounds. Not yet. Not for a while, yet.

Fire tooth talen.

- she clarifies, with a great big, rather endearing shake of her wedge-shaped head, which is much more specifically Charlotte than it is glory-of-a-Silver-Fang-in-Crinos-under-the-moon. She'll tell him more about that later, when she's human-shaped and can chatter. That it is something the Red Talons make, and she had to knock out a tooth to make it. It grew back but it still hurt and it's hard to pull out your own teeth, and firespirits are fickle, edgy things that just want to BURN STUFF RIGHT NOW which includes theurges if theurges aren't quick and sharp and wary and ready with distractions. She's trying to make something else too, with vines, that'll explode and entangle their enemies, but that's harder. She doesn't know exactly what sort of vines work best and anyway, things that are rooted are weird and alien and very hard to fathom. They don't like moving about, they can't necessarily come when you call, so she has to seek them out rather than call them to her. Most woods cannot move like Dunsinane.

Now, though - Charlotte-wolf lumbers over the distance between them, circles Erich-wolf, inspecting his wounds. The fletching of the arrow buried deep in his side. There are other arrows, spilled and broken from the quiver, scattered over the blood-stained and trampled ground. Hooked and cruelly barbed, she sees, to that they will do as much damage, more damage, coming out than going in.

The truth is, Erich-wolf looks wrecked. Hard to tell how much of that blood is his and how much belongs to his enemies, but he has taken the brunt of two shotgun blasts and been skewered by a barbed arrow.

Her ears flick with consideration; then she makes a decision, closing her eyes and opening herself to her ancestors. Somehow, Charlotte-wolf is different when she re-opens her pale blue eyes. More settled, older, wiser, more finely drawn. It is Erich's first introduction to Coeur d'Hiver, and it is almost wholly silent. She assesses him, directs him to shift, to lupus, then shoves the arrow through his flank until the arrowhead has punched through the other side and she can break it off. Then she pulls the shaft back through the wound, and - finally - heals him. They will have to do same with the arrow in her chest; Erich if he can handle it. If not, Charlotte (or, to be fair, the ancestor riding her skin tonight - who moves with a delicacy, a prim and primal grace Charlotte herself has never shown) needs must do it herself.

--

Then there's work to be done. Charlotte (or Winter's Heart, who still seems to be a lingering presence behind Charlotte's pale eyes, and in her warformed frame) decides that they cannot risk a rite of cleansing these strange woods. The twisted men came out of them, and who knows how sound will echo over the compressed hills and valleys? They'll pile the corpses in the middle of the clearing instead, and she will try to summon a spirit capable of cleansing the blight. There are instruments she uses for the ritual - a silver bowl filled with clear water from sealed glass jar. A scattering of cress and a woven willow-wand. A cool stone the color of steel, retrieved from the bottom of a clear-flowing spring.

They cannot bury these tainted corpses in the ground as they are, so she takes her time with the ritual and Erich-wolf is left to stand a long, silent guard as a few stars wheel through the narrow strip of sky visible from the bottomland wherein they've camped. At some point, she indicates that the ritual is finished, and they can begin dismembering the corpses. They should bury them; they can't drive around with the bits in Erich's car and their other options are remarkably limited. Erich studies the crumbling ruin of the clapboard house, and realizes that the basement may will be no more than packed dirt, doubling as a root cellar.

They're break down the bodies into manageable pieces, then start digging, and they are no more than half-way through this grim work when the sky begins to lighten with false dawn, and the morning birds begin to sing, familiar, each to each.

While they work, there's rustling in the underbrush. Somewhere down the holler rather than up the hill, down the narrow, graveled track they drove up to find this camping spot. Strangers - no, wolves, four-legged and lean, spreading out in a wary half-circle some twenty-five feet away. Fur bristling, eyes gleaming in the dark.

Maybe Erich curses under his breath. Maybe he is still shifted, and his animal-mind does not have room for human curses. Either way, he knows immediately and instinctually that the odds here are much, much worse for them now. He counts four wolves, and there may be another hanging back. Both he and Charlotte-wolf are wounded, a fair amount of their rage exhausted by the earlier fight.

The lead wolf is bristling up into its motley-furred dire form while the others paw forward on the gravel and things are about to go from Okay, to very, very bad, when the smallest of the wolves barks out something to its Alpha. Something like, They're clean, boss.

A moment later, Charlotte-wolfe confirms the same for Erich. They're clean. Untainted by the wyrm.

