Welcome.

[Imogen Slaughter] Imogen's eyebrow moves slightly, a suggestion of an arch. "I see," she says, the words a polite restriction of anything else she might say.

She picks up her cup again, taking a deeper swallow of the coffee.

"You might see if Hill House has need o' you," she suggests. "I'm not sure if yeh can be paid, but," she moves her shoulders in a sketch of a shrug, "At worst, it's volunteering for the cause."

[Cigney North] She decides to order before it gets much later. A gyro with tzatski sauce with a sparkling ginger tea.
to Imogen Slaughter, Kora, Trent Brumby

[Cigney North] She decides to order before it gets much later. A gyro with tzatski sauce with a sparkling ginger tea.

[Kora] Neither her neighborhood nor her territory, but Kora has learned her way around the city now: the way the buses run through the streets like blood through its veins, the El trains criss-crossing between the buildings, clattering past in stutterstep, the lights in the cars flashing like strobes when seen through the guard barriers that keep the cars in and the more adventurous of Chicago's citzen's off the tracks.

It's bright and clear outside, cooler but still humid, the sky sunk past dusk, though there are still streaks of blue in the distant went, that smoke-colored blue that feels lik it is just on the edge of transparent. The city's lights gleam in the plate-glass windows of the greek restaurant, turn the colored awnings into a uniform orange. It is still early enough that people are out on foot, window shopping past stores that are just closing, iron bars being drawn across the brilliantly illuminated picture windows. In these surroundings, Kora looks like one of those graduate students studying the more useless subjects - literary theory, theater, eastern european history - the sort who does not quite belong here, but can slide in about the edges. Dressed in jeans and a washed orange Edinburg Fringe Festival t-shirt, with its tone on tone printing, her hair pulled loosely back from her face, twisted into knot, secured with a twist of leather and a piece of polished wood, more disarray than artful, she opens the front door of the restaurant with her body, hip against the glass, always in motion.

And stops, just inside the front door, brow furrowed as she looks around. It takes the sparest moment, because Imogen's breeding is like a flame, and Trent is seated with her, not a conflagration but a different sort of spark against the back of her mind. Cigney takes longer to find. It's easier for her to blend in, slip past the sharp Garou's senses into the stream of humanity.

[Kora] Cigney's waitress is leaving her table, headed back to the kitchen, ticket in hand. She cuts this sort of unerring direct line, then swerves, ducks behind the counter rather than continue through the dining room. The hostess gives Kora a polite smile that spreads a hint too tautly over her mouth, which eases when the Garou shakes her head. "I'm meeting people here already," she says, slipping past the hostess' station, walking through the tables and booths toward the kin.

[Cigney North] Cigney is in a separate booth currently from Trent and Imogen. As she watches the waitress walk off, she notes the movement of the waitress, and see's Kora. Cigney gives her small wave and a warm smile, then glances over at Trent and gives a shrug...moving over in the booth if Kora is of a mind.

[Trent Brumby] "Hill House?" he's heard of it, just not all that much, "I'll give them a call or drop in, and see if they can use a hand." Between everything else that he's got on his plate, that is. Erick, Kora, his job, the River clean up, bird baths and feeders, now he throws Hill House on top of it. It's certainly going to keep him busy, less time for drinking in any case.

[Imogen Slaughter] "Ask for Mary Alice," she says, her gaze flicking up as the rage forces a hush over the somewhat occupied dining area. She watches Kora approach them, and then says, mildly to Trent.

"Perhaps you should ask your friend," meaning Cigney, "to join us, as it seems we're gathering here."

[Kora] Kora does not return Cigney's wave. She doesn't seem to be the type to wave. She does, however, return the young kinswoman's warm smile with one of her own, easily curling across her expressive mouth. Her hands are still in her front pockets, and she walks with one of those hip-centered gaits, low and easy and confident. "Doc," she says, to Imogen as she passes their table, "Trent." The smile deepens, briefly. She must have heard some portion of Imogen's mild invitation, because she stops long enough to say, "I'll ask her over - " before sauntering past, to Cigney's booth.

And pauses there, not lowering herself into the space Cigney has vacated, but instead tilting her head back at Imogen and Trent. "C'mon over. You should meet the doc." A pause, a glance at the table. The deepening of humor on her mouth. "Bring your tea, yeah?"

[Cigney North] Cigney looks up at Kora, then over at the other table. She then nods and grabs her drink...shuffling out of the booth with her gym bag. She quietly follows behind Kora.

[Trent Brumby] "Yeah, I will." He throws a glance over to Cigney, accompanied with an apologetic smile. But before he even gets out of his chair, Kora had arrived behind him and greeted them, and is already moving over to the other Kinfolk. He is careful about not looking at his mates behind, even though his eyes are drawn there, and to where her slender back meets the waist. Hmm, she had great legs, too. That walk she had, almost a swagger, was definitely eye catching. Since she's returned, they haven't had much quality alone time.

Drawing himself out of his thoughts, he rises up as the two return towards the table, moving to pull out a chair for his mate followed by Cigney. "Sorry Miss North. I shouldn't have taken so long to invite you over."

[Cigney North] Cigney shakes her head a little and doesn't say anything, giving him a half smile before taking a seat. She's tired now, and it's begining to show. The young woman looks at the red haired woman across the table a moment or s before speaking. "Good evening, it's nice to meet you".

The sparkling iced ginger tea now sits in front of her, nibbling on the slice of peach that had been resting on the side of the glass.

[Imogen Slaughter] Imogen's mouth twists, ever so slightly, "I don't believe we have, yet," observes the woman, her voice low with a European accent, though she's been mistaken for New Zealander and Australian as well. Cornish is not particularly an accent well known to Americans - particularly when muddled with the 'pony'n'pims' accent as hers is.

"I didn't catch your name. Miss North, is it?"

Kora takes a seat and Trent retakes his. Imogen picks up her book from beside her coffee mug and leans down to slide it between the open lips of the brief case at her feet. As she straightens, the redhead lifts a pale, slender hand to her temple, pushing back errant strands of hair from her eyes.

"Imogen Slaughter."

[Kora] "Thanks, babe," Kora says casually, quietly to Trent as he brings her a chair, followed by one for Cigney. The diminutive is accompanied by a quick, lilting grin she casts back up at him as she sits, and a chaste brush of her mouth against his cheek if they're close enough for the little affection. It is private, nearly inaudible. She sits easily, half-slouching, her lower back curved inside the hard right angle of the chair.

"Cigney North," Kora supplies, as Imogen inquires after the young kinswoman's name. "Dr. Imogen Slaughter. And vice-versa. Cigney's just arrived, fitness instructor here on the mile. Doc's a forensic pathologist for the city, yeah?" Kora's dark eyes linger on the pale skinned kinswoman, brief and searching, before she sits up rather more straightly, leans across the table, and pulls over a menu to peruse. "Oh, man. Do they have that lemon soup here? I can't remember what it's called."

[Cigney North] She smiles as Kora introduces her, and then watches the woman putting away her book while she eats the peach slice. "You're a doctor? I took phlebotemy...going to be a full fledged physical trainer. I've been studying kineseology and biochemistry when I get the time". She thinks a moment. "You study bodies that have been dead awhile, right?"

[Trent Brumby] Kora gets a small smile and a light brush of his hand to her back as she moves to sit down, before settling into his own seat. He sits back as people give their introductions and Kora reaches for the menu. A small smile appears at the edge of his mouth as he listens to her declare what she wants. "I'm not in the habit of having lemon soup," he tells her quietly, smirking, "you're on your own there." He has no idea what it's called. He may be descended from Greeks but clearly he's not up to par with their dishes.

He watches her out the corner of his eye, looking more relaxed now that his mate is here, more at home around the other women too. Even if they're talking about dead bodies. "You want me to order you a drink?" He asks Kora, since the other two already have theirs.

[Imogen Slaughter] "They ha' avgolemono, if that's what you mean," Imogen answers Kora as she sets back down her coffee. "I've not had it here."

Imogen's finely carved face might well be of porcelain for all it reveals. Her dark eyes pass briefly over the affection that pass between the mated pair before turning toward Cigney again.

"Well," she says her mouth twisting slightly, "I try not t'limit myself t'those tha' ha' been dead 'a while', but I do deal wi' the deceased yes. Cause and manner o' death, among other things. Do your schoolin' at U o' C, do you?"

[Kora] "That's it," Kora confirms when Imogen supplies the name of "that lemon soup." Nevermind that it is summer outside, and something sharper, brighter, cooler - all cucumber and tomato would be more seasonal. The memory of near-endless winter is still in the forefront of her mind. "It's not just lemons, mind. It's lemons and rice and broth or something, like a lemony chicken soup maybe? I want the avgolemono - " the creature has a passable imitation of the Greek word supplied by Imogen, and now she passes it on to him, " - and a beer, I think. Something Greek if they have that, and the souvlaki." Trent's smirking, and Kora's dark eyes flash over the twist of his mouth. "Bet you you taste it and like it," she tells him, of the avgolemono. Terms, it seems, to be named later.

When a Garou is at the table, it's often easier to order at the counter, where you cannot be avoided. One adapts.

Then her attention cuts back to Cigney, as Imogen asks about her schooling; there's a certain interested light in her dark gaze, which is quick and keen, attentive between, stealing back to her mate now and then.

[Cigney North] It's a bit hard for Cigney to pick up on the accent...an make out the words. She listens really really carefully. At the mention ofuniversity, Cigney shakes her head. "No..I'm not really prepped for college. I just study on my own". She looks down at the table and then slowly rises.

"I'm sorry, I need to get going. I've got a busy day tomorrow. I'm going to take my gyro to go".

She puts the strap of her gym bag on her shoulder. "It was really nice meeting you Trent and Dr. Slaughter". Cigney gives a soft smile. "And it was good to see you again Kora". She pauses a moment. "I'm really happy to hear about the river clean up initiative, and I'll be happy to help and pitch in". Not being able to think of anything else, Cigney gives another curt nod of her head and excuses herself from the table.

"Goodnight".

[Trent Brumby] Cigney is already running off and Trent wonders if it has something to do with how he was rude, without meaning to be. He rises up from his chair as she's leaving and nods to her in a solemn sort of way. "I look forward to seeing you there. It was nice meeting you Cigney." Then she's leaving.

And he's looking back to Kora with a light smirk again. "It wasn't about that. We can discuss it later." Something else then, a private joke he wasn't willing to share with the Doctor or anywhere in public. "I'm going to order. Can I get you anything Miss Slaughter?" He pushes his chair back in as he steps around it, waiting long enough to see if she wants something else, before he's walking off to the counter to make his order.

He's only getting a souvlaki himself, lamb with the salad works and garlic sauce. Beers for both him and Kora, a refill for the doctor unless she's asked for something else specifically, and he's there long enough for Imogen and Kora to exchange a few words before he's heading back.