This is their introduction to the Garou of the small Sept of Deep Hole. They meet Double Wide, the Alpha, a huge African-American man with ashy skin and a deep scar splitting his skull, and Ridge Runner, and Sweet Cheeks, who looks like a slightly trashier Daisy Duke, and Hern's Call. Double Wide recognizes Tiny, grunts pleasure and surprise over his demise. Speculates with his packmates about what brought the fomor so far out of the circle of protection of their mine, kicks the corpse. They were alerted to the presence of strange Gaians by the summoned spirit who cleansed them, Sweet Cheeks tells Erich.

They have a truck that they'll bring back, and a tarp to snap over the bodies. A place to dispose of them. Charlotte and Erich are invited back to their Caern, to spend a few days, healing. The Caern is a small one, Fianna and Bone Gnawer, mostly, with a lone and lonely Chld of Gaia, both led and Warded by Double Wide. Just two packs, who alternate working as guardians and going out on quests and missions and the like.

The Caern is tucked deep into a holler not unlike this one; at the center of the holler, a deep hole with a clear spring serves as the entrance to the Caern's heart. There is neither cell service nor internet availbility deep in the holler, but there's a ranger's cabin near the entrance with WIFI, and here Erich can hang out, surf the web, discover TINY HOUSES.

They have never seen a Silver Fang before; they marvel over Charlotte, her breeding, her blood. After a few days - enough for them both to heal - Double Wide asks if they want to join the raid on the mine where the fomor were holed up. He's understanding if they want to move on, but they could really use the help. Maybe there's a kin who can give Erich a hand building his tiny house. Or buying one. If they stay for the raid, then they're asked to stay for the moot - then sent on their way.

Erich

Erich is, of course, beside himself with glee when he first discovers the tiny houses. So much so that he's yelling at Charlotte to come look, look, look this this is amazing -- startles the off-duty ranger eating his lunch there, who's kin to Ridge Runner. And Charlotte comes, and looks, and they spend about three hours just clicking through pictures and plans and planning and discussing and deciding, finally, to do it. They're totally gonna build themselves a tiny house. The one with the extra "bedroom" downstairs, so Charlotte has a room to herself.

And they do end up staying for the raid, and the moot after. There's something like a barter hinted in Double-Wide's suggestion: maybe a kin can help him with his tiny house. But in the end they don't take Double-Wide up on it, because Erich's Mustang couldn't tow a tiny house right now if he had one. And also because it seems a little wrong, greedy somehow, for them to stay and help out just to get something out of it.

So -- they raid because they want to. And because it's the right thing to do. And the raid is a bloody, joyous thing, and the moot after is a drunken, trashy, informal, holy thing that ends with everyone howling through the woods half-crazed on awakened moonshine, harrying small animals and Englings and banes out, out, out of the bawn.

The morning after, they sleep until half past twelve. When Erich wakes up, Charlotte is cinching up some fresh-made talens into her bag and loading them into the car. Erich gets up and moves the few things they took into Caern for their convalescence back to the car, too, and while some of the locals help them out, no one asks them to stay. Neither Erich nor Charlotte talk about staying on longer, either, let alone settling down here. It's unspoken, and it's understood: they're passing through. They had a good time here, lent their strong claws. And now it's time to leave.

From there, they change tack slightly. Erich found some big full-sized pickups for sale on craigslist and various internet classifieds, and they have nothing better to do anyway so they drive hundreds of miles to look at them. The pair follow the slant of the Appalachians: to Knoxville, to Nashville, to Memphis where they change course and follow the lazy sprawl of the Mississippi up to St. Louis.

There, with great sorrow and reluctance, Erich sells his Mustang. He gets a pretty good price for it -- about five grand -- and turns around and buys a Dodge Ram truck. He gets over the loss of his Mustang pretty quick after that, and they camp in the outskirts of St. Louis for two weeks while he sands off the rust and repairs the drive shaft and repaints the truck in yellow and then puts down racing stripes. Because obviously every car Erich owns must have racing stripes on it, and then buys a trailer to serve as the eventual foundation of his tiny house.

They leave St. Louis, northbound. They go to Chicago, which seems enormous, sky-high, after weeks of tiny town and small cities. It's too expensive to stay long there, though, and so they move onward,

bearing west now, leaving those gleaming towers behind. Outside Chicago, civilization seems to plummet exponentially away. There's nothing in front of them but sundazzled, boundless Plains -- a land stirring finally out of a long, long winter now, hazy with heat. This stretch of the country is astonishing in its monotony. Even the highways seem too bored to meander; they carve straight across along roughly cardinal directions. It means their path, unless they deliberately drive across hundreds of miles of two-lane state highways, will take them through Nebraska.

Erich grows quiet as they cross the Mississippi again; drive through Iowa and its rolling farmlands. He's tense and uncharacteristically taciturn as they cross the Missouri River into Nebraska. Omaha sits on a hill overlooking the river and the pastoral hills of Iowa; the rest of Nebraska, however, seems to be nothing but corn.