[Imogen Slaughter] Imogen's eyebrow lifts slightly, but she merely says, "Goodnight."

Trent asks if she wants anything, and Imogen shakes her head. "I've eaten, thank-you," she says, picking up her coffee cup and draining it. "I probably should be on my way, myself."

[Cigney North] [thank you very much for the scene everyone! let's play again soon]
to Imogen Slaughter, Kora, Trent Brumby

[Imogen Slaughter] (absolutely!)
to Cigney North, Kora, Trent Brumby

[Kora] "Night, Cigney," Kora returns as the young kinswoman excuses herself from the table. "Be safe, yeah?" The creature turns her pale hed to track the kinswoman's path away through the restaurant, lingering as she stops at the counter to request her meal to go. She glances up at Trent as he rises, then looks back to Imogen. "What do you think she meant?" lifting her chin toward Cigney, exchanging money for her meal, wrapped in a white paper bag, "that she wasn't prepped for college?"

[Kora] (Absolutely! Thanks for the scene, and sleep tight. :) )
to Cigney North, Imogen Slaughter, Trent Brumby

[Imogen Slaughter] She shakes her head slightly, "Poor scores, perhaps. Grades. Or maybe she's a perfectionist or not finished high school." A tilt of her head, "She's young, though I'd ha' thought her twenty or so."

[Trent Brumby] He returns to his seat, sitting down by Kora and settles back. Having come from work, he'd changed his polo shirt to a t.shirt out in the parking lot. The cologne has been freshly sprayed, though not a lot of it, and clings more to his clothing then it does his skin. He feels under dressed, despite that Kora's wandering around in jeans and a t.shirt.

Like most men, he seems content to sit in the background while the women talk. Their beers would be here in short order, and a refill for Imogen.

[Kora] Kora makes a musing sound in response, her features take on a sort of narrowed, thoughtful cast as she considers that, then glances back at the counter, where Trent is entering their order, the souvlaki, the soup, the beers. When her focus is drawn back to Imogen. "If you have some time in the next few days, Doc, give me a call, yeah?" Her mouth curves, the edge of it ghosting toward the wry, though her eyes are stark. "We raided this place over the weekend. We're still cleaning up. If nothing else, I'd like the all-clear from you when we're done, make sure we've thought of everything, yeah?

"I don't think there's much danger of it being found out in the interim, so it's not an urgent sort of them. Just, when you've got time." A faint pause, narrow, inflected.

[Imogen Slaughter] Imogen's expression stills as Kora speaks, which is not to say that it was mobile to begin with. In either case, there is a certain intentness to the doctor's features while Kora speaks, though the explanation is brief.

"What is your sleep schedule like?" she enquires, her mouth twisting slightly. Her gaze moves to Trent as he rejoins them, then back to the Garou. "I can either do very early in the morning - before six am, or late at night, after ten pm."

The kinwoman's sleep schedule, it seems, is sporadic.

The drinks do come in short order, including a refill for Imogen. She lays a hand over the top of her cup to stop it, flicking a glance up to say simply, "Just the bill, if you please." The waitress casts a glance to Trent, then back to the Doctor, and then merely moves away.

Imogen reaches around to pick up her purse from her chair, taking out a billfold to count out her cash, estimating her bill and a tip while waiting for her receipt.

[Trent Brumby] When the waitress looks at him, he nods a little. Imogen didn't want another and that was more then fine with him. He doesn't mind. Still quiet, he reaches for his own beer and takes a slow drink from it, followed by another, letting his gaze cast out towards the window.

[Kora] "That's ideal," Kora replies, her voice low. Her dark eyes follow Imogen's gaze to Trent, and naturally her gaze lingers on his face a split-second longer than Imogen's eyes remain there. Her smile edges minutely wider, the shift of expression so subtle as to be nearly indistinguishable, particularly when he's unaware of her gaze on him. Back to Imogen, then, waiting until the waitress disappears again, incising neaty between the moments so that the conversation remains private. " - we're trying to minimize the potential of being spotted there, so we're working mostly at night. Maybe a few more days yet, since we're cleansing as we go."

As opposed to cleaning, a wholly different ritual.

She picks up her beer, then, tipping back a drink directly from the bottle as the waitress returns with Imogen's check. "I'll give you a call. Or you can, me. I'll meet you there, show you around."

[Imogen Slaughter] The glance had not quite been permission - from the waitress. It had been confusion, having been asked for one thing, and then upon arriving, discovering it was completely another.

"Call me," Imogen says, "since you'll know when you're ready."

The waitress returns with her bill. Imogen passes over her cash as she gets to her feet.

"I'll leave you both to your dinner, then," she says, stooping to pick up her brief case. "Ha' a goodnight."

She starts toward the door.

[Trent Brumby] His gaze snaps back to the table when the waitress comes with the bill and Imogen is already paying for it. Setting his beer back down he rose from his chair just after the Doctor did. He nods to her with a small smile. "Thank you, Miss Slaughter. You have a good night, too."

When she's gone, he settles back down into his chair and reclaims his beer, sliding his gaze to look at Kora. "Is she going to help out with the warehouse?" He asks this quietly.

[Kora] "Night, doc," Kora says quietly as Imogen rises, nodding briefly at her request. "Be safe." No yeah? attached to tha instruction, as she had done wth Cigney. The hour is growing later, and the restaurant is emptying slowly. Here and there large tables linger over their meals. Someone orders dessert, someone else insists on the sampler platter. Except for the waitress, Imogen is the only person up, walking through the tables and booths at that moment, and Kora watches her, her expression spare, her gaze thoughtful, until Imogen is at the front door.

Trent asks if Imogen is helping with the warehouse, then, and Kora's attention slips back to him, neat and coiled, the spare edge of her expression softening. When they are alone, she stretches out, the edge of her boot against his foot, this supple suggestion of contact between thm. "Yeah," Kora returns, just as quiet. She's returning his look wth a direct one of her own. "She is."

[Trent Brumby] Nodding, he seems happy to let that go. It wasn't really his business. He didn't ask any further questions about it, simply took another drink of his beer and let himself unwind. It had been a long, long day today, and he had finished early which is why he'd dropped by to see Cigney in the first place. At home Erick awaits him, the thought has him reaching up and scrubbing a hand through his thick, dark hair.

"Imogen is going to give me a call with a number for Erick, someone to talk to," he tells Kora, keeping his voice quiet and looking from the table up to meet her steady gaze, "maybe it might help him out a bit. It's not something he can keep to himself."

[Imogen Slaughter] (thanks for the scene!)

[Kora] "Kin, yeah?" The question is one she almost does not ask, her dark eyes on his face, the subtext easy, obvious. She's making conversation, and her low voice is a rich counterpoint to the filtered murmurs of other conversations in the background. Other dinners, other diners, other lives, all apart from their own, so separated by blood and circumstance that no one else in the restaurant could begin togather what she is, and what he is, and what they are, together.

"That's a good idea, I think," she continues, shifting her beer from her right hand to her left, holding her hand out to him, expectently. Her fingers are damp from the condensation on the glass. "Help him find his balance, so he can begin to find his strength. You know? Get back out on his own." There's a brief pause as she swallows back another mouthful of her beer. She can read his weariness, the strain in every line of his face. The long days and the long nights. Then, her voice drops, easily finding a more intimate pitch. " - you know I appreciate what you're doing. Don't you?"

[Trent Brumby] "Yeah." He pauses and considers, then shrugs, "Well, I think so. I made sure that Imogen knew that it would have to be someone in the know, regardless. I'd assume it would be a Kinfolk." It may not be, but the chances that they are are high.

Reaching over, he curled his hand around hers, lifting it and bending to kiss the back of her knuckles before leaning back again. This is as casual as she touches him or demands of him.

"Of course I do, Kora, you need not even ask that." A small frown appears, creasing between his dark brows, accompanied with a small shake of his head and a gentle squeeze of her hand. "Anything I can do to help out, I'm more then willing."

[Kora] "When we're done cleaning up the warehouse," Kora tells him, her eyes dropping from his face to their hands, intertwined. Her bracelets are dark against her skin, as are his tanned fingers, his blunt hand, against her own. "Roman's going to work on fixing up the electricity and plumbing in the church, yeah? Making it a bit more habitable, so that he can his cousin can let their lease on their house lapse when they're finished.

"I told him about your offer of the spare room - remember that? - for the pack." The last pack, she means. Kora has learned enough not to identify which one it was. She never says, Joe did or Joe thought around him anymore. Her former alpha has been excised from this part of her vocabulary, even if she cannot excise him from her life.

Or their lives.

"He was," she's straightening now, leaning closer to the table and closer to him. " - not remotely interested." And closer. " - didn't want to hear us. Said it made him think of his mom and dad. Regardless," she continues, giving his hand a faint, provocative squeeze. Enough that he can feel the strength of her grip. "Maybe you could give him a hand now and then." Then, with a lazy flicker her attention back toward the counter, watching for their orders in the pass-through window.

"Maybe we should get that stuff to go."

[Trent Brumby] Through all of this he listens without interruption, squeezing her hand back, much more gentle then she had his. His pale eyes stay locked onto hers, searching them and sometimes, also, her face. Imogen had suggested he help out Hill House, and now there is Roman that needs a hand. But he nods, accepting, easily. "I will. I'll see what needs to be done and set to work. As long as I'm not stepping on his toes."

He follows her glance over to the counter, then looks back to her. "You want me to get it to go?" Normally he would just agree and go and do it, without questioning. But he's reluctant to leave right now, to head back to where Erick awaits. Who will also need to be fed, and Trent will feed without complaint or bad thought. But right now he wouldn't mind a few moments alone with her. Still, if she wanted to go, he'd get up and make sure their food was ready to come with them.

[Kora] "Yeah," she says, her mouth hooking upward at the corner. If she reads reluctance into his question at the end, there's no flicker of that in her eyes. Her hair is pulled away from her face, and she's sitting at a ninety degree angle from him, so he has a perfect view of her profile, the curve of her ear, the firm line of her jaw, the soft hollow of her throat. The choker there, black against her pale skin. "They close the public beaches at dusk, you know? But I can climb a fence. So I want to get it to go. We can pick up a bottle of something on the way, and have a picnic, just you and me and the stars.

"Well," she continues, after a lingering pause that twists her mouth into a faint little smirk, one that does nothing to dim the sheen of light across her gleaming eyes. "you and me and the three stars visible through the haze of the city, and the light of the moon." On nights like this, when the moon skims heavy through the sky, leaves a long trail through the dark waters of Lake Michigan like a comet, her calm is deceptive. He can read, though, the promise of movement underneath her skin. Then intensity of her regard beneath that faint, skimming smirk, sharpening the longer her dark eyes linger on his body.

[Trent Brumby] "Good idea." She need not try and convince him, the moment she had mentioned the beach and grabbing something on the way there, he was already uncurling his hand from her own and leaving his beer on the table again.

He smiles at the twist of her mouth, and as he raises from his chair, he leans over to kiss it. It's a little less chaste then her earlier one on the cheek, a little more opened mouth and lingering, but he pulls back after he lets his intention be known. "I'll get it to go, won't be a moment." His fingers brush her shoulder as he steps by and heads towards the counter.

The promise invigorates him. He moves with more purpose, eagerness, where before he was practically dragging his feet. Dinner would be packed away, and he'd come back to walk her from the table out towards the car parked in the lot. He'd be happy to drive her out, head to the beach, and settle down with her to eat.

It's there that he'll pop the question.

[to be continued!]

[Kora] transcript!
to Kora

The Swan.

[Cigney North] It's a beautiful late summer day...for some people. O'Reillys gym is just off the Mile with the doors wide open. It used to be just for boxing back in the late 30's. But when the Mile became upper class, so did the establishment. Now you've got an air conditioned state-of-the-art gym with your pilates, yogalates, and piloxing all because of the corporate sponsorship money it brings in. There's one more appointment today before she gets to go home. In the meantime she's taking a break just outside the door with a wheat grass smoothie.

[Kora] so: I confess, without your chica having pure breed, I'm not sure how/why Kora would interact with her. hah. so: maybe give me some help after I post in?
to Cigney North

[Cigney North] Yeah no problem. ;p
to Kora

[Kora] Yesterday's storms have washed away the heat and humidity - for a day, perhaps, for two - that has engulfed the city since mid-June, sometime, when the summer changed, somehow - went from hot to blistering, from humid to cloying. The sky is clear, really clear, with the pollution that hangs over the busy city like a caul washed away. The sun is bright and warm, and the air is a balmy seventy-two degrees. It is one of those days that seems crystalline, shined to an impossible polish, perfected.

There is Cigney, enjoying a wheat-grass smoothie in front of a popular local gym, offering any number of combinations of hip fitness classes between appointments. Here is Kora: alike and nothing like her, exiting the pharmacy next door, a hemp shopping bag in her hand. Nearly 5'10", dressed in well-worn-jeans and a loose men's tank top, ribbed cotton, which shows off both the hint of a farmer's tan and rather well-defined shoulders and upper arms, the subtle curve of earned muscle over the distinctive architecture of bone, the swoop of her collar bone beneath the slope of her trapezius.

The stranger doesn't belong here. It is possible that she has never had a wheatgrass shake. She spent the night fighting a construct out of nightmares, and now has more body parts than the morgue to dispose of. It is best not to ask what is in the bag. She is clean, so freshly showered that her hair is damp and dark with that, pulled sharply back from her face, twisted in a loose knot on the nape of her neck. Outside the front door of the pharmacy, she narrows her eyes against the glare of the sun, then shifts the bag in her hands and starts down the street past the gym.

Passers by avoid her without thinking about it. She glances at Cigney briefly because she - is careful of her surrounding, because she is alive to the environment around her, the way the sun casts shadows on the street just after midday, the pattern of the brick on this storefront, the impressionistic smear of color in that picture window.

[Cigney North] And that's when it happens, a round of cat calls and whistles from behind the plate glass windows of the gym and the cardio machines behind it. Overly excited men who bask in the biochemical ocean of testosterone and adrenaline. Cigney's silvery gray eyes meet that of the stranger before moving to the corporate hogs who have gorged themselves on self entitlements...hogs that she makes sweat, and they pay her for it.

She remains silent, wondering as to how this woman will reacte. She doesn't seem like the ordinary day to day working woman...

[Kora] The strange looks at the plate glass windows, filled with corporate sharks who are now struggling to get through a basic cario workout on doctor's orders, likely. Direction from the cardiologist, who said - heart attack by fifty if you don't get in shape, Bill.

Kora looks up, dark eyes narrowing sharply at the men in the windows. She is not made-up; she doesn't wear clothing to flatter her figure. There are heavy workboots on her feet, old and worn and stained. The black leather hides the blood. Multicolored laces circle her calves, securing the boots. Her only other adornments are similarly dull, practical - knotted bracelets at her wrists, leather, hempen rope, twisted or braided, dark, a half-dozen at either wrist, and a braided leather choker at her throat.

There is an iron ring secured through the inner cartilage of her left ear, an old, oxidized iron charm hanging from it, the size of a child's fingerbone. The earring is carved with angular runes, and does not have a mate on the other ear.

So - Cigney watches, silent, used to this maybe. Kora looks up, her reflection ghosting across the plate glass, her eyes narrowed against the glare of the sun on the windows, the catcalls clearly audible through the open windows given the fine weather. And stops, still. Flips the men off. Smiles the sort of smile that is not a smile at all, but an animal baring of teeth.

[Kora] (Charisma + intimidation! + totem!)
Dice Rolled:[ 6 d10 ] 2, 5, 5, 6, 7, 7 (Success x 3 at target 6)

[Cigney North] ((*blinks* Wow, do I respond to that or is there a follow up coming...))

[Kora] (that roll was for the smile/growl at the dudes in the window. (grins) it's narrated in the post. go ahead and respond!)

[Roman Turner] It was about when Kora flipped off the men in the window that another figure jogged up to join her. This one pushed back the front edge of his Stetson with one finger so he could better see the men inside. He wore stiff dark jeans, Wrangler's of course, cowboy boots and a button down western cut shirt.

"Who ya waving to?"

That he took the FINGER as a wave, said something about his comfort around Kora. He was still leaning from side to side for a better look as he shifted a backpack from shoulder to shoulder. Like Kora, he had his load to tote.

"Someone ya know?"

[Cigney North] ((My pleasure...*evil grin*))

Cigney felt her back press against the door behind her having caught the power of the almighty flip off. And so too did the hogs...one having actually missed a step on the treadmill and ending up on the floor. A moment or two, and Cigney finds herself smiling. She then calls inside the door "INTENSITY INCREASE +2 FOR THE NEXT 5 MINUTES". They wince and then does as she says. She's the boss after all.

"Had too much air in their lungs I guess...."

The words meant for the passing woman.

[Kora] "Roman," this is an aside to the sixteen year old kid who comes up behind her. He's a head shorter than the twenty-something Kora, who has nearly a decade on her young packmate, for all that they are still the same rank. The woman's voice is low, decidedly American without regionalisms. There is a certain intensity to it, and a wry undertone evident when she speaks to her packmate. " - are you telling me that you really don't know what that gesture means?"

Kora speaks four languages, including one long-dead except for a few hundred Fenrir and their kin on a handful of islands in the far northern Atlantic Ocean. She can flip people off appropriately in a good half-dozen more cultures. It's the first thing she learned, once upon a time, backpacking around Europe, north Africa, even the middle East before all this happened. Before she changed.

Now, she looks up to Cigney, dark eyes gleaming, sure, something animal in the undergirding of the motion, the cant of her head, that feral confidence of her stance. "Their fitness instructor, are you?"

[Roman Turner] He was all innocence and big ole gray-blue eyes fringed with lashes a woman would kill for. His Ma said it weren't right that boys got such lashes while girls had to work to create the illusion. Right now he batted those lashes with a big ole innocent look on his teenage face.

"Why sure I do, it means Howdy in big city sign language."

Then he turned that charm on Cigney. Touching the brim of his hat with two fingers and a cant of his head as he spoke in that low southern drawl meant for the lady folk.

"Well howdy Ma'am."

[Cigney North] At the woman's question, Cigney blinks before lowering the drink from her lips and getting a glimpse of the dark eyes before instinctively gazing at the teenage boy. There's a familiar discomfort about the look of the woman, and it makes her wonder a bit. She knows they're hear, in this city...it's why she came. But right here and now? It's not very likely.

"I am...I apologize for their rudeness. You're welcome to stay and watch their lungs burst".

The sounds the men are making are becoming laborous...the eyes of pigs watching the conversation between the two women that they can not hear above the din of the gym and the pounding of their excelerating heart rate.

Wait...wha? Did the boy just call her m'am? She's not even twenty yet...

"Hello". She replies and nods her head to him in return. The oddness of the pairing...two people who didn't look lik they could ever have anything in common..strange...

[Roman Turner] He smiled just a pleased as punch with the offer to linger a bit to watch the men suffer. Infact, he touched the brim of his hat again and said.

"Don't mind if I do."

And slipped around so he was just within the doorway enough to block an easy view of Kora, turning his back on the workout room.

[Cigney North] Don't suppose you'd allow a perception roll based on Cigney's observations?
to Kora, Roman Turner

[Kora] (grins) Go for it! I think she's got enough clues to start piecing it together. :)
to Cigney North, Roman Turner

[Roman Turner] ((I just Role Play. LOL! So I don't care. ))
to Cigney North, Kora

[Cigney North] ((Perception + Intelligence = Be these wolfies?))
to Kora, Roman Turner

[Kora] Roman's response, that huge innocent look on the boy's still too-young face, has Kora's gaze drawn sidelong, a look that would be sly on another face flashes neatly across the mouth, the gleaming that that just snapped sharply at the sweating men lost in the intensity of their workout. She laughs; it's a low thing, one that barely finds voice in her throat, that lingers in her strong shoulders, in her easy, alert stance, this thread of movement under the skin.

"You got that right, kiddo," she returns easily to Roman. Somehow, kiddo doesn't sound like a dimunitive when she addresses him like that. There's a certain concordance between the two - the still-growing Southern-gentleman of a teenage boy - and the loosely feral blonde in her mid-twenties that adds another sliver of information to the coincidences Cigney has already picked up. Roman moves to block the view of his packmate, and Kora shifts wordlessly out of his way, as if they were a unit, used to working in tandem, away - viscerally, subconsciously - of the way each takes up space.

"You've got no reason to apologize for them," Kora says, looking to Cigney directly now. Her voice is a rich alto, low and clear. "they're adult men. Responsible for their own transgressions." Lifting her chin, Kora flicks a look back over Roman's head by way of emphasis, her dark eyes narrowing, her features stilling. The shopping bag still swings in her hand. There are supplies inside. Gloves. Bleach. Discrete black plastic trash bags, thick enough and strong enough to hold body parts. Her nails are painted a peeling black. Underneath, there's a bit of dirt, as if she had been working in the soil today.

[Cigney North] As the boy draws nearer to the doorway, something about the presence, the aura...whatever it is, makes up her mind for her. Her eyes go blank for a moment before she snaps to and moves away from the door and out of their way. She touches the bak of her neck, and then pushes a tendril of golden blonde hai from her temple. The moment to make a decision...let them go? Or make herself known? Her lack of breeding makes her hard to detect, unlike her older sisters..

"I take responsibility for them as their instructor".

She takes in a deep breath, one that expands her rib cage before slowly exhaling. Thinking quickly, they might be dangerous for all she knows. Her watch goes off and she moves to yell in through the door.