Erich

[dammit! "look AT this this is amazing." also: "Because obviously every car Erich owns must have racing stripes on it. Later on, he buys a trailer to serve as the eventual foundation of his tiny house."

GRAMMUR = GUD.]

Charlotte

They're eating in a café right off the interstate, the city of Omaha spreading out to the east. It's mid-morning and the day and the great expanse of the midwest stretches out ahead of them, the cornfields that do not wave quite the way the prairie grasses did, when the pioneers sailed over them, seeing the ocean in their rippling movement in the wind.

Home of the Throwed Rolls, the place calls itself. And indeed - when someone calls for another basket of their hot, freshly baked white yeast rolls, the servers regularly throw them across the bakery, drawing a rousing round of applause from the tourists, and little more than yawns from the truckers who come in for the catfish rather than the entertainment.

Erich's quiet. Charlotte's alert, not trusting the waitress' aim when she lobs out a new batch of bread. She's putting a dent in the rolls all by herself, because Erich's ordered the hunter's breakfast special - which consists of all meat, at least once he is finished with the special instructions. Then she realizes how unfair it was that she insisted that they stop here. Erich can't eat the yeast rolls. He just has to dodge them when they come sailing through the diner.

"Hey," she says, pale eyes darting from the (potentially dangerous) waitress to her packmate, still and distant across the booth. " - uhm," then an awkward little pause, the twist of her shoulders beneath her Red Riding hood / wolf-girl t-shirt. " - are we getting close to your hometown?" She doesn't really have a sense of the distances these states cover, the endless, punishing expanse of the prairie.

Erich

Hey draws Erich's eyes, keen and very clear, very blue: a solar flare of attention bursting onto her. A quick frown stitches his brow.

"Not really. I mean, closer than when we were in D.C. But it's like five hundred miles northwest of here." He pauses. "Harrison, Nebraska. Last I heard population was about 220, and half of them were related to me somehow."

Another throwed roll goes sailing overhead. Erich doesn't even dodge. Grain does not frighten him! He saws at the meat on his plate -- it hardly even matters what sort, it's meat -- and then chews quietly for a while.

"I was thinking, though, we could just go north from here. Instead of keeping on going west. Go through Sioux Falls and Rapid City... check out Yellowstone. Maybe run with some real wolves, you know?" He summons up a smile. He's a terrible liar; terrible even when he's not outright lying. Anyone could see the wolves of Yellowstone aren't why Erich's thinking about a detour around the state of Nebraska.

Charlotte

Erich's lie has Charlotte twisting her mouth up in a strange little expression that looks like she's puzzling her way through a crossword puzzle in a foreign language. The deep blue intensity of Erich's stare, the brilliance behind them like the heart of some hot-burning flame.

"Okay," returns Charlotte, with the puzzled sort of equanimity that she greets most of Erich's discussions about cities and routes and highways and the human world around them. It is all so confusing to her, and she stares out the windows of first the Mustang, then the truck, watching the world depress itself and reform itself in half-a zillion shapes, sometimes seeing not highways and semis and commuters, but buzzing lines of brilliant blue light, networked a thousand times over again, crawling with every possible iteration of spider to keep it all going, keep the juice going. "I guess? But - "

Another damn roll; Charlotte eviscerates them the way a wolf does its prey, seeking the choicest and heartiest and most blood-and-protein rich organs. In this case: the sweet center of the rolls they keep throwing her way.

" - well, I thought maybe you might wanna see your sister? On our way through? I know you can't go in 'cos you'd get her in trouble, but," a neat, swimming little shrug here, her features still, her eyes big, focused but not entirely focused on Erich.

"They don't know me. I could go? And like," here she leans back, her gaze dropping from his face to the ruins of three or four rolls on her place. Charlotte also ordered a strawberry milkshake and corned beef hash, though she hasn't touched the latter and intends (it seems) to subsist on yeast rolls and milkshakes for the remainder of the day. " - say I didn't know where I was and I was in the umbra and I have to meet my packmate and could I have a ride someplace? I don't know how I'd get it so they'd let her drive me, but I bet they're let her if I asked."

Erich

Instantly that alert, wary stare again. A few seconds go by -- but he doesn't turn down the idea out of hand. Just says,

(moving his head ever-so-slightly to the right to avoid a poorly aimed throwed roll)

"I don't know. Ellie's got a pretty good head on her shoulders. Don't know how you'd convince her to drive a strange Garou all the way out to someplace where she could meet me. Plus I wouldn't want her to get in trouble."

Charlotte

"Maybe - " a twist of her mouth, here. The creature's pale blue eyes flicker up to catch the leading edge of Erich's alert stare. Charlotte has a mouthful of roll here. She's chewing around it, as if she'd never had to sit through (hours upon hours) of etiquette lessons in her life. To be fair, though, they did not cover how to catch your bread from the air in a dignified fashion. And she wouldn't've listened if they had.

She chews; she swallows. The movement is visible in her temples and the hollows of her cheeks, neck and jaw working slowly until her mouth seams together with thought. Her voice is quiet, now, her answering wariness easing into something else. There's something about the way she ventures the thought that suggests she is not entirely comfortable with anything that feels like contradiction. So her voice is soft, insinuating. " - maybe she oughta have a say in it. In whether she might be willing to get in trouble to see you.

"I mean, you could call her and ask. If she wanted to.

"Plus, I mean. They'd make sure I wasn't all gross, don't you think? But then I'd bet they'd be happy to help me. Offer hospitality and get me on my way. Back to my pack," Here she lifts her chin across the table in his direction, her expression mildly abashed. Charlotte's always been surrounded by Silver Fangs. Innured to the glory of their mad blood, the intoxicating effect of it on other tribes. "I mean, did you have any of my kind there? I could say I dreamed about her or something. Maybe I even will before I get there so it wouldn't be a lie or anything."

Erich

Erich's gone back to sawing on his meat. His eyes flick up again when Charlotte says maybe she oughta have a say. Despite himself, Erich smirks a little there: he sees what she did there. Charlotte, who used to be such a little mouse herself.

That was before the boys on the street, though. And before the night under the lanterns, under the tree. And before the fight on the mountain and the days at the Gnawer-Fianna Sept, and... certainly before today.

"You don't want to lie," Erich retorts. "My uncle, who's the head of my family, is a Half Moon. He'll string you up for lying, guest or no guest, Silver Fang or not." A pause. "Can you actually do that? Dream of something just 'cause you want to?"

Charlotte

Oh, she's still half-a-mouse, Charlotte. Look how she peeks up at Erich over the remains of her many slain throwed-rolls. Over the giant silver basin of corned beef hash that she still hasn't much touched. But she's remembered that she's a mouth with teeth.

She flashes them at him across the booth now. A quicksilver little grin of something-like-victory curling her mouth and disappearing in almost the next heartbeat as she sobers, listening. His uncle, the half-moon:

Charlotte nods, several quick little dips of her head. The pink dye is growing out a bit further, her crown is entirely pale, platinum blond now. The sort that shines silver in moonlight. The color usually only found on infants or in boxes.

"Okay. I won't lie then." As if her going had now been settled. "I could just say the truth without all of it. Or I could let Winter's Heart talk to them instead of me. Or maybe if I asked her she'd help me dream about your sister. Does she look like you?"

Erich

The portion sizes here, really, are rather obscene. Well; to be honest, they've been pretty obscene since they left the Chesapeake. But this is still a bit beyond the pale. They don't even eat off plates here. It's giant aluminum basins, the sort of thing you could wash your face in. Or possibly even your laundry.

Erich's is filled with meat. There's a huge slab of steak in there, so big and unrefined that it doesn't even look like steak; it just looks like MEAT. There are also sausages and meatballs and a couple chicken drumsticks. Oh, and bacon. Ridiculous amounts of bacon. It's quite possible that even Erich, big strapping lad that he is, will need to get a to-go container for this.

"Ellie? Um. I guess. I mean she's blonde and blue-eyed." Erich puts down his knife -- actually he kinda just jabs it into the steak -- and then pulls his little crappy phone out. It's an android, but it has a screen the size of a large postage stamp. If Charlotte squints, she can see the picture Erich pulls up: a girl that looks some three or four years younger than Charlotte herself, with that sort of flaxen blonde hair and wholesome all-american prettiness that one associates with Midwestern girls.

"That was like two years ago," he says. "She's about your age." And he gnaws on a drumstick, thinking. "I guess I could text her and see if she wants to."

Charlotte

Who ever, ever thinks about what his sister looks like? She's a fact of life; the other body in the house, partner and rival and deeply irritating burr under your skin. The person who finishes off your favorite cereal without telling mom so she can buy more, swipes your action figures or toy guns, drags you into fights, grows up, changes without you ever noticing it because she was right there, under your nose, the whole entire time.

There's no reason to think about what she looks like or who she is or why or how you love her, until you're gone and she's out of reach and -

Charlotte braces her forearms on the counter, leans forward, craning her neck to study the picture. Her eyes flick up at Erich mid-study, then back to the two-dimensional girl on the screen. The picture helps, but it isn't exactly what she needs if she's going to somehow get this strange girl that is Erich's sister embedded deeply enough into her subconcious that she might populate one of those strange, waking dreams that come to anyone with more than half-a-foot in this world's Otherworlds.