"STOP! COOL DOWN...NEXT WEEK AT 8 P.M."

She then mumbles quietly to both the woman and the boy just a fw years her junior...

"...what brings you this way?"

[Roman Turner] What brings you this way? She asks.

"Sidewalk mostly. As for them Fellas, you are their instructor. Maybe ya seek to be a guide or protector because of this? What it comes down to is, they be responsible for themselves. Man acts without respect, man is responsible. Same for a woman."

[Kora] The shifting light slants across Kora's sharp features; a strong jaw, a generous mouth, dark eyes that must define themselves. She has pale brows and pale lashes, Kora, and wears no make-up. Her skin is good, clear, pale. There's a hint of a summer tan, but it's the sort of complexion that burns easily in the summer sun. Even her shoulders, which are paler than her forearms and hands, are pinkening from the sun in which they stand. She burns, but never peels. The damage of a sunburn heals easily when she shifts, and then her skin is whole again.

Cigney recognizes certain signs, stands their presence better than most. More than that, she continues the conversation. Kora's attention is closer now. She watches the way the woman's fingers push through her har, the deep breath, the thoughtful expression on Cigney's face -

- with a sharper interest, now, that hints at the wolf underneath Kora's skin. She has made no decisions, yet. She does glance sidelong at her packmate as he remarks on the sidewalks, a huff of laughter in her shoulders, under her breath. Her stand is easy, confident. There is a sort of compact power to her tall, lean frame, the animal grace that skims beneath her skin.

She looks back to Cigney, some gleam of interest in her dark blue eyes. "Cleaning supplies," she returns, there's something quiet, wry about her choice of words. By way of explanation, she lifts the hemp shopping bag. It dangles heavily in her hand. Cigney gets a glimpse of the bottle of bleach inside. There's nothing else. No Pine-Sol, no dish detergent, no specialized cleaners for toilets or windows or bathrooms. Just bleach is visible, two big bottles of it. Industrial size.

[Roman Turner] ((And Roman is going to be quiet for a bit because I have to run down and move the log splitter for my folks. Sorry))
to Cigney North, Kora

[Cigney North] ((Sorry room ate my last post))

[Kora] (I hate it when that happens! and no worries, take your time! am now working on eggplant lasagne. :) )

[Cigney North] "Must be a pretty big mess". The words are quiet but steadfast.

"Why bleach? It's so toxic...why not something more natural and less detectable like lemon juice and baking soda"?

By less detectable she means of the noxious fumes it will produce.

"You carry a hemp bag, so you obviusly care about our Mother..."

[Cigney North] Mmmm...eggplant lasagna!
to Kora

[Kora] "Cleaning isn't my strong suit." Attention sharpens with Cigney's words; the creature's dark eyes flash with reflected light, and there's another faintly feral cant of her head, dark eyes fixed surely on Cigney's face, searching the young woman's expression. Her generous mouth is pulled into a faint, wry twist, deeper at the right corner than the left. " - and," humor underscores the words, "I suspect I'd need a whole lemon tree for this mess."

Relaxing her fingers, she allows the bag to drop, so it dangles heavily against her calf, her thigh from her left hand. Her inner forearm is almost startlingly pale, emphasizing the the tan that warms the other side. Nestled in between the bracelets at her left wrist is a single, small tattoo, the sharp lines of an angular norse rune. Memory.

"We all have different ways to serve the Mother," Kora continues at last, sliding her right hand into her right hip pocket. "Mine is more direct than some. Though if you're interested, I know someone who's organizing a work day to clean up some of the trash from banks of the Chicago River."

[Cigney North] Feeling the womans eyes upon her, Cigney looks up slightly. She's 5'8" with a strong set of shoulders. Cigney's has a nice natural looking tan, a friend of the sun no doubt. The body is long and lean, but quite feminine with healthy curves. Meeting the gaze now, her chin lifts a little but not too much...noting the rune, having a similar one branded into her ankle as a family mark.

"We are more similar than you think".

Her fingertips now graze over her breast bone, her features soften.

"Do you need help?"

[Kora] "This clean-up isn't something I'd inflict on a new relation arriving in the city," the wording is subtle, but perfectly clear within the scope of their lives as kin and Garou. " - near or distant. Let me buy you a beer first." Nevermind that Cigney is not yet of legal drinking age, and Roman statistically unlikely ever to reach it. Kora's older than the both of them. She can buy that beer, legally even. No one's likely to turn her down.

"There's a pub on the corner. Good deep booths where we can talk. And you," a sharp glance at the wheat grass smoothie, which looks rather like something Trent would consume. " - can bring that green thing, if you prefer it to beer. Though I'd like to buy you something," here, she glances at the boy with her, quiet now in the sun. There's a moment of silent communication between the two, registered on both their faces, before Kora glances back to Cygney.

"As a gesture of hospitality."

There's a certain formality to that, at odds with the young Garou's serviceable tank, the frayed jeans, the stained boots. Older than these trappings of modern society.

[Cigney North] She blinks at Kora's words, but nods just the same. What in the hell had these two been up to? And how many other were there? A point of no return had been reached. To say no would be an insult, and that's not the first impression she is about to make. Cigney motions to someone inside that she's taking off now that her appointment is done, picking up her gym bag.

"I don't drink for personal reasons...but I'll be happy to sit with you and talk for awhile".

Cigney glances at the teen before continuing to sip on her organic smoothie.

"My name is Cigney North...but just my relations call me swan".

[Kora] "Then," Kora returns, with a sort of unerring precision and a hook-curve of a smile that does find resonant light in her dark eyes. "I'll buy you a Shirley Temple. With organic cherries," this neat sort of simmering humor underneath the words, but there's solidity too, there. As if the offer were the ritual it is, underneath. A remnant of the old ways, despite the warm summer afternoon, the hard immediacy of the concrete, steel and glass in the city's business district. " - and raw sugar. Or a limeade."

"I'm Kora. My relations called me Eyjólfsdóttir once." The patronymic has the harsh, clear sounds of someone who speaks one of the Scandanavian languages fluently. If Cigney is familiar with Norwegian, Swedish, Danish, Kora's accent seems Icelandic. If Cigney is familiar with Icelandic, she knows the inflections to be just off. Something close, but wrong. Maybe Faroese. Maybe -

"Here," they are walking, in easy step. Roman a step or two behind, likely with a last glance toward the men in the gym. " -they mostly just call me Kora. It's easier.

The introductions complete, Kora's quiet then, mostly. Though passersby on the streets tend to walk around the trio thanks to the effect of Kora's rage, there's always someone passing by.

Just as she promised, there's a pub on the corner, dark and cool in constrast to the bright warmth of the summer afternoon. It's a lazy Sunday. There's no jam session today, so the dark wooden interior is mostly empty, except for a few diehards watching football highlights on the televisions over the bar.

True to her word, Kora insists on buying Cigney something, even if it must be non-alcohoic. A mineral water, maybe, San Pellegrino in its distinctively shaped green glass bottle with a tall, narrow glass full of ice and lime and orange wedges edging the glass. Some organic juice.

Maybe the joked-about Shirley Temple. Something - some gesture of hospitality that she will not allow to be overlooked, even with a strange girl, likely kin to someone in the city, on a warm summer afternoon when she should be cleaning rotting body parts out of the non-working freezers of a madman, disposing of them carefully, always thinking of the Veil.

She buys beers for both Roman and herself. Both are drafts, one darker than the other - it only just. They're summer beers. A Heifewiezen and a pale ale. When she returns to the booth chosen by Roman and Cigney - the far booth, alone, close to the jukebox - she sets down the two beers and the non-alcoholic drink of Cigney's choosing, then slides into the booth beside Roman.

"Forgive my bluntness, Swan. If you prefer Swan. You're kin, to what tribe?"

[Cigney North] Cigney takes the drink with a soft smile and nods her head. "Thank you". It's a simple bottled water served with both lemon and lime, pulp floating amidst the bubbles. You don't get much more than that in a corner pub. But it suits her needs just fine. She sips from a straw slowly, listening to Kora attentively. She does not know nor does she recognize the inflections of Kora's speech. Only that it sounds much like everything else she was raised with since birth.

"Fenrir"

She looks to Kora seeming confident that her assumption was correct that they were relation. Cigney tilts her head slightly to the boy...uncertain of his own affliation and wanting to know before saying anything more.

[Kora] "So am I," Kora returns, with a perfect directness, her dark eyes fixed on Cigney's features now, as if - no matter that the girl had no pure breeding to speak of - Kora might be able to trace out the history of her ancestors from the shadow of her bones beneath her skin. "Welcome to Chicago."

The pub is dark; there's a distinctive scent of wood and brass polished, fried fish, and beer in the air. The football highlights on the television are the English premier league. The place did great business Sunday afternoons during the world cup, but that has passed, and now it is mostly empty. Nick Cave is on the jukebox. Kora sits with her beer in hand, leaning forward to brace her forearms on the edge of the table.

"This is Roman Turner. He's not Fenrir, but he's my packmate. A no-moon, if you know what that means. And," here, a certain hint of irony in her tone. "you're in luck. Not only am I Fenrir, I'm Jarl of the tribe here, such as it is."

[Cigney North] The silvery gray eyes watch the women intently, nodding to show that she understands the lexicon being used. The straw is still between her lips, and she chews on it a little as she thinks to herself. This is what she had wanted since coming here. She wouldn't have admitted to anyone, but she missed hearing the words only she and few others could ever understand.

"I was born under the No Moon..."

She offers Roman something of a nod, as if to relate that she understands.

"It's a pleasure to meet you both".

Her eyes look off into the distance for a moment before returning to Kora. She wants to say something but isn't sure if it's her place. The need to belong resonates deeply in her chest. She has a pack mentality. But there is a part of her that knows her place, and withdraws to a safe quiet understanding.

"I'm very fortunate to have met you".

[Kora] "You picked us out on the street, Cigney. Or," a pause, Kora's pale brows are drawn up, and furrow neatly. Her courtesy is not learned, but rises instead of an innate sort of reserve rare in both her tribe and her moon. She's considered, thoughtful, her voice - except for the brief, wholly foreign pronunciation of the wholly foreign patronymic she attached to herself - is entirely American. So: that faint sense of - easing about Cigney, so subtle that she herself might not admit it or regonize it - registers. " - do you prefer Swan?"

Kora voice is quiet. It is not soft.

"I suspect you would have found us soon enough. I'm glad for the coincidence, though. And for your sharp eyes. As Jarl, I stand as your guardian in the city, with the Garou of the Sept. Your transgressions are mine to punish, your favor mine to ask. Your honor is mine to defend from any who would besmirch it, and I pledge to you that I will defend you as if you were my own mate as long as I lead here, and as long as I breathe." There is a gleam in Kora's dark eyes as she says this, a certain intensity to her body language, leaning forward, the shopping bag tucked underneath the table, the beer in her hand.