And Charlotte is more than half-a-foot across that barrier, at almost all times.

Like now: a distant cloudiness in her eyes as she leans back and Erich tells her that the picture is two-years-old. That Ellie's about her age. Maybe he'll text her.

"You oughtta. Text her." The phraseology sounds strange on her lips, even now, but Charlotte has learned to text. Charles has been inundated with pictures of every strange truck, every odd monument, ever crumpled wildflower or glowing neon sign they've passed that captured her interest. "Right now? and if she says no we can go around the whole state and everything."

A little shrug.

"But if she says yes, you can like, tell me something else. The first time you saw her, ever in your whole life, or the last. And I'll think and think and think about her."

Then maybe Charlotte really will dream that dream.

Erich

Erich has no doubt that Charles is getting inundated. It must be Charles, because Erich's fairly sure that other than her brother the only other contact Charlotte has right now is Erich himself. And there's no reason for her to send Erich all those random pictures she's been snapping this whole time, first through the steeply raked, sporty windows of the Mustang, and now through the big sturdy square windshield of the Ram. She doesn't really take pictures of herself, though. Erich has to press her to sometimes, or take the iPhone from her and turn it around to snap one of her. Erich, who knows what it's like to be half a continent away from his blood-kin.

"Right now?" he hedges, uncomfortable. He takes the phone back, weighs it in his palm, ponders. "I guess," he decides finally, and takes a deep breath, and

taps, quickly, with both thumbs. He's a lot better at this than Charlotte is. A few seconds later he sets the phone down a small distance away from his hand and tries to pretend he isn't waiting with bated breath.

"The first time I saw Ellie," he says, breaking into a grin, "I was like... four. And she was just this tiny squidgy wrinkled pink thing all wrapped and tucked up. They let me hold her for a while but I was so bored, she didn't do anything interesting at all. Later on she pooped and it was awful.

"And the last time I saw her," quieter now, "it was the night I came back from my Rite. And they'd already run me out of the Caern. I was just going home to... I don't know. I don't know if I was trying to run home, or if I was just trying to get my stuff. Anyway by the time I got there all my stuff was out on the curb. And my dad stood on the lawn and wouldn't let me in the house.

"Ellie was up in her bedroom, which used to be my bedroom before I moved out to be Fostered. I could see her in the window. She put her little hand on the glass and I never figured out if she was waving goodbye or saying don't go or what."

Erich's brow is furrowed now. He exhales shortly, reaches for his soda and takes a gulp. "Anyway. She's wicked smart. A couple months later she somehow tracked me down and mailed me a cell phone. How does a kid even get that done? I think she must've piggybacked me onto her school friend's mom's plan or something? I don't know. I've changed phones a couple times since, but it's still the line she set up for me."

His phone dings. Erich's eyes snap over immediately. He grabs the phone up, turns it over, reads the little message. Then he taps something back.

"She says she's down for it," he says. "She wants to know when you wanna pull it off."

GTFO


Erich

The news breaks the way a dam does: first a tiny, frantic, high-pressure trickle -- a single channel interrupting whatever programming they had on to bring you this breaking news. And then, seemingly seconds later: the explosive decompression, the torrent, the flood. It's on almost every channel in DC, because it's local, because everyone knows this guy, because it's a scandal and it's sensational and titillating and everyone wants to weigh in on it. Shake their heads over the sad story of the Senator and his barely-legal (or is she even legal?) bit of fluff on the side, who lived in an apartment he rented for her, who used a credit card he got for her, who left him giggly little sexts with a phone he bought her. What was he thinking.

It might have been Charles who noticed first. It's certainly not Erich, though -- sometime in the early afternoon -- he certainly does notice. And then there's a trip to Charlotte's, but she's not there or perhaps indisposed. There are, after all, lurid pictures of her friend with that awful gross man all over the news channels, the NC-17 bits blurred out. All over the internet, too, the NC-17 bits definitely not blurred out. But anyway: Erich goes to her house, and he leaves a note with her housekeeper, and the note says something about how it's their cue to go and to be ready by morning.

But then a couple hours later he's back. It's about six pm now, and the evening news is all over this juicy, juicy tidbit, and

Erich is at Charlotte's door again, knocking with his knuckles instead of ringing the doorchime like a civilized person. He hammers until the door opens, and then he simply shouts up the stairs: "CHARLOTTE!"

Charlotte

She's out when Erich comes by the first time. God knows where, says Mrs. H, with a flash of a wormy little smile like she and Erich conspiratorial partners, somehow, in managing the comings and goings and moody little habits of her charge. Mrs. H has decided that she likes Erich. After she reads the note he leaves behind, she decides that she is going to pack him a lovely hamper of charcuterie. Every shelf-stable dried, smoked, preserved meat she can find at her favorite stores. Tinned sardines and mackerels and pates and escargot, too. In the morning, (she is already imagining this), she will have a lovely brunch with every breakfast meat imaginable to see him off. He may not know which is the proper proper spoon for consomme and which for broth and which for cleansing the palate with a silver dish of lemon sorbet sprinkled with seasalt from the salver (and these are things that Mrs. H likes - the regulation of them, the order of them, the rules that attach to them and give order to the universe, even the smallest parts of it), but he wouldn't be expected to know such things. And though she can feel her skin tightening, the small hairs on her forearm standing on end when she answers the door and finds him there, he says polite things. He looks her in the eye. Says please and thank you and that is all that can be expected of lesser tribes. And more than she ever expects of Charlotte.

Who is Out, not indisposed. Somewhere in the umbra, maybe, or scrabbling down in the shallows in Rock Creek Park, startling the joggers as she stomps through the cold water, sometimes hoping from rock to rock, boulder to boulder, looking for well-proportioned stones in the shallows.

If anyone in Washington, DC could avoid news like this, it is Charlotte. There are no televisions to be seen in the Gray home, and the only computer is Charles' laptop. She has a smartphone now, oh yes, and Charles has input contact information, emergency numbers, but other than sometimes turning it on to look at the pictures of herself with her friends on the night of the birthday party, Charlotte has not touched it much. She has yet to discover the internet.

But even Charlotte cannot avoid the news. There may not be any televisions in her home, but they are everywhere else, and the world needs some sex and scandal to go along with its murders. She glimpses the pictures first as she is walking back home from the park, through the window of a bar and grill, which runs giant screens of the cable news feeds the way sports bars play every incarnation of ESPN, all at once. Each network, from FOX to Al-Jazeera to Telemundo to CNN to the BBC has chosen a different picture, or series of them, to splash in between coverage of the manhunt in Boston and Charlotte sees them all, standing outside, staring in through the tinted windows, the bottom third of her jeans damp and fringed with mud, her little brown cross-body bag heavier with her haul of stones, her pink-tipped hair wrecked by the wind, which is wild and cold and cuts through her on the city street. She gets close enough to the window, watching, that her breath fogs the glass and lobbyists and interns and lawyers cut around her as they hurry down the sidewalk, doing Important Things for Important People, something strange enough about her stillness, her rigidity that despite the fundamental apparent harmlessness of her physique, they give her a second look. Wonder if, maybe, perhaps, they ought to call someone.

Charlotte feels so strange. Sick and hot and cold all at wants. She wants to tear into something and the world feels big, cushioned, distant all at once. She could find him. She could find him and -

She arrests that thought before it advances any farther.
And she runs, all the way home.

--

Charles pulls the door open when Erich returns, mid-hammer. He has a phone tucked between his left shoulder and ear, and another in his right hand, texting. But he's pocketing the second and begging off the first call as Erich barges in and hollers for Charlotte, up the stairs. There is, in the corner of the foyer, an open, hard-sided round hatbox suitcase, full of the talen-making supplies Melantha gave Charlotte, and others she has gathered since. Her Charlotte's messenger bag is on the floor beside it, the long cross-body strap pooled on the floor.

Charlotte emerges from the long hallway that bisects the house and leads to the back garden, her hands full of Stuff. She's white, and shaking a bit and says nothing because her heart is pounding and she can't quite speak. Not yet. She is so small, so wide-eyed, so girlish that a stranger who saw her from a distance might read it as fear. But Erich is an Ahroun. He knows the excess adrenaline of swallowed rage when he sees it. The something savage underneath her skin.


Erich

Mrs. H wouldn't like Erich as much right now if she saw him. Barging into the home, hollering up the stairwell, wheeling on Charlotte and grabbing her stuff out of her hands, putting it aside, grabbing her, hugging her tight.

The rage he sees in her is reflected in him too. It can't have been easy seeing those pictures everywhere. Worse, hearing the things that were said -- about Jack, but also about his unknown too-young mistress. Even in 2013, there are people always willing to point the finger at the woman. All that's missing is the scarlet A.

But it's not just rage in him. There's a thrumming sort of savage joy too. And ache, and sadness. All of it mixed together, jumbled and swirled. "Don't be angry," he says to Charlotte, fiercely. "This is a good thing. She's a hunter and hunters get their teeth bloody. This is no different."

He lets her go, bends to pick up the first thing he sees. It's her suitcase. "Come on. Grab your stuff. I made room in the back. We can wedge your things in. We might have to just sleep in wolf most nights until I figure something out. Maybe I'll get an old Airstream or something, I don't know. We'll figure it out."