And there's Nick Cave in the background, his deep voice resonant from the juke box against the wall. "So," a neat, supple pause, this change of her demeanor, a lowering of the intensity. " - where are you from, and what brings you here?"

[Kora] Hah. Blu just disappeared from my AIM, so we can assume that he wandered to the restroom or something. I suspect that he was assigned more chores than just moving the log splitter once he got to his folks' house. :)
to Cigney North

[Cigney North] The words and the tone in which they are spoken have a mesmerizing affect on her. Her expression is calm, but nothing else shows...just calm and peace. A vow was made, and deserved her complete honesty. Truthfully if Kora had been male, she isn't sure this would have worked. There is something about Kora that she likes, something that she wants to take into herself and make apart of her. Time would tell what exacty it was, and if she'd ever fulfill that want.

"It was your...your rage I think. You both feel familiar. I was raised amongst you. I know that feeling anywhere. But it was still hard to tell, I couldn't be sure until something just made sense".

Her voice speaks steadily in a soothing voice now, quiet and still all in the same breath. Pausing only to take a sip of her citrus flavored water.

"As for my name, Swan is just a nickname some call me...it isn't necessary if Cigney feels more natural to say".

The eyes now study the wood of the table top, her neatly trimmed fingernails tracing the grooves there in.

"I moved here from northern California. My fathers family left for a sabbatical back to Sweden with my sisters...step-sisters". Her nose scrunches a little...but she continues. "My presence was not needed, so I decided to spread my wings and find my own way in the world". She nods at this. It's how she has come to terms with what has happened. "My fathers family as a fine history of training warriors. I have decided to do the same".

[Kora] (Blu is back! Warning was premature. He's skimming the backscene, and should catch up soon. :) )
to Cigney North

[Cigney North] (Cool! Thanks for the update btw. :)
to Kora

[Roman Turner] He finally came out of his silent listening after taking a drink from the beer he was still years from legally being permitted do drink according to human law. His hat he'd removed when they sat down and now with hat hair the color of chestnuts, he started peeling the label from his bottle with his thumb nail.

"Why they call ya Swan? Why not something else?"

[Kora] There is a certain directness to Kora that is undeniable. Cigney studies her well-trimmed fingernails, traces the heartlines of the felled wood in the polished tabletop. Kora's eyes are on the young woman's face, clear and keen, a fine dark blue, the color of the sky at twilight perhaps, though the color is lost in the filtered shadows of the warm wood-and-brass light of the fake English pub. The intensity of her regard, the care of it: these things are not lost to the shadows.

There's a certain balance to Cigney's story. Her father's family. Her step-sisters, all going overseas and leaving behind a young kinswoman to make her way alone. Roman asks her nickname, and Kora gives him a familiar glance that can only be described as fond. They are packmates. They sit close together, in tandem. The bond is new, but strong for all that.

She nods quietly when Roman speaks, an echo of his query in her body language, not her voice. Then, she adds another question, more quiet than any of the ones that have gone before. "And your father?"

[Cigney North] At the question of her father she frowns a little.

"He gave me my name, but I never learned his true name..." Cigney shrugs slightly and now sits back in her seat, looking at the two of them, her eyes somewhat guarded but dead calm. "His name was Sven Albeister".

Another drink and small exhale. A small chuckle then occurs as she looks at Roman. "Cigney is something akin to Cygnus I guess". She swallows the water half heartedly. "Or it's a quiet insult that I've suffered unknowingly for most of my life".

[Roman Turner] "I don't get it. How's it an insult and why Swan?"

He wanted to know for a couple of reasons. Right then he sat with his leg against Kora's, touching from thigh to foot. They were Wolves and touch was like breathing for them, bringing reassurance and comfort.

"I mean, I know a Sparrow and a Swallow, so I want to know, why Swan? I'm starting to think I should change my name to Robin, but then I'd have to make Kora, Batman."

[Kora] "Then I'll call you Cigney," returns Kora, with that same quiet surety. "rather than echo the subtle insult of another. The name your father gave you." Cigney frowns, and Kora's expression does not soften. There is a certain terrible strength demanded of their kin by these wolves, by the wolves of winter, and where a human might retreat from the hint of tragedy in the air, bracketed by the lines of Cigney's frown, the calm, guarded look in the young woman's gray eyes, might find some other, lighter subject to dispel the hint of a frown from the stranger's face.

Anyway, humans haven't got Ragabash to lighten the atmosphere. She says, as an aside to her young packmate, "I'm not wearing a cape." - with this even look that is serious, except for the passing gleam of humor in her eyes.

Then she looks back to Cigney, considered. And, briefly, quietly, returns to the subject of her father. "He was Garou?"

There are two questions, really, wrapped into the one.

[Cigney North] Her eyebrow twitches...her eyes darken like a coming storm...was he making fun of her name?

"Cygnus is ancient Latin for swan..." the words expel themselves from between tightened lips. She then clears her throat a little and answers Kora's question. "Yes. I know this because he told my human mother before taking me to be raised with a pack mother. When I didn't turn, I was returned to her. My father was already mated to another kin you see".

[Roman Turner] "Wait, I am confused. Forgive me, ma'am if I seem to be dissecting this, but, you call yourself Swan, your name is Cigney, but ya say it's akin to Cygnus ya guess or a quiet insult. I am so confused. Which is the insult? And ya think your name is bad, try mine. Ever since I came here I got folk asking me if I'm Roman, or a Roman and had one guy even jerk my leash saying he was Roman too."

He shook his head.

"Crazy folk in this world."

[Kora] "Careful, Cigney. You're hearing insults where there are none. We have," a faint, " - as Roman said, rather a number of compatriots named after birds. His cousin, my packmate - her parents named her Sparrow. The Nation named her Resistance."

Kora casts a glance between the pair, from Roman to Cigney, before she continues, still low-voiced. "And you'll forgive me for insulting your kin, but your father should have acknowledged you as his, true-born or kin, you're Fenrir, not human. I will not hold his transgressions against your mate against you."

[Roman Turner] "There's power in names ya know. My Cousin Sparrow earned the deed name of Resistance. Myself, Fate. This here is Sorrow."

He bumped shoulders with Kora, obviously very content to crowd in on one side of the booth with her. On the outside he was young and most wouldn't see past that. Inside he was aging at a terrifying rate that would turn a human's hair white. Like experiences had a way of aging Garou beyond their years. When he shifted his weight, his foot bumped his pack which gave a faint clanking noise was the tools he'd stuffed in shifted around. Clean up wasn't always just bleach and this one required extra tools.

[Cigney North] As she listens to Roman she scowls, then blinks...then shakes her head a little and eventually tilts her head back and laughes. It was hard not to be so serious sometimes when people asked her about her up bringing. She had no fancy pedigree to fall back on. Because of this she's gone the extra mile to prove herself a capable Fenrir kin. No less than another.

"I'm sorry Roman. A swan is everything opposite to a wolf. Non-predatory, soft, lovely but by no means useful. It doesn't do anything...it's an insult. But I accept it cause in some way I hope it shows a bit of humility considering my situation".

As Kora warns her, Cigney puts up her hands and lowers her head nodding. "I know...please forgive my defensiveness, it happens sometimes". She looks to Kora and Roman. "I do not hate my father. I love him dearly because he made me what I am. I wish things could have been different....but I can't change these things so I have to find peace with it". A deep centering breath. "Thank you for your acceptance".

[Roman Turner] "Ya got that wrong. A swan is a fierce warrior. They beauty throws folks off, but come near their young, near their nest and ya gonna have a tangle with it it. Ain't a soft name at all, it's a deceptive name. Camouflage name. Ya see beauty with the name, not the steel beneath. It's a good thing."

He lifted his bottle in a little salute and swigged down more of the beer.

[Kora] Kora's attention lingers on Cigney now, watching the quick, sure change in her expression, the way her defensive frown resolves itself into a moment of undeniable surprise, then melts away into laughter. There's a quick, answering curve on the Fenrir woman's expressive mouth - which deepens with a subtle shake of her shoulders that does not dissolve into laughter proper, caught behind the surface of Kora's native reserve.

"That," the creature returns, when Cigney apologizes for her defensiveness. "I can accept, especially since you've not allowed it to harden into bitterness."

And the lot of their kin can be bitter indeed.

Roman offers their names - their Names, the ones that will be remembered if they are remembered at all, and Kora glances at him as he bumps shoulders with her. She returns the gesture. Her skin is warm, warmer than a human's would be, the rage underneath. Her dark eyes return to Cigney as Roman corrects him about the strength of swans.

[Cigney North] "Someday you'll have to do me the honor of telling me how your deed names were chosen for you".

Hearing the clank, she blinks and resists the urge to look under the table. Cigney presses her lips together. No questions. Not at this time. As he compliments her name, she gives a reserved smile...then stiffles a chuckle. "If I ever start to honk...then we'll know it's completely true". She then laughes and lifts her glass before taking another long sip, nearly draining it to the bottom.

"I like to know a persons philosophy. It's more important to me that I know how someone views the world and what it is they feel they were born to do, what they need to accomplish. I like to know people this way". Her fingertips brush over her breastbone again as she looks deeply at Kora, holding her gaze but in no way a stare. "I can't know people this way if I harden myself". She swallows a little..."hate is a powerful thing, and it has its place in the spirit. It must balance with love. I feel at harmony in my spirit..."

Her eyes questioningly gaze at Kora as if to ask if she felt balance...

[Roman Turner] "I don't hold hate inside. Don't feel it. Everything's got a reason. It might make no sense, but hate is one of them things I can't let in for no reason. It's a weakness Miss Cigney, one that lessens the one it takes and one that exists only if permitted."

He changed the subject like Mercury.

"I was named Fate because it was fated that I would go through the change. It was fate that saw me survive my right of passage just as it was fate that brought me here to Miss Kora. Fate that had me come to Chicago with my Cuz Sparrow. Life begins and ends with Fate and it is Fate that moves us along life's many journeys."

For all the seriousness of that, he gave a big cheesey grin at the end.

[Kora] "I'm a Skald," Kora returns to Cigney, the faint curve of her mouth deepening. "I'll be pleased to tell you those stories. Someday." Her beer is slowly disappearing. She doesn't slide out from the booth to go order another as she might on an easier day. Instead, she nurses the remains of this one, inhaling the hoppy aroma of the pale ale, watching the way the remnants of the head cling to the sides of the glass. "Mine's a bit longer than Roman's, I think. Requires at least two drinks for the telling."

Then, that gesture again. Cigney touches her sternum. It's one of the strongest bones in her body, the cage behind which her heart lies.

"I'm not sure most of our tribe would use the word love," Kora replies, keenly attuned to the depth of the look with which Cigney favors her; aware, too, of the girl's care to keep that deep look from becoming a challenging stare. " - all many of us are lost in rage. We follow the strength that lives in our modis, the rage that drives them, that fuels them, can easily overwhelm them, burning everything away."

Here, she lifts a glance toward Roman, her dark eyes tracing the boy's features. "I work hard not to lose myself like that. I think we have to fight; and remember what we're fighting for - which is the world after Ragnarok - returned to its first balance. The golden fields that the seer saw, yes?" The allusion to the Voluspa is brief, but there's an undercurrent of conviction in Kora's words that suggests how much that vision of the world - after - means to her.

[Bridget] (Open?)
to Cigney North, Kora, Roman Turner

[Kora] Yes! We're in a pub! I'm going to desert you guys for about 15 minutes to go buy dogfood right now, but i will be back!
to Bridget, Cigney North, Roman Turner

[Kora] (So: post around me while I'm off buying dogfood please. It shouldn't take long!)
to Bridget, Cigney North, Roman Turner

[Cigney North] Listening to Roman speak of his philosophy, his deed name, his journey here and the relationships he's made for himself, Cigney gives a warm smile and nods. "I don't see any weakness in it at all. But if that's true ...what pushes you to fight, to violence, to war?" There had to be some motivation behind these actions that all Garou must eventually take.

Her eyes return to Kora again, her hands back to either side of her seat. "Love by any other name can be felt just the same...I'm sure of it". She looks thoughtul for a moment. "Love and Hate can sometimes feel the same...can't they?".

Putting her chin in her hand, elbow propped on the table, Cigney watches the bar become brighter as the day steals away. "I hope you will let me buy you that second beer when you have the time".

[Bridget] Wind from the lake forces the door open once it's been cracked. A twenty-something teeters inside, having been yanked in with her hand on the door. She laughs a bit and uses it as an excuse to rush over towards the bar. The bartender eyes her suspiciously until she gives him a big smile and digs for her ID. Soon enough, the suspicious man pours her a beer and leaves her alone.

The black, athletic tank reveals two portions of ink scrawled across her skin. A bear cub's head peeks out on one shoulder, while a blackbird haunts the other. The strength of her blood makes it easy to identify her as Fianna kin, but there's something aloof and feral about how she moves. She doesn't notice the others, and since they haven't been introduced, there's no one to recognize.

[Roman Turner] His rage was such a low thing that sometimes he was mistaken for Kinfolk. While most Coggies were gentle seeming, it did not mean they were weak or not capable of violence. So when Cigney asked her questions, he leaned forward with his arms resting against the table top and spoke in that soft southern drawl of his.

"Well Miss Cigney. I don't see it as violence. What I do is not uncontrolled. What I do, I do for the survival of our Race as a whole. I don't do mindless and I do understand that each and every war that has been fought throughout history can be said somewhere along the line, it was for survival. So I suppose ya have to make your own calls on this. I don't do what I do for Glory, to conquer to gain. I do it so one day after the dust settles, there's a place for my children's, children's, children might have peace and a place to call home."

[Cigney North] She's receptive to the rage, and it causes her to draw back slightly. Her eyes dip slightly for a moment, and she's quiet. The sound of the door captures her attention for a moment has a woman breezes in. She watches her a moment or two before turning back to the two hosts.

"My greatest wish is to help that fight anyway I can. I don't demean it by calling it servitude. It's my calling, my destiny."

She gazes around. "I'm not keeping the two of you from your chores am I?"

[Kora] "I would never refuse the hospitality of my kin," Kora's response to Cigney's invitation, for the second beer, some other night, is easy and sure as everything about her seems to be. Her dark eyes linger on the young kinswoman's face as she muses over the balance between love and hate, these human words that seem - to Kora, the Skald, the daughter of Fenris, with her duty to regale the living and remember the dead - almost too human.

"You're probably right. They can be the same; they can diverge. I think the words themselves feel wrong to me. What we are feels deeper and broader than human language can encompasse, so I shy from abstractions like love and hate, and stick to the concrete. The beer in my hands. The packmate beside me. The kinswoman sharing my table. The music in the air. The memories I carry, of both the living and the dead."

Like the rest of them, Kora looks up as Bridget breezes in and orders her beer. Unlike the others, Kora goes a step farther. "Fianna," she tells them, her voice low. " - kin, likely. I can read her breeding in her bones."

Then, that wry look curves across her mouth again. "Our chores will take us a few days. The respite is welcome. Though we should be on our way, shortly, I owe you a bit more information, I think. Hand me that napkin, would you?" she continues, gesturing to napkins, closer to Cigney's hand than her own.

[Roman Turner] His rage was such a tiny thing compared to most, so when Cigney drew back slightly it had puzzlement then a flash of quickly veiled pain darting through his faded denim colored eyes. The opening of the door was a good reason to glance that way as a woman bearing breeding he didn't know, entered.

Cigney spoke and drew his attention back to her and once more a big ole stupid smile was thrown up like a shield.

[Bridget] The Fianna remains at the bar for now. Unable to remain still, she merely sets her canvas bag with its various pins and patches on the stool. She remains standing, shuffling back and forth on each foot. Should any be able to read body language, she has a strong urge to move around, go running perhaps. It's difficult for her to restrain it. So, after a moment she grabs her bag and takes her cold mug towards the jukebox and pours some spare change into it.

After making her quick selections, she reads some of the band pamphlets located in the back of the place, then moves back towards the bar again. Something bluesy makes the jukebox flare to life. There's something of a sheepish grin coming from the kin as she makes her way back.

[Cigney North] She takes the napkin and hands it to Kora. She then moves to her gym bag and searches through it for a business card. Oh yes, a professional she is. Sliding the card to Kora on the table, she nods and smiles at Kora's description of life. "It's almost poetic I think, your words". Cigney looks again at the woman as Kora identifies her as a kin. She watches a moment or two, then sinks back into silence.

"I wish you the best of luck in your chores. Again, I'm grateful for your hospitality. If you do need any help..."

[Kora] Kora accepts the business card, glancing down to read the kinswoman's name and title briefly, with a passing look at the phone numbers attached. Then, she slips it wordlessly into her hip pocket, digging out a stub of a pencil from somewhere. Later, she will transcribe the numbers on the business card into her phone, but it is a testament to her distance from human society that she does not do so sitting here, now. That she prefers to write them down, to read them inscribed on paper.

"This," she says, writing a number on the paper. " - is my phone number. And this," a second number, the name Trent beside it, " - is my mate's number. His name is Trent, and if you cannot get me on the phone, he's likely to see me soon, and should be able to get a message to me. The tribe's numbers are few in Chicago. There are two Rotagar, one named Karl, one named Delmer. I'll let them know you're here. We have a few kin, as well. Adrian is an archaeology student, Izzy and John are detectives. Moira is an herbalist. I'm not sure we have enough for a moot, but maybe a barbecue, soon.

"There is a restaurant here called the Brotherhood, run by kin. If you need to find others, kin and Garou both live there, in a dorm above the restaurant, though my pack does not. I'll give you a call in a few days, show you the way to our packhouse in case you've need to find us have haven't got a phone.

"And," lingering, the pause, "I'll make a talen you can break if you run into trouble. The spirit will find the nearest Garou. Give me a few days, yeah?"

"As for this," a glance down at their supplies. "I'd welcome your help, though I think it's something I'd like to spare you. You might give Trent a call, though. He's interested in organizing a river clean-up, a sort of work day to pick up the trash from the Chicago River. I'd like it if you got involved."

The shift in music, the wail of the blues draws Kora's dark eyes to Bridget again. Her look lingers, sure and dark and clear, longer than another's would. She turns back to Cigney, though, pushing the napkin with its numbers across the table to the young Fenrir kinswoman.

[Bridget] It finally occurs to her that she's being watched. It's not an oppressive thing, so it's not overly obvious, but she still gives the deer-in-the-headlights look, nut-brown eyes scanning the room. It rests on their table, but not for too long. She sips at her beer and plays at watching them. After a moment, she decides to make her way over.

"Hey, do any of you know of a decent live venue around here?" she asks, not really towards any one of them.

[Roman Turner] He looked up at Bridget's approach and his mouth worked a few times with her question before he just said.

"Huh? Live what?"

[Cigney North] Cigney shakes her head. "I'm sorry, I'm kind of new to the city so I don't know much about the entertainment". She looks at Roman, then smirks and rolls her eyes a little. Too funny.

She takes the napkin and folds it quickly but carefully into her palm, then moves it to her lap, having listened attentively to Kora. All of this...such kindness. Cigney smiles and nods her head. "Yes...I will help however I can. I can't begin to even thank you enough".

The napkin is placed into the business card holder to keep it safe amongst her things.

[Kora] "She's looking," Kora explains to Roman, her voice low and sure as it always is, "for a bar that has live music." It seems as if she is always explaining these things to the young Ragabash, with his southern drawl and his fine, country manners. Unlike Cigney and Roman, Kora does have a suggestion.

"The Fox and Feather. They have acoustic music Sunday afternoons into the evening. A mix of styles, really. And then there's a place called E-Sixx, that used to be owned by one of your kin. I think it's a bit edgier in style, and still has live bands, even after the owner's death."

A brief, passing glance toward Cigney, then. Kora's eyes gleam, and her smile warms. "I told you. I'm glad you're here in Chicago. We'll talk more, soon."

[Kora] I think I have another post or two in me for this scene, and then I need to finish some things around the house. Bridget: I feel like I owe you a scene, so if you're still around when I get back we could do something brief! :)
to Bridget, Cigney North, Roman Turner

[Kora] (just FYI: I've really enjoyed the scene, I hope we'll play more, soon. Can always feel free to grab me on AIM. My name is istioname there.)
to Cigney North

[Roman Turner] ((as for me, a short time more and I must sleep because I am cross-eyed))
to Bridget, Cigney North, Kora

[Bridget] She smiles and tilts her head a bit, finding Roman's confusion amusing. She sips her beer, then shrugs.

"Ah well, a bit much to hope for I guess." There's a trace of French Canadian in her accent, should one have an ear for it.

However, seeing as they're apparently in the middle of some conversation or going their separate ways, Bridget's attention wanders off. A rowdy patron backs into a server, sending the tray and a glass to spill on the floor. If Bridget's ears could twitch, they would. For a second, until she realizes what's going on, there's a posture of mild alarm.

However, what Kora says catches her attention. Kin is not a word used often in this part of the country. A dawning of recognition.

"Ah, sure thing. Thanks. I'm Bridget."

A hand stretches towards the Fenrir. There's no hesitancy, but it's not confrontational either.

[Bridget] ((Ah, that's fine. I got invited to this cookout today, so I might not be here when you get back.))
to Cigney North, Kora, Roman Turner

[Cigney North] As Kora explains the entertainment options, Cigney is busy remembering them for another time. Feeling that they have reached the end of the evening, she finishes what's left of her melted ice cubes and then gets up from her seat. "It's nice to meet you Bridget". She offers her hand after Kora's or Roman's.