And he laughs. The girl they both love, and the girl he's sort of in love with, has her picture plastered everywhere and everyone pities her for being young and dumb or hates her for being a slut. The girl they both love has left town without seeing either of them, because she couldn't. But still: somehow, he laughs, and it's not forced or false but real, true, exhilarated. He calls to her, carrying her suitcase out the door --

"Come on!"

Charlotte

Charlotte is so small and stiff and bright when Erich pulls her into that hug. Tight-shouldered and straight-spined and absolutely un-fucking-bending, at least until she feels that thrum of energy in him, bright and jagged and strange as it is. Then she wraps her arms around his neck, tight, her small hands formed into fists that he can feel firm against his shoulders. Erich tells her not to be angry, Melantha is a hunger, and this is just the blood on her teeth and Charlotte, Charlotte bangs her little fists into the twin bulges of Erich's muscled shoulders.

"I'm not mad at her," the girl all but seethes. "I'm just - "

Mad at everyone else.

Erich lets her go then, grabs her suitcase. He's exultant, laughing, savage. The case itself is light, a jumble of things inside. Charlotte does not have words for what she is, but Erich's moving so fast, like an onrushing tide, that whatever she was going to saw gets caught up in the undertow. He made room for her and then stuff. He says other stuff and he's heading out the door, and her garden things aren't yet tucked into the suitcase and she grabs them and her messenger bag and starts to run out the door after him, her hands full of branches and acorns and wavering vines of forsythia and wysteria and Erich is taller, long-legged, moving brightly, laughter still resonant in the back of his throat.

But Charles stops Charlotte at the door, and a moment later Charlotte shouts after Erich.

"WAIT. THAT'S JUST STUFF. THAT'S NOT MY CLOTHES."

Erich

"What?"

He's halfway to the car already. Turns back, the suitcase swinging an effortless arc in his hand. Must be nice to be so strong. Charlotte wouldn't know what it feels like; she's scrawn and bones. But then: she has a link to the otherworld that Erich can't even begin to fathom. They're all blessed in their own ways. They all have their own shortcomings.

He looks at the suitcase; back to her. "Where are your clothes?"

Charlotte

Charlotte is framed on the front step; Charles is inside. It is still light outside, though yesterday's heat has faded from the streets and there is a sharp spring chill in the air. Up in the mountains, there will be frost, perhaps even snow, tonight.

"IN MY ROOM!" Charlotte shouts back to Erich, louder than is perhaps wholly necessary. She stamps her foot by way of emphasis, then disappears back into the foyer. Calling out, "WAIT OKAY!" over her shoulder as she turns and runs back inside, stomping wildly up the grand staircase. The door yaws open, Charles glances outside, then turns to follow his sister upstairs.

"DON'T LEAVE WITHOUT ME!" - comes drifting down the stairwell, in her wake.

Erich

Something about that pangs in Erich. Melantha had said something to that effect too. They had about a minute and a half to speak, and she could have said anything, asked just about anything of him, but the first, only, and most important request she made was --

Don't go anywhere without her, okay? She doesn't have a pigeon.

"I'm not leaving without you," he calls after Charlotte. "I'll put your 'stuff' in the trunk. What about all that other stuff you're carrying? Will it fit in here?"

Charlotte

The garden Stuff Charlotte was carrying is now scattered over the brick and marble on the front portico. There's not much of it - just as much as one small girl can stuff into her greedy hands - but the house is so well kept that Charlotte's gleanings are easy to tell from the ordinary debris that might accumulate on a porch over a long winter, because no debris has accumulated.

"I GUESS?" Charlotte's voice is fading, muffled, she's somewhere upstairs and Erich can hear her stomping around, the old floorboards now and again creeking under her weight. The occasional raised voice, the words indistinct, urgency sketched into them.

Erich has five minutes, maybe six to gather up the bits Charlotte discarded when she ran upstairs. There is absolutely room in her hard-sided hatbox for the last bits and gleanings. Erich unlatched it carefully and finds inside a jumble of talen-making supplies, the glass jars carefully cushioned, the heavy pieces wrapped in velvet bags. Mrs. H is unfortunately out shopping, so she cannot hurry out and offer Erich the half-packed hamper of delicacies she has gathered for him (and well, okay - for Charlotte. Perhaps.) as he works to find a place for the hatbox in the back of the Mustang.

Then - five minutes later, perhaps six, perhaps even seven, Charlotte comes flying down the front stairwell, clutching a pillow in one hand and a duffle bag in the other. Stops long enough in the foyer to grab her favorite hoodie and throw the strap of her messenger bag over her narrow torso, and plunges out of the house, this time with clothes in Erich's wake.