"If you'll excuse me, have a bit of a walk ahead of me".

She thanks her to hosts once more.

[Cigney North] (Thank you so much for the scene. My AIM is MiamiVStyle)
to Kora

[Kora] "Kora," the Fenrir introduces herself, clearly reading recognizing in Bridget's face. "And this is my packmate, Roman." They are bit separated from the bar here; the booth was clearly chosen its isolation from the other patrons in the room. The bar is filling up now, though, and Kora and Roman still have a ... warehouse full of body parts to clean up, to cleanse, to burn - bloody, grotesque work that will take them not hours, but days.

Then, Cigney rises, excusing herself. Kora flashes her a half-smile, easy and confident. "Goodnight, Cigney."

"I haven't seen you before, Bridget. If you need help getting in touch with your tribe, I'd be happy to provide it. If not, I'll have to offer you hospitality some other night. Roman and I have neglected our work rather too long, tonight, already."

[Kora] Brilliant. I've added you! :)
to Cigney North

[Bridget] Bridget shakes Kora's hand and looks to Roman. She nods her head, still smiling. She listens while Kora explains what's going on. Another nod comes from the Fiana kin. "Sure thing, haven't run into any of them here. I don't have a phone yet, but I know where the Brotherhood is."


Bridget watches Cigney with an amiable expression as she moves to leave. She shakes the other kinswoman's hand without hesitancy. "You, too."

[Roman Turner] He rose when Cigney did, canting his head to her.

"I'll be seeing ya again Miss Cigney."

He waited till she left then nodded his head to Bridget with the introduction from Kora.

[Cigney North] With that, Cigney heads towards the door. She pulls on a track jacket and slings her gym bag across her body. It was a nice evening, and she had arranging to do back to the new apartment.

[Cigney North] Goodnight everyone, thanks for the scene!
to Bridget, Kora, Roman Turner

[Bridget] Night
to Cigney North, Kora, Roman Turner

[Kora] "No?" Kora returns to Bridget, her pale brows lifting as the young Fianna reports that she has not run into her tribe here. "I'll find them for you." The Skald offers the Fianna kinswoman the faintest hook of a passing half-smile. "Check in at the Brotherhood in a few days. Hopefully, they'll make contact with you.

"And, if you can, get a phone. Preferably a prepaid phone, the sort you can pay for in cash and discard easily. The city's dangerous. It helps to have an easy way to stay in touch. I'm glad to have met you, too, Bridget. Even in passing. You'll never find me at E-Sixx, but sometimes we go to the Fox and Feather, when duty does not keep us elsewhere."

Their beers are on the table, finished now. Both Kora and Roman have bags. Kora's is help, two huge bottles of bleach inside. Roman's clanks with nameless tools.

[Bridget] The kindolk nods and lets the two go on to their business. From the looks of it, something that would keep them busy for a while. Bridget doesn't ask: it's not her business. She's polite, but not like so many cowering, half-fractured kin. She looks like the sort who can take care of herself well enough.

"Sure thing, ma'am," a polite, respectful nod. "Thanks."

Morning comes.

[Kora] The small pack is gone for a week and a half, without word. When he drove by the church to refill the bird feeders, to wash out the baths at the little shrine to Sparrow in the front yard of the dilapidated old clapboard home that once housed another pack, whose members are all fled, or burned, or burned in a watery grave a the Caern - when he drove by, at twilight, when his day's work - maybe some overtime - was over, the place was empty, dark, with a sense of drift about it, the empty windows, the overgrown greenery, the trees curling through stained glass windows, worming their way through the old roof, clinging to the warm cut limestone blocks with which the place was built so many years ago, dark.

--

Saturday morning, an hour or two before dawn. It's early and he's sleeping, alone in the dark. She doesn't knock. She doesn't wake him. An hour or two before dawn, the door to his apartment opens and she's inside, the cool familiar surroundings, so utterly spent that it is all she can do to unlace her boots just inside the door. Her fingers are not functioning as they should, and the criss-cross seems so maddeningly complicated that she pulls sharply at the multicolored laces just once, then stumbles toward his bedroom, opens the door, the bed depressing under her weight as she crawls up beside him.

Three times she tried, walking down the hall, to peel off her t-shirt, to shed some of her clothing, to find her way back to her skin in the darkness of his apartment, which is all stark shadows when he's asleep, just the skimming lights of the city visible where they cut through the living room windows. Three times, exhausted, she failed, foiled by her elbows every time.

Instead, she crawls into bed beside him, one last attempt at toeing off her boots succeeds it levering the right one off. She falls asleep, curled against him, her arm curving over his torso, fingers finding the faint furrows of scars on his abdomen from his stabbing early in the summer. Her mouth, her sharp white teeth close over his bare shoulder in some instinctive, animal show of dominanc.

All this as she falls into a depthless sleep, bone-deep, utterly spent. She won't wake for ten hours.

Maybe he stirs in his sleep, half-wakes, turns over toward her. Maybe he keeps sleeping, spent himself, aware that she has returned only on some visceral, instinctual level. Her skin is colder than he has ever felt it, and she smells of blood and snow.

And he dreams that night of both, blood and snow, blood hot on the snow, the sharp scent of prey's scent through a world defined by the absence of all color, and a barren sort of perilous sky, occluded by shifting clouds of a winter storm. His pack expanding around him, driving something to ground like a single organism, these simple pleasures, the ground disappearing beneath his feet, the sharp, lacerating cold as it fills his lungs, the warmth of other bodies around, the joys of the hunt and the sharp, eerie dissonance of a howl at twilight, the echoes of the others around him, his soul in his throat as he opens his mouth in praise of the moon.

[Trent Brumby] His apartment is as orderly as she remembers it, with the same scents and that of dinner that he had eaten at home that night. For a Black Fury Kinfolk, those that oppose the Weaver as much as Man, he is almost compulsive about the organization in his life, living a routine existence.

She will find him in bed, sprawled out half on his stomach with an arm tucked under a pillow and the pillow hugged to his face. One leg extends straight and the other knee is bent with his weight pressed lightly into it. He is sleeping quietly, deeply, when she finds her way into the bed, but immediately rouses with her touch. The cold of her seeps right through his warm skin to try and chill his bones, creating goose pimples long before his eyes open.

"Kora, you're freezing," mumbled. It's half a complaint and the other concern.

Despite the cold of her, he rolls over and curls her into the weight of his arm, pulling her so that she tucks in against him, and blindly pulls the blankets up and over her, making sure she's snug in against his warmth and that the blanket keeps it in. He kisses her face, just the once, and begins to rub along her back with his palm, slow and lazy with sleep.

"Good to have you home," another quiet murmur, into her hair.

Not long after, he's back to sleep. Perhaps not for long, especially with the dreams that circulate through the sleeping mind, but he gets in another few hours before he is up for work again. He makes sure that she is warm in the blanket, leaves another kiss to her hair before leaving the bedroom. Not long after, he's at work.

Dropping home for lunch has him finding her asleep still, but he cooks her up a steak and some bacon, his own made into a sandwich before he takes off for work again. He won't be home until later that night, working through until after six, and he'll bring home some dinner with him - something she'd favour.

[Kora] When he mumbles to her in the dark hours of the night, when he kisses her, her face, her hair, she turns her head to follow the sound of his voice, the warmth of his mouth against her skin. It is instinct, entirely. She is thinner than he remembers - he sees it not in her torso or her hips, but in her face and her arms, the sharp cut of her shoulder girdle, the way the skin there stretches over her bones. A few pounds, enough that he would notice because he knows her body. Few enough that no one else would be like to see it in her. Her hair is longer, too. A good inch, an inch and a half, the summer's highlights lost to the dull gray days of some remembered arctic winter.

None of it matters. In the end, she's come back.

--

When he comes home late from his long day at work, dinner in hand, a stop in the kitchen finds that she ate everything he cooked for her, and drank her way through his liter of milk besides. She's still there, though now her boots are by his door, tumbled over each other, a messy counterpoint to his neat precision. She wanders out of the hallway, wearing one of his robes, toweling her hair dry while listening to someone on the phone.

She meets him in the living room, hangs up the phone with barely a word, and pulls him close for a lingering kiss. The towel drops from her hands as she traps his against her body as the kiss ends and she simply... breathes him in.

The moment is measured in heartbeats.

It ends. She pulls herself reluctantly away from him, frees his hands from where she had secured them, one against her hip, the other against her flank, his fingers splayed across her back, his thumb spanning her ribs beneath her breast, and reaches up to drag her thumb against the line of his jaw.

"I have to work tonight," she tells him. "And I have a job for you to do, too."

They have an hour for dinner, and she doesn't talk about the job. The kinfolk who disappeared from the VA hospital. Her kinfolk, a man she is responsible for protecting and defending. They eat dinner together, sitting on the couch so that they can be close, and the conversation is light. Is lighter than it could be, easy. Maybe the television is on, the news, the weather, and Kora tells him that she's surprised it's still summer here. It seemed like months.

--

Later that night, he's outside a non-descript warehouse where his mate and her fellow Garou will fight a grotesque amalgam of human and machine for their lives when the kinsman he is there to pick up ("The place smells like death," Kora told him, when dinner was over; in the car, on her way to meet her packmate and the others from the Sept, " - he's not likely to be alive.") comes staggering out of that abattoir, missing an arm, missing an eye ("Like fucking Odin. Gods.") covered in his own filth, the worst of the visible wounds, closed, the festering infections healed, still wounded, just less grievously, and perhaps less visibly, by the ordeal he has endured.

[Trent Brumby] He will be glad to see that she has eaten everything that he had made her and gone through nearly all the full cream milk in his fridge. There is plenty of dinner to be had, and he manages to put it down on the coffee table before she is upon him. He gets out a; "Hey Kora," which sounds suspiciously like she says hey baby, before her mouth is locked onto his.

Drawing her close, he has no qualms keeping her in against him, and giving a small demand to her kiss. It had been months for her, only less than two weeks for him - but it was a very long time, wondering if she's even going to return. No word. Nothing. Until her cold frame had curled against him in the predawn hours. She knows he has missed her by the way he demands more, pulling himself up short of disrobing her.

Over dinner they had talked. He tells her about the working bee, and how he's got quite a few people interested by this point but not as many as he would have liked. Other things too, the weather, and, of course, him telling her to eat some more.

Having agreed to the job, as if he would do any less, he's in his car with some packed belongings. There's a blanket spread across the back with a plastic painters sheet under it, protecting the upholstery if need to be. Also in the back is a fully equipped medical kit, and a prepared heat pack. Perhaps he had told her at some point along the way, that he's a fully trained paramedic. A man of many trades, it seems. Before they left home he had put out a folding bed that he keeps stowed away, setting it up with fresh sheets and a blanket - just in case. It was simple enough to take down. But if he was playing medic that night, he didn't want to waste time dealing with the injured while also preparing linens. Trent is definitely organized.