Charlotte drops her duffle on the ground, beside Erich, behind the open trunk, and puts the pillow atop it, then runs back to the front porch to throw her arms around her brother, who has by now emerged in her wake. He cups the back of her head, hugs her close, then pulls back and speaks quietly to her. She's antsy, though, and breaks away with an irritated shrug of her shoulders, dashing back to Erich's car, ready now. Eager to be on their way.

Erich

When Charlotte bursts out, Erich is leaning so far into the back of the Mustang that his shirt has ridden up in the back. He's wrapped her Stuff in some paper towels, laid them carefully atop the rest of her Stuff in her Suitcase Of Stuff, and re-latched it. Now he's pushing it forward as far as he can, jigsawing things around in the back of the Mustang. There's just the two of them, so the backseats are still folded down flat for more storage. His sleep bag is still unrolled across the left side: more than enough room for two wolves to curl up and sleep in.

He holds his hand out as Charlotte comes up with her duffle bag. That too gets easily swung into the trunk, wedged between the back, the side, and one of Erich's Boxes Of Stuff.

"Anything else?" he asks her. "Don't rush. Take your time and think. If you forget, we'll probably have to send for it later. Maybe weeks later, however long it takes for all of us," he means Melantha, too, "to get someplace safe and settled."

Charlotte

"Uhm." When they moved here, someone else packed up Charlotte's things. Made list after list of what she might need, and checked and rechecked that list. Charlotte just 'packed' her 'clothes' in five minutes. Mismatched socks and a fistful of underwear. One stack of jeans and another stack of cotton shirts and one silver-armor dress - check and check and check. The bag of toiletries that her brother pointed out and an extra pair of shoes. The two books on her bedside table.

She stands there clutching her pillow frowning at Erich, squinting against the lowering gleam of the sun, which is lowering itself slowly in the western sky, trying to figure out what else might be necessary, what she might need. She's breathing fast, gulping in air, her mouth half-open as she tries to count through the things that might be needful and necessary. Trying to slow her beating heart to think.

Charles has disappeared into the house; emerged again. He has a re-useable shopping bag in one hand, a phone in the other.

Charlotte cannot think of anything else she needs until she spins and sees her brother and says "MY PHONE - " but he has it, holds it out for her too, and that bag. Which has the basics: Reese's peanut butter puffs cereal, slim jims, beef jerky, two jars of caviar.

Then Charlotte is ready to go, handing Erich her pillow to push in after her duffle. She tucks the snack-bag into the front seat and pronounces herself READY TO GO with one last survey of the house, followed by a brief, firm nod. And then, Charlotte slips into the passenger's seat, her messenger bag in her lap, the evening light swimming across the surface of the windows as she pulls the door closed behind her. After the frantic energy, she's rather still as Erich ducks into the driver's seat and starts up the Mustang, resting her forehead against the cold window glass, watching her brother watch her go as Erich puts the car into reverse and starts backing out of the drive.

They swing out onto the street, headlights swimming over the 19th century homes lining it. Charlotte is quiet, listening to her heart pounding in her ears.

They're three blocks away when she speaks again. Quiet now, not close to shouting. "She's okay, Erich," Plaintive, really. " - isn't she?"

Erich

"Hug your brother," Erich says, almost automatically, as Charlotte starts to get into the car.

So she does. Hopefully. And then he shakes Charles's hand, if Charles is up for a handshake. There are no promises to look after Charlotte or anything of the sort. She can look after herself. Well, sort of; but still: he doesn't promise things that will make her seem incapable and childish. The snacks go into the front and the pillow goes into the back and --

they go into the car. Charlotte watches her brother watch her go. Erich waves to Charles, starts the engine, and Mrs. H will have to be disappointed after all; will probably have to send them a care-package full of smoked meats at some other point in time, because

they are driving away from that lovely old house with its lovely old oak, which in Erich's mindseye is still draped in all those festive lanterns of spring.

He looks at her as Charlotte asks him what she does. And the truth is he doesn't know for sure, either. He only talked to her for a handful of minutes, if that, and he was so wrought and wrung-up himself that it was hard for him to really read her voice across that unstable connection. He thinks a moment.

"I think so," he says. "And even if she wasn't, she will be. She's stronger than the both of us put together, I think."

And then he reaches over and gives her should a squeeze, smiling.

"So it's good that we have each other. Which way do you want to go? We can go any way but east, I think."

Charlotte

Charlotte does hug her brother, again. And Charles does shake Erich's hand.

And later, Washington DC is speeding by, turning into dusk, the lights coming on around the monuments. Erich asks Charlotte which way she wants to go.

And Charlotte, looks up, squints her eyes at the flash of dying sunlight glittering over the flat DC skyline, and says, "Let's follow the sun."