"Be careful," this as she's parting, and: "The Gods be with you."

The wait had been excruciating, and it wasn't she that returned but a man that was missing the forearm of a limb and an eye. Trent had got out of the car, helped him into the back seat, wrapping him in a blanket with the heat pack, and told him to lay down. He'd drive a distance away before he'd pull over and see to bandaging up some wounds temporarily before they're heading back to the apartment.

[Kora] The man stinks. He stinks - of blood and feces, of urine and - even sharper - fear, the sort of enduring, mind-bending fear that a man like Erick Anderson, a thirty-something Iraq War veteran, former member of the special forces, Get kinfolk, Black Eagle - god, he can peel off the names like nobody's business, and he does, not in the car, when he's still in shock, so filthy that he has to sit in the backseat on a painter's tarp, so broken that when Trent parks his damned car in the damned parking lot - he keeps reaches for the hand of the door with his stump, which is mostly healed, no longer gangrenous, but which is still covered with skin that looks more like hamburger meat than human skin, pink new growth, raw and tender.

Trent opens the door, and Erick feels it all. This stranger, this fucking car, the way he's still shaking inside, the surreality of freedom after the absolute limits that come from being locked in a fucking freezer kept by a fucking madman who was cutting pieces away without anesthetic, not even for the sick, perverted pleasure of it like some regular, human madman, but because the anesthesia would have been so damn wasteful.

Erick limps, his muscles are weak from disuse, from atrophy. He's been still, locked away for days or weeks; if asked, he doesn't know, can't say, won't say anything, not his name, not his rank. Not his tribe. Just his serial number, which he mumbles underneath his breath as they walk, up the concrete steps rather than in the more well-used elevator. He says it again and again, Seven Three - so that by the time they're in Trent's apartment, Trent would swear he could say it with him. Each number in succession, Erick Anderson's last shred of sanity.

The kinsman stands in the shower under running water for forty-five minutes. He just lets it run. The water heater empties and the water turns cold and drums against the crown of his head, thumps on his broad back, where the weight loss, the atrophy, the muscle loss is so evident underneath his skin.

He emerges from the shower still limping, but clean now, the filth scrubbed away, dressed in some of Trent's clothing. It pulls against the Get of Fenris' broader shoulders, but hangs off his formerly stacked torso. Erick submits - silently - to Trent's work as medic. Offers his stump to be truly washed, cleansed with alcohol and betadine, bandaged to protest the new raw skin.

It's only when the bandaging is done and Trent offers the unfortunate man a Scotch that he seems to pull out of himself, with an I could use a fucking drink, before he introduces himself, saying I'd offer you my hand, but - with this grim, bitter humor meant to hide the grimace that pulls at the corners of his mouth.

Erick drinks.
And drinks.
And drinks, and Trent doubtlessly feeds him somewhere in the middle of all this, and then Erick drinks again, opening up as the alcohol opens his veins, regaling Trent with some brutally bitter rendition of What Happened to Me, before he settles back into more familiar stories, about Iraq, about the Get, the Black Eagles, all of it, telling story after story until everything hits him, all at once, and Trent has to take his arm and half-carry the man to the cot he's set up in the spare room.

--

She comes back while he's putting Erick to bed. Opens the door and lets herself in. The sun is an hour, maybe two, away, and she shuts the door quietly behind her. She's filthy, blood on her face, in her hair, underneath her fingernails. Her boots are wet, washed off with some convenient spigot before she found her way back to his apartment. When he emerges from the hallway to round up the scotch glasses, the remnants of dinner, the late night high-protein snack for the malnourished kinsman, she's walking through the living room, headed toward the bathroom, shrugging off her filthy clothing as she goes.

"How's our patient?" she asks Trent, quietly, her dark eyes on his face. There's a more subtle question wrapped into the words that he can read her still, half-curved mouth, the sheen of light across her dark eyes. Which is: how are you?

[Trent Brumby] Erick finds that Trent is quite adept at dealing with people in shock, usually from car crashes and the like, and while he's been out of the field for about a year, it all comes back from training, from years on the job. He handles the Get Kinfolk without any sort of judgment and with a sympathetic ear that is not overly so. The former Black Fury kin, who's blood is still strongly of that Tribe, has no qualms about getting the man drunk as long as he's eating down some food. He jokes easily, only when the other does, says something like: "Don't worry, you'll be a lefty in no time," referring to his only hand.

He listens. That's what he does best. He listens and he supports, and when needed - like tonight, he directs with a silent confidence that comes from his all steady core. There is nothing large and boisterous about Trent, not demanding, not crawling for attentions. He goes through life contained and seemingly content. Takes orders as well as he can give them. And so Erick finds himself cleaned off, of which Trent would have helped with unless indicated otherwise, dressed, fed and finally put into bed with a blanket over him.

Finished, he's coming out of the hallway as Kora is coming in. His eyes give her a sweep, takes in the blood and grime, and any potential injuries. He looks a little worn around the edges himself, but it's been a long and slightly crazy night. He hasn't had time to muse over the horrific ordeal that another kinsmen had been put through, having been focused on being the pillar of the night. "He's in bed, well drunk, and hopefully going to sleep." He suspects that he'll be up in a short order, to a man suffering from sleepless nights, and he will become the companion that sits him through it, like one tends to the injured and the sick, or the frightened.

"Are you well?" This is asked of her as she's heading towards the shower. His voice is quiet.

[Kora] This is not the first time she's encountered the steady confidence that is the core of him, the still, sure heart underneath all the rest of it. It's the first time she's encountered it like this, though, at 4:30 a.m. on a Sunday morning while the city sleeps, as the injured kinsman whom they rescued, whom he tended, after, descends into a fitful sleep that will last only as long as the alcohol remains patent in his veins.

He was stabbed at the beginning of the summer, and there she was, this frayed vessel of rage, this righteous, instinctual anger gleaming in her like the flash of a fish underwater, seen through the frothing waves. And there she was, a Get of Fenris, treating him for week after week as if he were fragile, breakable, as if she might touch him and watch him dissolve into salt, into sand.

When she's wounded, Kora curls up in the church with her pack, wolf-skinned, to heal. Before they left on their quest for their new totem, she came to his apartment poisoned, so close to death that she felt his fingers curl over her spine, felt her body unraveling by spasmodic degrees as she struggled to do something, anything, to revive her packmate before she succumbed to the poison twisting her intestines, playing havoc with her sense of balance, making her shudder and sweat and retch as a human. Her gift - from Fenris, and from Bear - kept her on her feet, sure and upright, and all she told him was that she wasn't feeling well.

Tonight, he asks if she's well. She meets his gaze, dark to pale eyes. Her chin is tilted faintly upward, because he's taller than she by a scant handful of inches. Kora does not smile at him, because the work of the night was too horrific to allow her to smile. Sorrow, spent rage, weariness, all are there in her dark eyes. They match the weary care, the wearing of his long day, and longer night.

"Yeah," she tells him, her voice low and steady. There's a certain raw note, her voice hoarse, just, from the work of the evening. "I was shot, but Roman healed me before it could reload, or take another swipe. Then we brought it down. The man who did this, too. Dead."

She smiles then, a faint thing, though it is coiled about with feeling. Glances down at his hands, his body, then the space between them before she finds his eyes. "Come with me, baby," she tells him; her voice - already low - has dropped a minor fifth. The husk in it isn't wanton. It's the sum of everything else - rage and grief, relief, gratitude. This wordless thing that opens up in her chest when she looks at him, worn, tired, his pale eyes attentive to her, asking her if she's well.

"Come wash my hair."

[Trent Brumby] That she was shot doesn't sit well with him, of course, and even if there is relief that Roman was able to heal her before whatever it was reloaded - of which he's also grateful for-, he still doesn't like the idea that bullets had torn through her flesh, caused her pain, and that something had tried to kill her. He never likes these ideas, not even thinking about the facts of their lives. But there is nothing for him to say to them, and he only nods once, mouth a little puckered in that down turned, unhappy way. He glances away from her, over to the bottle and the glasses, then back again when she asks him to come with her.

It makes his brows raised. He didn't need to say it, the expression read clearly: Seriously? at first thinking she was asking him to come to the shower to do more then he's sure his body is capable at this point. He's been up for just short of twenty-four hours by this point, his working day starting at six am, and it has been an exhausting sort of day. But reading more into her expression and tone, those had lowered, and by the time she asks to come and wash her hair, he gives a small smile and a nod. Eyes flicker with a thread of amusement before he's walking towards her, ushering her with his hands down towards the bathroom, stripping her free of clothes the moment they are walking into the bathroom.

He pushes the door closed after him, and is careful disrobing her, leaving a pile of bloodied clothes on the ground.

[Kora] There's this quiet moment, just inside the door, where everything is faintly awkward. They are in a small space together; he's exhausted, and his workday begins again with the sunrise. He was off work so long, he needs the hours, the overtime, the job. He is exhausted and she's spent, not exhausted he is, but spent - body, will, spirit and rage - all burned away for another chance, another shot, another blow that might turn the battle. It's been weeks since he's seen her, and months since she's seen him, by the strange, terrible logic of the spirit world.

There's an injured, not-quite-broken man, kin to her tribe, sorely wounded, sleeping fitfully in the spare bedroom. She lifts her arms as he pulls her t-shirt over her head, toes off her boots so that he can pull off her socks. There are elbows, knees - joints in strange places, blood smeared on her body where the bullets impacted drifted against her skin, up and down her left flank, where the spray of gunfire caught her. What Roman hadn't healed, her feral body had when the battle was over, regenerating itself at impossible speed, expelling the foreign matter of the bullets.

When he has finished disrobing her, she turns around, her arms crossed over her torso, and reaches for his own clothes. She's less careful than he was with her, but this is far from the rough, demanding way she has handled his clothing in the past.

In the shower, she lets the water run over her body, tips her head back so that he can pushes his fingers through her pale locks, washing all the blood and grime from her hair as the water works over her body. When the water runs clear, she turns back to him, curves her arms around his shoulders, holds him close as the water beats in sure time against her back. Missed you she mouths into his collarbone, as he reaches around her to turn off the water. Missed you.

They'll sleep together, then. Half-clothed, boxers for him, and one of his work-shorts for her, unbuttoned to the breastbone, drenched in his scent. An hour, or two - until his alarm goes off, until her kinsman wakes, shouting, startled, from the depths of a night terror of a memory. His arm underneath her shoulders, her hair dampening the pillow, her arm and leg thrown possessively over him.

It's the quietest time they'll have for days to come. Soon enough the alarm shatters the slow-dropping sort of peace. The world turns. Morning comes.